The Wanda Ball Moser Photographs depict Wanda Ball Moser and her family in Southern Nevada in the early-twentieth century. The photographs primarily depict Moser and her family at Mt. Charleston, Nevada or at home in Las Vegas, Nevada.
This collection has been removed from the University of Nevada, Las Vegas Libraries Special Collections and Archives' holdings by order of the Nevada Gaming Control Board. The collection was returned to the Nevada Gaming Control Board. Please contact special.collections@unlv.edu for further information.
The collection was comprised of photocopies of materials documenting investigations undertaken from 1973 to 1977 by Dennis Gomes, in his role as Nevada Gaming Control Board Division Chief and Law Enforcement Officer. The collection included investigative material on organized crime skimming at the Stardust, the Tropicana, and other Nevada casino-hotels.
The Pacific Engineering and Production Company of Nevada Records (1986-1989) are comprised of magazine articles, newspaper clippings, official reports, a profile of Jim Gibson, and a prospectus for a park named after Gibbons.
The collection consists of three bound volumes and a small leather folder, documenting Masonic Lodge activity in Gold Hill, Nevada between 1866 and 1917. The volumes contain lodge meeting minutes from 1866 to 1872; lodge membership records from 1866 to 1872; and lodge financial records from 1866 to 1917.
The Clark County Child Care Association (CCCA) Records (1957-1975) contain correspondence, fliers, dues paid rosters, insurance information, bills, memberships cards, and receipts. Also included are miscellaneous dues-related documents, minutes of CCCA (Nevada) general membership and executive board meetings, and a newsletter.
Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin