The Six Companies, Inc. Hoover Dam Photograph Collection (1931-1935), consists of approximately 400 black-and-white photographic prints contained in two photograph albums and an additional twenty-one loose black-and-white photographic prints with ten corresponding photographic negatives.
Archival Collection
The Barbara Raben Collection on the Las Vegas Jewish Community (1976-2018) is comprised of materials collected by Barbara Raben that document her personal life and her involvement with the Las Vegas, Nevada Jewish community, specifically the Hadassah Southern Nevada Chapter and the Jewish Family Service Agency (JFSA) of Clark County, Nevada. Hadassah and JFSA records consist of photographs and programs from events held by the organizations. Materials also document Raben's business, The Candy Factory, and her connections to the Florence Melton School of Adult Jewish Learning.
Archival Collection
The Maurine and Fred Wilson and Dr. William S. Park Audiovisual Collection (approximately 1900s-1970s) consist of audiovisual material created by the Wilson and Park families. The materials depict the Park homes in Las Vegas, Nevada; Park and Wilson family members; outdoor activities and vacation trips to California, Colorado, and Mexico. The collection also documents early views of the Kiel Ranch in Las Vegas, Nevada, community parades and events, and early views of Las Vegas in the 1920s.
Archival Collection
Oral history interview with Olivia Meneses conducted by Elsa Lopez and Barbara Tabach on September 18, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Olivia Meneses describes growing up in Mexico City and attending la Universidad Iberoamericana during the 1968 student movement that culminated in the Tlatelolco massacre. She discusses migrating to the United States in 1983 and moving to Las Vegas in 1985, where she began teaching Spanish to kindergarten students.
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The Helen J. Stewart Photographs depict the Stewart Family from approximately 1860 to 1950. The photographs primarily depict Helen J. Stewart and her children as well as the Stewart Ranch (also know as the Las Vegas Ranch) in Southern Nevada. The photographs include the early Las Vegas, Nevada town site, landscapes of Southern Nevada and the American Southwest, mines and mining camps, railroads and railroad workers, the Las Vegas Fort (also known as the Old Mormon Fort), hotels and early businesses in Las Vegas, Native Americans and Native American artifacts, and postcards.
Archival Collection
The Las Vegas Art Museum Records (1952-2009) contain administrative files, press, marketing materials, and scrapbooks that document the history of the Las Vegas Art Museum (LVAM). Collection materials include exhibition files, annual reports, financial statements, board meeting agendas and minutes, event invitations, press releases, and newspaper and magazine clippings documenting the museum's activities. Materials include photographs from museum events as well as photographs of artwork displayed as part of visiting and permanent exhibitions. Audio and video recordings include interviews with museum staff and local news coverage of events. Also included are architectural floor plans for the Sahara West Library, which was used as a gallery space for LVAM. Digital files in this collection include recordings and presentation slides from LVAM lectures with curators and artists. Other digital files include photographs from LVAM events and workings files from LVAM staff.
Archival Collection
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Gertrude (n?e Rightman) Rudiak was born in 1915 in North Dakota to Russian immigrants. She grew up in Wisconsin until 1924. That was the year the family drove to California via the Yellowstone Trail, a dusty, undeveloped road marked by yellow stones. In Los Angeles, her father practiced chiropractic, a holistic approach to well-being for which there was little knowledge at the time. Gertrude earned her music degree at University of California at Berkeley; a decision that did not lead to a career. She then attended a business college and got a job as a social worker in Northern California. In 1941, she met and soon married George Rudiak. It was the advent of World War II. George enlisted in the service and was assigned to Las Vegas Gunnery School (Nellis Air Force Base.) Since he had a law degree from University of California at Berkeley and passed the Nevada Bar exam, he found supplemental employment with local attorneys. Las Vegas became the Rudiaks? permanent home where they raised their five children. In this interview Gertrude recalls the stories of coming to live in Las Vegas of the 1940?s: their phone number was 1-2-3; the neighborhood they lived in longest being Scotch 80s and being part of the secular and Jewish communities.
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Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.
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A resident of Southern Nevada from the age of three, Susan Watson shares her memories of growing up and living in Las Vegas. After a year in Boulder City, Susan's father bought an old army barrack and converted it to a home in North Las Vegas; Susan remembers playing in the desert with her siblings and attending elementary and middle school before starting at Rancho High. Watching her mother design costumes for Strip performers and beautiful dresses for her own high school dances no doubt helped Susan develop her own sense of taste and style - something that she would put to good use over many years as an interior designer. Before that though, Susan shares her memories of what life was like in the Las Vegas of the 1950s and 1960s: cruising Fremont Street; movie nights; after-school work; favorite teachers; lunches on the lawn; and dance club. All combine to paint a vivid picture of a smaller town and a simpler time in the Las Vegas valley.
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