The Marge Jacques Papers (1960-1990) comprise the personal papers of Marge Jacques, a prominent member of the Las Vegas, Nevada gay and lesbian community, and owner of the gay bar, Le Cafe. The papers contain correspondence, licensing records, financial statements, and artifacts from clubs that Jacques owned or managed. Also included are photographs, videotapes, audiotapes, newspaper clippings, and Gipsy Nightclub promotional material.
The UNLV Libraries Collection of Aztar Corporation Financial Reports and Press Materials includes annual reports, financial reports, equity research reports, prospectus, press releases, market analysis, a company plan, and newspaper clippings for Aztar Corporation which was based in Phoenix, Arizona, dating from 1991 to 2006.
The Central Credit, Inc. Records (1956-1987) contain meeting minutes, employee records, business ledgers, newspaper clippings, membership applications, photographs, and reports. Also included are incorporation papers, a Code of Ethics, Credit Law, Tod Early's personal calendars/diaries, and audiovisual materials. Central Credit, Inc. had branches in Reno, Las Vegas, and Lake Tahoe, Nevada, and also in London.
The Danny Cassella Collection of Sheet Music (1940s-1960s) consists of stock arrangements for songs and scores from the 1940s through the 1960s. The arrangements were collected by musician Danny Cassella. Additionally the collection contains several Tune-Dex cards.
Caesars Palace Photograph Collection (approximately 1965-1989) depicts the famous Caesars Palace Hotel and Casino. The collection consists of twenty-seven images of iconic scenes of Caesars Palace, including its architecture, restaurants, and hotel suites.
The Rich Rizzo Professional Papers (approximately 1960-2022) are comprised largely of photographs documenting the life of Las Vegas, Nevada dancer and choreographer Rich Rizzo in shows such as Jubilee! and Lido de Paris in Las Vegas and in Paris, France. The photographs show rehearsal and performances, Rizzo with his partner and fellow choreographer Winston Helmsley, dancers and showgirls, Donn Arden, and Miss Bluebell. Other types of material include business and personal correspondence, contracts, production prospectives and set designs, show programs, and costume design photographs.
Information about the Inspire Theater sign that sits at 107 S Las Vegas Blvd. Site address: 107 S Las Vegas Blvd Sign owner: Fremont LV Blvd LLC Sign details: The original construction year of the building dates back to 1952. Though in 2013 the building was redesigned to open as the Inspire theater in 2014. The Inspire Theater offers a variety of venues including a 150 seated theater, a rooftop patio and multiple cocktail bars. Sign condition: 5 - new sign with good quality day and night Sign form: Blade and semi-decorated shed Sign-specific description: The sign itself is all connected though it wraps around the whole building, it starts with a long rectangular blade with their logo then goes in a rectangle around the building and ends with their logo on a shorter blade with their logo. The longer white rectangular blade portion begins on the corner of the building above their rooftop lounge (which meets together back to back with a smaller rectangular blade). If you are going north on Las Vegas Blvd you will see the big blade which reads "INSPIRE" in channeled silver thin print font letters. The adjacent blade is a bit shorter, so you can see a portion of the big blade over the smaller one if you are looking at the building from the East Fremont District, with this overlay it looks like there is a letter "I" and a dash(-) underneath it. On the actual portion of the shorter blade there are the "INSPIRE" thin channeled font letters, which are identical in design to the other side of the sign but just a smaller font. The outside edges of these back-back signs are horizontally lined with neon tubing. These blades then continue around the building into two horizontally neon lined strips that make the building have a decorated shed feature to it. This then makes a rectangular feature around the whole building. In between the top of the rectangle and the bottom, there is a balcony where guests can hang out. Though on both the left and the right sides of the blade there are plasma screens that show advertisements for their property. Also on the west side of the building there are thin horizontal strips of LED/plasma lights that sparkle in an iridescent fashion. Sign - type of display: Neon Sign - media: Steel Sign - non-neon treatments: T.V. screens, LED Sign animation: Flasher and iridescent light flow Sign environment: On the corner of South Las Vegas Blvd. and Fremont St. East, the first property on the south side of the Fremont St East District. Sign - date of installation: 2014 Sign - thematic influences: The sign is incorporated into the architecture, as well as the sign wraps around the entire building which is remnant of the decorated shed look. The sign is related to the theater theme since the blade style sign was very prominent for the 1950's and 60's movie theater signs, such as the El Portal movie theater sign. Sign - artistic significance: Their sign is very remnant of a 1950's Movie theater sign with the blade and wrap around of Neon, since they are a modern day theater it seems as if it's a retro throwback. Survey - research locations: Inspire website, assessor's website Surveyor: Emily Fellmer Survey - date completed: 2017-08-18 Sign keywords: Blade; Neon; Steel; LED; Flashing; Video screen
Oral history interview with Erma Linda Rivera conducted by Laurents Bañuelos-Benitez, Nathalie Martinez, Maribel Estrada Calderón, and Barbara Tabach on January 09, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Erma Linda Rivera discusses her early life as a grandchild of immigrants. She shares her experiences growing up in a mining town in Arizona. After marrying, both Erma Linda and her husband Jose became federal civil servants. This would lead Erma Linda Rivera to Las Vegas, Nevada in 1984. Prior to retirement, Rivera worked as an regional Equal Employment Opportunity manager. Rivera discusses her career working for the Department of the Interior, sharing how her job helped fuel her passion for social justice. Erma Linda relates the importance of civic involvement in her life. Finally, she reflects on how Henderson, Nevada has changed over the years she has lived there.
The Robert E. Robinson Legislative Papers are comprised of materials relating to Robert Robinson’s career in the Nevada State Legislature as an assemblyman and senator from 1970 to 1986. The papers include correspondence, assembly bill research, bill proposals, roll calls, and materials from assembly committee meetings. The collection also contains Robinson’s campaign materials, including financial disclosures, press releases, advertisements, and correspondence with voters.