The Fraley Family Collection of Las Vegas, Nevada Films and Photographs (1956-1995) include 8mm photographic films of the Helldorado Parade and Hoover (Boulder) Dam in 1956, color photographic prints of the construction of the Fremont Street Experience in 1995, and one color photographic print of the Tower Casino at the State Line in 1976. The 8mm film footage was taken during a family vacation and also includes exterior shots of casinos on the Las Vegas Strip.
The Desert Sculptors Association Records (1913-2015) contain agendas, minutes, reports, financial records, photographs of sculptures, and descriptions of community service projects. There is also a scrapbook that chronicles the organization's activities, members, and various sculptures.
The University of Nevada, Las Vegas (UNLV) University Parking and Traffic Control Committee Records (1969-1992) contain meeting minutes, correspondence, reports, parking regulations, and newsletters. The UNLV Parking and Traffic Control Committee reviewed various policies and regulations for UNLV parking facilities and made recommendations for parking lot and traffic flow changes, as well as parking fines and permit fees.
The Lincoln County Archaeological Initiative Collection (2016-2019) contains digital files of oral histories collected as part of A Ranching and Farming Context for Lincoln County, Nevada, ca. 1857 to 1934 (Oliver et al. 2018). The collection consists of thirteen digital oral history recordings and corresponding transcripts, as well as a final report of phase one of the project. The entire collection is digital files.
The Frances Intravia Photograph Collection (approximately 1948 to 1979) contains three black-and-white photographic prints. The images depict Albert and Arabell Lee Hafner, author of 100 Years on the Muddy, visiting the St. Thomas, Nevada townsite after the Lake Mead water levels dropped enough make it visible. One of the prints is an original from approximately 1948 to 1952, and the other two are reproductions of images taken during the same period.
Oral history interview with Victor J. Zerga conducted by David Jukich on April 03, 1976 for the Ralph Roske Oral History Project on Early Las Vegas. Zerga gives insight into the field of nursing and discusses the role that ranching had in Las Vegas, Nevada.
Oral history interview with Marcus Mason conducted by Leon Green on February 04, 2013 for the African Americans in Las Vegas: a Collaborative Oral History Project. Mason talks about his childhood in Las Vegas, Nevada, his parents’ past occupations, and how his religious upbringing influenced his career choices as an adult.
An artist's depiction of Julia Bulette's theft and murder by John Millain. The caption on the front of the card reads: "Julia Bulette; Murdered for her Jewels by John Millain, 1887. J. M hung in 1868." A lengthy description printed on the back of the card reads: "Julia Bulette came to Virginia City while it was still a raw camp, and was soon among its best known figures. Reputedly a French Creole from New Orleans, tall, dark, lithe and witty, she was no ordinary lady of the line. Her secret charities were innumerable, her public services many, and her entertainments memorable for both cuisine and conversation. During the deadly black-water plague of 1861, she made her house into a hospital, nursed the stricken miners, and pawned her belongings to help their families. She was chosen an honorary member of Engine Company Number 1, but, not content with honorary status, attended the fires, worked a stirrup pump, and served refreshments to the Company afterwards. She was not one to seek obscurity or tolerate condescension. In the flush years of the first boom, she paraded C Street daily in a coach with four aces fanned upon the door, and sat nightly in her own box at the opera house, with a sable cape across her shoulders. When the ladies of the upper city sought to confine her activities, she retaliated by crashing their parties and making them her own. As a result, her violent death during the night of January 20, 1867, precipitated a cold war of the sexes. When her funeral procession, long, entirely masculine, and led by a band playing a dead-march, moved out B Street toward Old Flowery Cemetery, the wives in the hill mansions sat behind closed doors and drawn shutters, though even those could not defend them from the sprightly, returning strains of "The Girl I Left Behind Me." And conversely, when John Millain was arrested, some months later, after selling articles recognized as Julie's, his trial by the men was something less than impartial, but he was constantly visited in prison by women who showered him with gifts and tears. That his hanging, in April of 1868, drew the largest crowd in Virginia's history to the hollow north of town where the gallows was erected, the women to the ringside seats and the men to the slopes behind them, was less a tribute to Millain himself than a result of the fact that he was dying as the murderer of Julie Bulette, more nearly a Queen of the Comstock than any of her wealthy "betters" who vied for the title. "Sazarac" Virginia City, Nevada."
Notice of special election for bond issue for the Water District including the reasons for the issue. Document includes information election date, amount of bond issue, voter eligibility, registration, purposes of bond issue, revenue, expenses, estimated water rates, financing, water consumption, and Lake Mead supply.