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In this clip, Maury Behar discusses how he survived the Holocaust.
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From Union Pacific Railroad Collection (MS-00397). The scales are noted in the drawing. The bottom of the drawing says, "Material-Finish: All Finish Lumber Unless Otherwise Noted Shall Be [Opsas?] Wood Work Of Vault Shall Be O.P Rough. Exterior Of Privy Including Both Sides Of Door And Door Jamb: Also Wood Lattice Screen On All Sides Shall Be Painted With 3 Coats C.S. Lead & Oil Paint As Directed. Doors Shall Be Hung On 3 1/2" x 3 1/2" Botts. Doors Shall Be Provided With Rim Latch Knob Lock And Iron Barrel Bolt. Revisions: Added Vent Stacks, Seat Cover, Double Floor & Floor Shoe".
The bottom corner of the drawing states, "Union Pacific System L.A. & S.L.R.R. Double Privy 5'x8' With Lattice Screen. Ass't Chief Engineer's Office. Los Angeles, Calif. Drawn By E.C.B. Traced By E.C.B. Checked By F.W.G. Date June 14, 1926. Scale As Noted. Revised May 5. 1927. Drawing No. 15637".
Also written on the drawing: "Two to be built at East Yard, Calif. One ' ' Big Springs, Nev. ' ' Las Vegas, Nev. ' ' Borden, Utah. ' ' Elgin, Nev. 1927. ' ' Dry Lake, Nev. 1927. ' ' Wann ' ' 1928 [crossed out]."
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Oral history interview with Billy Root conducted by Lisa Gioia-Acres on May 14, 2008 for the All That Jazz Oral History Project. Root begins by discussing his upbringing in Philadelphia, Pennsylvania where he developed an early interest in being a musician due to encouragement from his father, who was also a musician. He describes playing baritone saxophone in the Philadelphia Orchestra, performing at the Apollo Theater in Ella Fitzgerald's orchestra, and going on tour with a predominantly African American jazz band in the Southern United States during segregation. Root details his interactions and impressions of various celebrities, such as Frank Sinatra and Tony Bennett, attending Playboy parties, and eventually deciding to settle in Las Vegas, Nevada. He discusses working as a professional musician in Las Vegas, where he performed in such casinos as the Dunes and the Desert Inn. He concludes by discussing his retirement and his family.
Archival Collection
Oral history interview with Ashley “Ms. Aye Vee” Vargas conducted by Laurents Bañuelos-Benitez on October 30, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Vargas discusses her experiences growing up on the east side of Las Vegas, Nevada. She describes experiences with racial boundaries, the issue of colorism in the Latinx community, and dealing with Puerto Rican stereotypes. Vargas then talks about her involvement with Student Organization of Latinos (SOL), the Puerto Rican community in Las Vegas, and elaborates on how Puerto Rican culture has been influenced by American culture. Lastly, Vargas discusses the meaning behind her poems, raising awareness about certain issues in the Latinx community, and how Las Vegas is going through an artistic renaissance.
Archival Collection
Oral history interview with Janet Savalli conducted by Irene Rostine on September 21, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Savalli begins her interview by discussing her move to Las Vegas, Nevada as a child in 1945. Savalli then goes on to discuss her 46 year long career at the Southern Nevada Telephone Company. She describes rising through the company starting as an operator and ending as a community relations coordinator. Savalli discusses the company's merger with Sprint and the changes this brought about including the creation of a union and wage and benefits changes. Savalli ends her interview by talking about atomic testing, and how the testing grew to be a part of Las Vegas culture at the time.
Archival Collection
Oral history interview with Eric Mendoza conducted by Holly O'Donnell on November 29, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project.
In this interview, Eric Mendoza shares his family's chain migration history from Manila, Philippines to the United States and his difficult immigration and naturalization process once arriving in America in 1996. He talks about what brought him to live in Las Vegas, Nevada, his education and professional pursuits, what his life is like in the United States compared to that of the Philippines, and the lives of his eight siblings. Eric Mendoza discusses the historical past of the Philippines, the infrastructure in place there, and government corruption. He also speaks to Filipino traditions and festivals, food and customs, his cultural identity, and assimilating to American culture.
Archival Collection