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Displaying results 112151 - 112160 of 114559

Downtown Las Vegas Design Drawings

MS-00911

Abstract

The Downtown Las Vegas Design Drawings (approximately 2011-2014) is comprised of seven design drawings created for select businesses located in downtown Las Vegas, Nevada. The drawings are colored on tissue and were created by BUNNYFiSH studio, an architectural firm located in downtown Las Vegas, Nevada. The collection includes three drawings for a porte-cochère at the D Las Vegas hotel; drawings for the exteriors of the Hydrant Club, Inspire, and HOP Downtown; and an interior drawing for Scullery.

Archival Collection

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Hank Castro Music Business Records and Audio Recordings

MS-00612

Abstract

The Hank Castro Music Business Records document Hank Castro's career in the music industry in Las Vegas, Nevada from 1969 to 1990. The bulk of the collection consists of original audio recordings from the Las Vegas Recording Studio. The collection also contains legal documents, personal correspondence, and promotional material related to the Las Vegas Recording Studio (1971-1985), songwriter agreements, and sheet music (the majority of the lyrics written by Hank Castro) from artists represented by the Las Vegas Recording Studio and Castro's other companies.

Archival Collection

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Ned V. Bearden Sr. Photograph Collection

PH-00188

Abstract

The Ned V. Bearden Sr. Photograph Collection contains black-and-white photographic prints and negatives of early Las Vegas, Nevada Fremont Street hotels, casinos, as well as Las Vegas businesses and residences between approximately 1940 to 1960. These photographs detail air conditioning units installations by Bearden throughout Las Vegas.

Archival Collection

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Midbar Kodesh Temple

Midbar Kodesh is a Conservative Jewish temple founded in Henderson, Nevada in 1995 by former members of Temple Beth Sholom. Population growth and physical expansion of real estate warranted the establishment of the second Conservative congregation in Southern Nevada, whose name means “Holy Desert.” Temple Beth Sholom was moving to the west side of the valley, and a group of families- the Kaminskys, Goldmans, Rothmans, Simons, Goldsteins, and Feldmans- decided to start a new temple on the east side.

Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, October 8, 1987

Date

1987-10-08

Archival Collection

Consolidated Students of the University of Nevada, Las Vegas Records

Description

Includes meeting agenda and minutes with additional information about senate bills. CSUN Session 17 Meeting Minutes and Agendas.

Text

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Chet Buchanan oral history interview: transcript

Date

2017-11-28

Archival Collection

Chet Buchanan oral history interview

Description

Oral history interview with Chet Buchanan conducted by Barbara Tabach on November 28, 2017 for the Remembering 1 October Oral History Project. Chet Buchanan begins this interview with a discussion of his move to Las Vegas, Nevada in 1999 after he was offered a job as a radio show host for 98.5 KLUC. He talks about the specifics of his job, including his career background as well as the Chet Buchanan Toy Drive. For this interview, he specifically goes into detail on his coverage of the Las Vegas October 2017 mass shooting and discusses being in San Diego, California at the time, yet still striving to reach people through his broadcast with the help of CBS San Diego. Throughout the interview, Buchanan examines his desire to make a difference in the community with his show and his interactions with the public.

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Photographs of Luxor signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-15

Archival Collection

Southern Nevada Neon Survey Records

Description

Photos show Luxor signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Luxor (Las Vegas, Nev.)
Site address: 3900 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: The giant black, glass, pyramid rises out of the desert as certainly one of the most unique structures. The pyramid is also accompanied by a monolithic, heavily geometric structure, finished in the same black, panels of windows. Just to the north. The front of the property is dominated by an array or Egyptian architectural landmarks such as an giant obelisk, the Sphinx, various statues of Egyptian gods and pharaohs line the multi tiered expanse of concrete and stucco. The property is pedestrian interactive, being able to pass underneath the giant obelisk, and through and beneath the giant Sphinx. The feel produced by area is appropriate for the desert environment.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: On the expanse of concrete in front of Las Vegas Blvd, just north of the obelisk, a double-sided pylon sign joins the ancient composition. The pylon actually is more akin to the pylons seen at properties such as the Monte Carlo or the Mirage. It is located in the northern portion of the property on the west side of the strip-facing northwest along Las Vegas Blvd Two square posts support a two-sided square cabinet which houses a back lit advertisement and a set of crafted letters spelling the name of the establishment. Occupying the upper portion of the space between the legs another internally lit, two sided, cabinet, atop a small pair of internally lit sculpted cabinets. From a distance the cabinets look like thumbs holding up the cabinet. The shapes are graphically treated on the surfaces to look like colorful recreations of a hieroglyphic bird, the wings being the elongated portion of the cabinet. The only art attached to the cabinet is the portion designated for the head of the creature. Three sets of sculpted cornices, create borders for the different planes. The bases of the legs are treated with the ledging, the section separating the top cabinet, from the rest of the sign, and finally another set around the top crowning edge of the sign. Both sides of the top edge have a sculpted element in the very center. A flat circle, presumably a representation of the sun, flanked by two snakes are set on a pair of large wings spreading to either side. This element is ambiently lit from underneath. The text, which spells "Luxor," is composed of polished gold channel letters, with closed faces with graphic treatments in blue upon the faces. The faces are painted to appear if the letters are faceted into three dimensions. They are lit from behind with whit neon creating a halo effect around the letters. The surface of the actual structure is finished to appear as if it is constructed of limestone, utilizing false joints and seams. The south end of the property close to the street is the four-sided obelisk. The text on the obelisk is the same word treated in the same fashion, structurally and aesthetically, as the pylon sign. The only difference is that it reads vertically from top to bottom. Statuary adorn the base of the obelisk in a repeating pattern as well as it being covered in hieroglyphic patterns. A tunnel allows for the pedestrian to pass underneath the obelisk. The porte cochere is located underneath the body of the Sphinx, another use of the architecture to incorporate the pedestrian element. If you head east through the sphinx, a tunnel opens up into a small courtyard where a shuttle bus may be caught. The ceiling of the porte cochere is adorned with a circular chandelier, composed of metal representations of leafy branches radiating around a rounded center. The ends of the arms hold length-wise half cylinder lamps. The ceiling above is painted blue. The most spectacular element of the Luxor is its super powerful light in the place of the capstone at the very peak. The beam is one of the most powerful lights in the world, and can be seen from high above into the earth's atmosphere as well. The edges of the pyramid are also raceways, which can be seen in action in the dark. An animation of bulbs makes it appear as if a single bulb of light streams up the base to the very peak. The animation runs at an interval of every couple of seconds. On the very south edge of the property, actually on the southeast corner, is a sculpted, small pylon which houses a color led screen.
Sign - type of display: Neon
Sign - media: Steel; Masonry
Sign - non-neon treatments: Plaster
Sign animation: Chasing
Sign environment: Standing next to the Mandalay Bay on the west side of the southern end of Las Vegas Blvd, the Luxor's front exterior is a sprawling mass of smooth vertical planes turning into eloquent statue and stucco walls. They are interlaced with drives and signage complete with a platform at the base of the Sphinx, which is just east of where the valet and porte cochere are grounded in the base of the beasts belly. From the edge of a Platform a tram station is located and also a view of the signage can be seen as well. The Luxor's environment is a very pedestrian one as well. Being in an isolated part of the strip, the noise clutter brought about by the surging traffic is considerably better than the heart of the strip.
Sign designer: Veldon Simpson
Sign - thematic influences: The theme of the Luxor is obviously that of ancient Egypt. The Ancient Egyptian imagery is placed among the same images but represented in the shiny black glass, giving a touch of future meets the past. The image seen are some of the most commonly seen images when talking about the Ancient Egyptian culture. The Sphinx stands guard at the base of the giant black pyramid, one sign is attached to an obelisk. Various statuary adorn the entire plaza. The environment created with the motif obviously fits into the desert like dust, but still retains the surreal nature associated with the themed hotel. The aesthetics appear to be fantastic, but are a bit odd due to the arrangements and limitations on space. It does however fir into an interesting sub category of resort that is themed around a culture. Yes it is themed around a city, but the culture shines through with more dominance. Another example of this is the Imperial Palace. It is not necessarily themed after a particular city, but the architecture and imagery suggests the Asian culture.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Pylon; Fascia; Porte-cochère; Neon; Steel; Masonry; Plaster

Mixed Content

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upr000268 52

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Transcript of interview with Sherwin "Scoop" Garside by David Anderson, March 25, 1976

Date

1976-03-25

Archival Collection

Sherwin Garside oral history interview

Description

On March 25, 1976, David Anderson interviewed Sherwin “Scoop” Garside (born May 26, 1915 in Tonopah, Nevada) about his life in Southern Nevada. Garside first talks about his father’s business in running an early Nevada newspaper and his personal knowledge of the early mining that took place in different parts of Nevada. He also talks about living in the town of Tonopah, the American Indians who lived in the area, and his experiences from living in Las Vegas. Garside also mentions the beginnings of gambling in Las Vegas, the population boom periods of Las Vegas, and his experiences in witnessing the aboveground atomic testing.

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Audio clip of an interview with Kenneth Fong by Lois goodall on February 22, 2014

Date

2014-02-22

Archival Collection

Kenneth W. Fong oral history interview

Description

Kenneth Fong reflects on growing up in Las Vegas and being the son of two successful and philanthropic community members, Wing and Lilly Fong. When Ken was born the family live in a modest home on 20th and Stewart. It was a close-knit neighborhood and era, kids played tag and roamed freely. When he entered third-grade, his parents moved their family to a newer subdivision near Rancho and West Charleston Avenue: the Scotch 80s. Their new custom home on Silver Avenue reflected Asian architecture and the family’s Chinese cultural heritage; it also included a pool and a small basketball court. Memories of the neighborhoods are distinct. He learned to be comfortable with his sister and he being the only Asian Americans in school at the time. He kept busy with community volunteering at Sunrise Hospital and tutoring younger children on the Westside among other high school activities. Ken speaks lovingly of his parents and their achievements, family outings to local venues such as Mount Charleston and Red Rock and to California, where they bought Chinese baked goods. His mother, Lilly was born into a large Chinese American family of ten children, each of whom achieved a college education. After her marriage to Wing, she moved to Las Vegas with plans to work as a teacher. Ken retells the story of her encounter with discrimination and overcoming that, and her trajectory to be the first Asian American elected the Nevada Board of Regents. His orphaned father, Wing, immigrated to the United Sates in 1939 to live with uncles. They worked as cooks in Las Vegas and established the first Las Vegas Chinese restaurant, Silver Café. Wing was merely thirteen years old and spoke no English. These were not to be obstacles. He would go on to graduate from Las Vegas High School, earn a college degree in business, have a successful career in commercial real estate and banking, building the notable Fong’s Garden. Ken calls his father his most influential mentor. Today Ken is also a successful in real estate management, active at Grace Presbyterian Church, involved in Rotary Club, and a proud father of two daughters.

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