In this interview, Fine discusses her childhood as well as the path that led to her career in law, which included working on a presidential campaign in New York City as well as several legal secretary positions in Washington, D.C., Texas and California, before eventually receiving her law degree from Golden Gate University. In addition, she reflects upon working on the infamous Jeff MacDonald murder trial in the 1970s as well as her experience becoming?and ending her service as?a Family Court Judge. Fine also discusses her community service work, particularly with the Women?s Philanthropy Board of the Jewish Federation and with Temple Beth Am.
Frances-Ann "Fran" Fine-Ventura is an attorney at the Fine and Price Law Group in Las Vegas, Nevada. She was born September 28, 1951, in Cleveland, Ohio, and moved to Arizona at the age of eleven when her father sought new economic opportunities out West. Fine eventually moved to Las Vegas shortly after she graduated law school in 1983. Fine worked for the U.S. Attorney's Office in Nevada in the early 1980s, then at several private law firms. From 1992 to 1998, she served as a District Court Judge in the Family Division of the Eighth Judicial District Court. Fine is involved in the Las Vegas community via the Nevada School of the Arts and the Court Appointed Special Advocate (CASA) Foundation in Clark County, Nevada. She has also been involved with the Women's Philanthropy Board of the Jewish Federation of Las Vegas since 1984, and served as chair from 2014 to 2016. Fran Fine's brother is Las Vegas real estate developer Mark Fine. In this interview, Fine discusses her childhood as well as the path that led to her career in law, which included working on a presidential campaign in New York City as well as several legal secretary positions in Washington, D.C., Texas and California, before eventually receiving her law degree from Golden Gate University. In addition, she reflects upon working on the infamous Jeff MacDonald murder trial in the 1970s as well as her experience becoming?and ending her service as?a Family Court Judge. Fine also discusses her community service work, particularly with the Women?s Philanthropy Board of the Jewish Federation and with Temple Beth Am.
A black and white image of U.S. Marshal Claude Williams and his family in front of his office. The words "U.S. Marshal" are spelled out in white rocks in front of the building.
This photograph has three images. The first one, (0272_0011) depicts two people. It reads, "Georgia and I at entrance to top of dam. Head tower of massif government hi-line, to handle 50 ton sections of pipe," as a handwritten inscription. The second one, (0272_0012), also shows two people and reads "York and Georgia." The third one, (0272_0013) that's rotated reads "Another view of head tower of government line; notice large 6 cables it uses," as a handwritten inscription.
This photograph has three images. The first one (0272_0017) rotated to the left reads, "High mixing plant (blending and mixing plant," as a handwritten inscription. The second one (0272_0018) reads "Shay engine used at mixing plant. Instead of pistons or drivers, wheels are turned by screws; screw driven," as a handwritten inscription. The third one (0272_0019) is a picture of two people, and it reads, "York and Georgia at screening plant,"on the back.
This photograph has three images. The first one (0272_0093) is an upside-down picture that reads, "York, nice friend with a car. We would drive around and take some pictures." The second one (0272_0092) shows John Kizziar (left) and York (right). The third image (0272_0091) is a picture of John T. Kizziar.
Sign animation: Chasing, flashing, oscillating Notes: All of the bulbs, which reside in the fascia signs which designate entrances, oscillate rapidly. The entrance sign a bit closer to the north end of the property also contain the pan channel star shapes, with incandescent bulbs in the center. The bulbs which, reside on the widths edge of the small pole sign at the south end of the property, oscillate giving a twinkling effect. The main pylon's animation is rather simple considering the amount of lighting. Bulbs which create the dazzling background chase each other upward to the very point, then once they reach the top, each letter light up from left to right, one at a time, then off one letter at a time. The letters all turn on simultaneously while, while the background chases up, leaving the lights off in its trail. The text then shuts off as well. The small incandescent bulbs lacing the background of the main body of the sign oscillate subtly, twinkling themselves. Each letter of the text contains a single row of incandescent bulbs, just inside the border of the red neon. This row is always on in a chasing animation from left to right even when the letters are dark. The animation for the three sided, pole sign, at the north end of the property is adorned with sparkling animation as well. The purple bulbs, which create the border of the main base, chase each other from bottom to top, and the star shape in the center is filled with oscillating incandescent bulbs. The bulbs, which also encrust the bottom surface of the cabinet, oscillate as well. The incandescent bulbs, which adorn the background of the text portion of the sign, also sparkle with a soft random oscillating pattern. The stars which sit on top of the cabinet, animate in a random, non descriptive fashion. The inner star shaped pans oscillate with incandescent bulbs, and the neon borders flash on then off, in a clumsy random order. The three-sided sign also rotates, one of the few animatronic signs on the Strip.