Search Results
Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter ways and means committee reports
Date
Archival Collection
Description
From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.
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Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter fundraising committee report
Date
Archival Collection
Description
From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.
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Photographs of Girls of Glitter Gulch signs, Las Vegas (Nev.), June 24, 2016
Date
Archival Collection
Description
Site address: 20 Fremont St
Sign owner: Derek and Greg Stevens
Sign details: Glitter Gulch is next to the Golden Goose. This now closed property has a long history in Las Vegas. In 1959, the Fortune Club was where the Glitter Gulch would soon replace it. For the history of the Golden Goose: Herb Pastor bought the Mecca Club from Sylvia Sioratta in 1974 then opened up the Golden Goose soon after. Mr. Reed's was the property that sat next to the Golden Goose at this time; however, that then became Bob Stupak's Glitter in 1980. In 1981, Pastor ended up buying the Glitter Gulch. In 1991, Pastor merged both of these properties into a strip club. Both of these properties ultimate closed in the summer of 2016. The signage was taken down in 2017.
Sign condition: Vegas Vickie has been taken down and half the Glitter Gulch sign was also taken down.
Sign form: Blade and sculptural sign
Sign-specific description: Perched atop the signage for the Glitter Gulch is Las Vegas favorite girl, Vegas Vickie. She is dressed up in cowgirl attire and kicking her leg out onto Fremont Street. She is painted so you can see all her details in the day and she is a channeled sign lined with neon tubes that matches her paint so you can see her at night as well. She sits on top of a very geometric piece of gold (like a golden nugget) that shines brightly and dotted with incandescent light bulbs. The "Glitter Gulch" letters are open channeled, lined with neon tubes that glow red at night, and filled with neon tubes that glow blue at night and oscillate as well. During the day these letters are a bold white font and instead of a dot for the "I" it is a four point star. Underneath the golden nugget like structure of the sign is a bunch of silver coins lined with neon tubes.
Sign - type of display: Neon, incandescent, back lit
Sign - media: Steel, plastic, fiberglass
Sign - non-neon treatments: Fiberglass and back lit plastic
Sign animation: Neon in Glitter Gulch text oscillates
Sign environment: These signs sit in the midst of the excitement on Fremont Street Experience. Some of the other properties that sit near them are Binion's, Golden Gate Hotel & Casino, and the Plaza Hotel & Casino.
Sign manufacturer: Ad Art
Sign designer: Jack Dubois and Charles Barnard of Ad Art
Sign - date of installation: 1980
Sign - date of redesign/move: Vegas Vickie was taken down in 2017 for restoration and may return back to Fremont after.
Sign - thematic influences: Both of the Glitter Gulch and Golden Goose signs are extremely iconic signs in Las Vegas history and combine elements that are typically used in signage throughout the city, such as: sculptural signage and signs that have a dominant theme for the property. Vegas Vickie being a part of the signage for the Glitter Gulch also gives some indication that this property is a gentleman's club. They are elaborately designed to draw people's attention to these businesses, which many other signs throughout the city aim to do as well.
Sign - artistic significance: These signs are significant because the design of them is elaborate and they are excellent examples of signs that use sculpture/image to help convey the theme of the property. They are also crafted in such an excellent manner and filled with numerous details.
Survey - research locations: Fox news website http://www.fox5vegas.com/story/31783315/d-las-vegas-owner-buys-3-more-fremont-properties , Vintage Las Vegas website http://vintagelasvegas.com/search/glitter+gulch, Review Journal Article https://www.reviewjournal.com/business/casinos-gaming/mermaids-la-bayou-and-glitter-gulch-come-to-a-close-on-fremont-photos/
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-17
Sign keywords: Blade; Sculptural; Neon; Incandescent; Backlit; Plastic; Oscillating; Steel
Mixed Content
Photographs of Golden Goose sign, Las Vegas (Nev.), June 24, 2016
Date
Archival Collection
Description
Sign owner: Derek and Greg Stevens
Sign details: The Golden Goose is next to Glitter Gulch. This now closed property has a long history in Las Vegas. In 1959, the Fortune Club was where the Glitter Gulch would soon replace it. For the history of the Golden Goose: Herb Pastor bought the Mecca Club from Sylvia Sioratta in 1974 then opened up the Golden Goose soon after. Mr. Reed's was the property that sat next to the Golden Goose at this time; however, that then became Bob Stupak's Glitter in 1980. In 1981, Pastor ended up buying the Glitter Gulch. In 1991, Pastor merged both of these properties into a strip club. Both of these properties ultimate closed in the summer of 2016. The signage was taken down in 2017.
Sign condition: 3, the Golden Goose signage is still on Fremont Street and in good condition.
Sign form: Blade and sculptural sign
Sign-specific description: Perched atop the signage for the Golden Goose is a sculptural goose made out of fiberglass wearing a brown cowboy hat and red scarf around its neck with white polka dots all over it. In its right hand it hold a golden egg covered in incandescent light bulbs, which looks just like the eggs surrounding the bottom of the goose. Under the goose and the eggs surrounding it is a base that has a yellow border on the top and bottom of it and yellow incandescent light bulbs lining these lines. In the center is an orange band. The main portion of the signage for the Golden Goose is an interesting organic shape in a red/brown color that curves inward at in the middle top of the sign and in the middle side of the sign that faces Fremont. The edge of the sign that faces Fremont Street is lined with ten golden eggs that look just like the ones surrounding the goose; however, these vary in size and do not line all the way down the entire sign. This edge of the sign also has red incandescent light bulbs covering it. Each side of the sign is lined with a yellow line that outlines the sign and incandescent light bulbs are part of that line as well. "Golden Goose" is in a stylish mustard yellow font with made up of open channel letters filled with incandescent light bulbs. This sign is also lined with neon tubes that run up and down the sign and oscillate at night.
Sign - type of display: Neon, incandescent, back lit
Sign - media: Steel, plastic, fiberglass
Sign - non-neon treatments: Fiberglass and back lit plastic
Sign animation: Neon tubes lining the Golden Goose sign oscillate.
Sign environment: These signs sit in the midst of the excitement on Fremont Street Experience. Some of the other properties that sit near them are Binion's, Golden Gate Hotel & Casino, and the Plaza Hotel & Casino.
Sign - date of installation: About 1974
Sign - date of redesign/move: The Golden Goose sign was removed from Fremont in 2017.
Sign - thematic influences: Both of the Golden Goose and Glitter Gulch signs are extremely iconic signs in Las Vegas history and combine elements that are typically used in signage throughout the city, such as: sculptural signage and signs that have a dominant theme for the property. The signage for the Golden Goose features a sculpture of a goose to drive the theme of the property to motorists and pedestrians. They are elaborately designed to draw people's attention to these businesses, which many other signs throughout the city aim to do as well.
Sign - artistic significance: These sign are significant because the design of them is elaborate and they are excellent examples of signs that use sculpture/image to help convey the theme of the property. They are also crafted in such an excellent manner and filled with numerous details.
Survey - research locations: Fox news website http://www.fox5vegas.com/story/31783315/d-las-vegas-owner-buys-3-more-fremont-properties , Vintage Las Vegas website http://vintagelasvegas.com/search/glitter+gulch, Review Journal Article https://www.reviewjournal.com/business/casinos-gaming/mermaids-la-bayou-and-glitter-gulch-come-to-a-close-on-fremont-photos/
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-17
Sign keywords: Blade; Sculptural; Neon; Incandescent; Backlit; Plastic; Oscillating; Steel; Fiberglass
Mixed Content
Transcript of interview with Sarah & Joni Fried by Barbara Tabach, March 4, 2016
Date
Archival Collection
Description
The website for Freed’s Bakery happily displays the headline: Baking Sweet Memories Since 1959. Today the third generation of Frieds (correct spelling of the family surname) is hard at work creating incredible wedding cakes, cookies, and delightful desserts for the Las Vegas valley. For this oral history interview, Joni Fried, her daughter Sarah Fried, and nephew Max Jacobson-Fried sit to share stories of working in the family business started by Joni’s parents Milton and Esther Fried. Joni has handed the reins over to the third generation who invest their delicious souls into maintaining this Las Vegas tradition. Their tales range from childhood memories of holidays baking and cleaning to their personal favorite desserts. They also explain the impact on their business as early adapters of computer technologies and social media marketing. In October 2017, Freed’s Bakery landed a TV show, Vegas Cakes, on the Food Network.
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Economic Opportunity Board of Clark County (Nev.): memos, agendas, and meeting minutes
Date
Archival Collection
Description
From the Clark County Economic Opportunity Board Records -- Series I. Administrative. This folder contains memos, agendas and minutes from meetings of the Clark County Economic Opportunity Board in 1964.
Text
Keith Whitfield (University of Nevada, Las Vegas) oral history interview conducted by Kelliann Beavers and Taylor Cummings: transcript
Date
Archival Collection
Description
From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Education sector interviews file.
Text
Kenny Kerr Papers
Identifier
Abstract
The Kenny Kerr Papers (approximately 1973-2013) contain audiovisual materials, photographs, newspaper clippings, and ephemera that document the career of Las Vegas, Nevada female impersonator Kenny Kerr. The majority of the collection includes recordings of Kerr's performances, including his impersonation revue show
Archival Collection
Punam Mathur (Elaine Wynn Foundation) oral history interview conducted by Kelliann Beavers and Elia Del Carmen Solano-Patricio: transcript
Date
Archival Collection
Description
From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Community organization interviews file.
Text
Las Vegas African American Community Conversations round table interviews
Identifier
Abstract
The Las Vegas African American Community Conversations is a four-part conversation with local Las Vegans. The first part of the round table is moderated by Trisha Geran with a central theme of "Migration, Work and Community Emergence." The panelists discuss the early history of the African American community in Las Vegas, Nevada. They also discuss how and why their families moved to Las Vegas, most citing the economic opportunities as a major factor. The participants share their personal histories and family histories building up the African American community in downtown Las Vegas and the Westside. The second part of the round table is moderated by Sonya Horsford with a central theme of "Education, Economy, and Integration." The panelists discuss the Clark County School District pre- and post-integration. They discuss the hardships of the Sixth Grade Center Integration Plan on the African American community as well as discussing the differences in the school facilities. The round table participants also discuss the social services and social programs and the history of those programs from the African American perspective. They also discuss civic involvement and the various civic groups started by the panelists, and share discrimination they faced.
The third part of the round table is moderated by Claytee D. White with a central theme of "Civil Rights and Entertainment." The panelists discuss the racism and segregation present in Las Vegas and discuss how African American community leaders worked to integrate African Americans into the Las Vegas community. They discuss the 1969 riots in detail, and discuss African American entertainers and the entertainment industry. They share personal experiences working in the entertainment industry and discuss the importance of the local unions, such as the Culinary Workers Union Local 226, the International Alliance of Theatrical Stage Employees Local 720, and their contributions to the unions. The fourth and final part of the round table is moderated by Rachel Anderson with a central theme of the "Early African American Legal Community." The panelists discuss the foundations of the professional legal community in Las Vegas, noting the contributions of Charles Keller, Dr. William Bailey, and the Reverend Marion Bennett as driving forces for civil rights activism in Las Vegas. They share their experiences growing up in Las Vegas facing discrimination and segregation. Lastly, they share the changes they have seen and how both the legal and African African communities have grown.
Archival Collection