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Lorenzo Romans Papers

Identifier

MS-00173

Abstract

The Lorenzo Romans Papers (1875-1965) are comprised of photographs, newspaper clippings, a family photograph album, a diary, a diploma, and related ephemera. The materials were owned by Lorenzo Romans, a California real estate developer who moved to Las Vegas late in life after a short visit to Helen Stewart's Las Vegas Rancho in 1894.

Archival Collection

William Fulton Papers

Identifier

MS-01056

Abstract

The William Fulton Papers (1993-1996) contains Fulton's research files used in writing his book, The Reluctant Metropolis: the Politics of Urban Growth in Los Angeles. The materials primarily consist of newspaper clippings that cover stories on the growth of Los Angeles residents moving to Las Vegas, Nevada, water, economic development, and the master planned community of Summerlin. The majority of newspaper clippings are from the Las Vegas Review-Journal and the Las Vegas Sun. The materials also include reports on economic and housing development in Southern Nevada as well as drafts of the book's Chapter 12, "Cloning Los Angeles" which discusses the growth of Las Vegas throughout the 1980s and 1990s.

Archival Collection

Carole Terry's "Germans in Las Vegas" Oral History Project

Identifier

OH-00143

Abstract

Carol Terry's "Germans in Las Vegas" Oral History Project (2007) contain the oral histories conducted by Terry while researching for a chapter on Germans in Las Vegas, Nevada for The Peoples of Las Vegas book. Terry interviewed over 60 individuals and the collection contains the printed transcripts and audiocassettes from each interview.

Archival Collection

Photographs of Holiday House Motel sign, Las Vegas (Nev.), March 1, 2017

Date

2017-03-01
2017-08-30

Description

The Holiday House motel sign with a "For Sale" sign sits at 2211 South Las Vegas Boulevard. Formerly the Bagdad Inn, the property has been in operation since the early 50s. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 2211 S Las Vegas Blvd
Sign details: The Holiday House Motel was originally the Bagdad Inn that opened up in the 1950's. The actual motel was possibly named after Bagdad California, a small ghost town in the San Bernardino county. This town was a former route 66 pit stop and later passed by with the new I-15 and I- 40 in the late 1970's. The motel changed its name in 1983 to Holiday House Motel. The motel currently has a for sale sign.
Sign condition: The sign is in a 4.5. There seems to not have much sun or wind damage to the sign. The color is still fresh.
Sign form: This is a two- pole squared structured sign.
Sign-specific description: The sign is a bright red squared basis. All aspects of the sign's advertisement are connected together in one large square. There is no separation within the structure; it just looks like one giant red canvas with words and would even suggest the sign is very minimal. At the bottom, right portion of the sign you will see a small reader board (currently the reader board has been covered with a for sale sign). Vertically on the left side is the word motel in white lettering. The holiday house font is in yellow incandescent lighting, and the font looks italicized. The no vacancy is in neon underneath the holiday house typography. Two white poles are what holds up the sign.
Sign - type of display: Neon, Incandescent and fluorescent lighting.
Sign - media: Steel and Plastic
Sign - non-neon treatments: Reader board
Sign animation: Flasher for the incandescent light bulbs in the letters
Sign environment: This location is on the north end of the Strip across the street from the Stratosphere and near the Holiday Motel and Fun City Motel.
Sign - date of installation: 1983
Sign - date of redesign/move: In 1950's the sign was Bagdad Inn and in 1983 the establishment later changed into the Holiday House Motel.
Sign - thematic influences: This sign could have inspiration from the post modernism idea of open space and minimal design to "advertise" to consumers. This sign is very representative of 1970's designs.
Sign - artistic significance: Every portion of the sign was thoughtfully placed to hit the consumer in a fast and efficient way.
Survey - research locations: Vintage Vegas http://vintagelasvegas.com/search/Holiday+House+Motel and Roadside Architecture http://www.roadarch.com/signs/nvvegas.html .
Surveyor: Gisselle Tipp
Survey - date completed: 2017-08-30
Sign keywords: Neon; Incandescent; Steel; Plastic; Flashing; Reader board; Pole sign; Fluorescent; Roof Sign

Mixed Content

Photographs of Boulder Station sign, Las Vegas (Nev.), March 27, 2017

Date

2017-03-27
2017-09-27

Description

The Boulder Station Hotel and Casino sign sits at 4111 Boulder Highway. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 4111 Boulder Hwy
Sign owner: Stations Casino Company
Sign details: This location opened in 1991 and is considered a locals casino. They have a similar train station theme to a few of the other Stations Casino properties used to have. This location also holds a movie theater.
Sign condition: 5- still in very good condition and lights up very brightly at night still
Sign form: Pylon, Porte cochere and semi-decorated shed
Sign-specific description: The main pylon sign has a two white steel bases with a reader board on the bottom, a plasma t.v. screen on top of the reader board and the main portion of the sign with their logo above. Their main logo is a green train front with a yellow neon trim with curved maroon ovals on it stating "Boulder Station" and "Hotel-Casino" underneath it in channeled white letters that contain flashing incandescent. The porte cochere sign above their valet is in a rainbow shape stating "Boulder Station" in sparkling incandescent. With red letters underneath stating "Hotel" in red neon. Also on the main hotel tower there are the same "Boulder Station" letters in incandescent lights outlined in red neon as well. Also the word "Casino" is also in incandescent lights on the side of the building. There are also LED lights that are chasing outlining the whole building making a semi-decorated shed look.
Sign - type of display: Neon, Incandescent, LED, LED plasma screen
Sign - media: Steel and plastic for reader board
Sign - non-neon treatments: Reader board and Plasma screen
Sign animation: Flashing incandescents and Chasing LED lights
Sign environment: This location is on Boulder Hwy on the way to Henderson/Boulder City. This location is near a residential areas and is a neighbor to a Motel 6.
Sign - date of installation: Has been up since at least 2007
Sign - thematic influences: Their train theme is portrayed well in their pylon sign. Also the train theme could be considered an homage to early Vegas history as a railroad stop.
Sign - artistic significance: The pylon sign is very similar to the Fiesta Rancho sign which is also a station casino with the reader board and plasma screen. This sign is almost identical in design to the old Palace Station sign.
Survey - research locations: Palace Station sign. Surveyor Notes 1. Research locations (archAsessor's page, Boulder Station website https://boulderstation.sclv.com/ , Station's Casino website https://www.sclv.com/, google maps satellite/ road view
Survey - research notes: Station's Casinos have 10 casinos in Las Vegas and have been present in the community for the past 40 years.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-27
Sign keywords: Pylon; Porte-cochère; Neon; Incandescent; Steel; Plastic; Flashing; Reader board; Chasing; Plasma display

Mixed Content

Photographs of Maxim signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime views of the Maxim Hotel and Casino signs. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 160 E Flamingo Rd
Sign owner: Premier Interval Resorts
Sign details: The Maxim is located just east of the Bourbon Street, in close proximity to Bally's Hotel Casino. The Maxim is no longer operating, and is fenced off from further inspection. The signage that is seen entails building signs, the original pylon, and the porte cochere
Sign condition: Structure 2 Surface 2
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Building: The tower itself contains the logo and giant text spelling the name of the establishment, on one side of the building. The tower is mirrored and reflective, thus matching the porte cochere and pylon, and reserves to collect its building signage to one end of the tower. The tower, which runs east/west, and faces north/south contains the signs on the east end structure. On the north and south faces of the building, giant red channel letters run vertically along the block surface. The letters look to be lined on the interior of the letters with neon. The logo can be seen on the east face. Pylon: The pylon sign is essentially a giant vertical monolith of a rectangle, divided into several different sub-shapes. The center of the monolith is occupied by cabinets which fill in most of the shape, with a small gap bordering the cabinet. The cabinets are treated the same as the square arch, and flush with the surface. The cabinets are very subtle and create an illusion of one solid object. The entire outer arch shape and interior cabinets are bordered with polished aluminum. The interiors surface of the arch are covered in polished gold aluminum panels. The lining of the incandescent bulbs on the sign is interesting. On the arch the incandescent bulbs are on the interior return width of the aluminum borders. With this configuration, the bulbs sit parallel to the surface instead of perpendicular. The main marquee text is aligned horizontally across the top in gold channel letters with red plastic faces. The letters blend with the gold surface nicely. The interior cabinets are internally lit with plastic faces. There are two cabinets, the larger of the two, occupying the upper part the interior space of the monolith. Incandescent bulbs line the exteriors of the cabinets, sitting back on a recessed edge. Porte Cochere: The porte cochere is unique, opting to rise high above the surface of the pavement. The prismatic design crafted in polished aluminum, interlocks into a pattern suitable to the space which it resides. The recesses in which the decoration resides are separated by a small width of structure. This pattern of giant recesses, matched with the prismatic design in each negative space create a hulking environment high above the head in proud stature. Along the peak edge of the pieces of the prism, rods protrude every foot or so, creating a row of arms holding incandescent spheres.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: chasing, flashing
Sign environment: The Maxim is now closed, and stands in marked contrast to its neighbors a bit to the east--the famous "Four Corners" of Flamingo and the Strip, and next to the trendy Meridian at Hughes Center apartment complex.
Sign designer: Maxim letter design: Kenneth Young, Porte Cochere; Lighting: Jack Dubois Pylon sign: Marnell Corrao
Sign - date of installation: 1977
Sign - thematic influences: The influence of the Maxim hotel was 70's Vegas design refined to simple geometric forms and curved linear logo's. The pylon was completely sheathed in polished aluminum, as well as the underside of the porte cochere being polished gold aluminum. The use of the popular 70's material is used extensively throughout the design. Letters hung over the main entrance, as well as signage on three sides of the building. Other examples of the material can be seen elsewhere but not as extensively. The only property that comes close is the pylon for usage of the material is the Westward Ho.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Graphics; Paint

Mixed Content

Alex de Castroverde oral history interview: transcript

Date

2019-04-17

Description

Oral history interview with Alex de Castroverde conducted by Monserrath Hernandez on April 17, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, De Castroverde discusses his family's background and his parent's emigration story from Cuba to the United States. He talks about growing up in Reno, Nevada, his father becoming a lawyer, and attending the University of Nevada, Reno. De Castroverde remembers the establishment of De Castroverde Law Group, the significance his father had on the Hispanic community in Las Vegas, Nevada, and taking over operations of the law firm with his brother. Lastly, De Castroverde talks about his involvement with Cristo Rey St. Viator College Preparatory High School, the Guinn Center, and the Las Vegas Business Academy.

Text

Magdalena Martinez oral history interview: transcript

Date

2019-04-04

Description

Oral history interview with Magdalena Martinez conducted by Monserrath Hernandez and Barbara Tabach on April 4, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Magdalena Martinez recalls her childhood and growing up in Los Angeles, California. Martinez's parents are from Durango, Mexico, and immigrated to the United States in the 1970s. Martinez describes the generational differences that the women in her family faced and how the feminist movement of the 1970s did not resonate with women of color. Her family moved to Las Vegas in 1986 where she attended Bishop Gorman High School. After transferring to the University of Nevada, Las Vegas (UNLV) from community college and joining a student organization that would later become Student Organization of Latinxs, she became an early member of the Latino Youth Leadership Conference (LYLC) sponsored by the Latin Chamber of Commerce. Martinez describes how the LYLC has evolved over the years, and talks about her role in those changes. She discusses past work for CSN, NSHE, and currently is the Director of Education Programs with the Lincy Institute.

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