On the corner of Eastern and Stewart, inside the East Las Vegas Community Center, lies an oasis of creativity and art. The halls ring with the sound of harmonious music coming from the meeting rooms, where children move violin bows up and down in a synchronized motion. They stare with concentration at the music sheets in front of them. They gracefully play together and fill the empty halls with classical music. For most of them, they are the first in their family to learn how to play an instrument. Like many in their neighborhood, they are also first-generation Americans. The students are rehearsing for their recital with the Las Vegas Philharmonic at the Smith Center in a few weeks. In the back of the room there is a man gleaming with pride and joy. The Foundation to Assist Young Musicians (FAYM) provides the rehearsal space, violins, and music lessons at the community center and allows these children to flourish despite their economic, social, or racial background through, “Building

Interviewed by Catherine Bellver. Velma Haselton was born in St. Louis, Missouri, in 1914. She worked as an assistant bookkeeper for Hart, Schaffner and Marx and rose to Assistant Credit Manager. Velma worked at various jobs after she married for the second time and her son was born. She also represented the San Francisco CPA firm Lybrand, Ross Brothers and Montgomery (now Coopers Lybrand) in various capacities, both in California and St. Louis, eventually attaining the position of controller. Velma moved to Las Vegas for the first time in the 1950s, where she and her husband Don ran a coffee shop at the Park Lane Motel on South Fifth Street. Family requirements necessitated a move back to California. In 1971, Velma and her third husband, Charles Haselton, "retired" to Las Vegas. Velma immediately went to work as a cost accountant for United Pipeline, and later as an accountant for Kafoury Armstrong, a CPA firm. She eventually ran her own accounting business. Velma also held memberships and offices in various women's service groups.

Dennis Wilson an experienced musician was born in Arabi, Louisiana in 1951. His parents both served in the Marine Corps. Dennis started playing the clarinet in the 4th grade but he did not stop there by the time he was in college he could play the alto saxophone, flute, and clarinet. He received a scholarship to Loyola University in New Orleans. The first introduction to Las Vegas was in 1971. At this time Dennis played for Wayne Cochran and the C.C. Riders traveling all around the United States with the band. In 1979 Dennis moved back to Las Vegas after a short stay in New Orleans. On his return to Las Vegas Dennis recalls his experiences playing with relief bands and performing weekly at Stardust, Dunes, Flamingo, Tropicana, Sands and Caesars. Dennis recalls what it was like working in Las Vegas and the rigorous schedule of a musician. Dennis has had a successful carrier as a musician he went on to play for Burt Bacharach and Dionne Warwick traveling the world. He then settled back in Vegas working on prominent shows such as Avenue Q, Spamalot, and Phantom of the Opera. Dennis still resides in Las Vegas and is now a paraprofessional at Johnson Junior High.

It was a scorching Fourth of July, when Norma (n?e Adler) and Leon Friedman rolled into their new home of Las Vegas in 1973. Nevertheless, they were content with leaving Gary, Indiana behind, and starting fresh with the family?s new ownership of Walker Furniture. Norma recalls her first stop in checking out Las Vegas was to visit the synagogue ? Temple Beth Sholom being the only option. Her oldest son would soon become a bar mitzvah. Feeling good about that, she and her sister-in-law who was also relocating to Las Vegas for the furniture business, searched for new homes. Norma settled into the community through volunteer work as well as through employment outside the family business. She worked in the real estate briefly and in a jewelry store at the Dunes. A natural organizer, she immersed herself in religious and civic organizations including the Jewish Federation, Jewish Family Service Agency, and volunteering at Selma Bartlett Elementary School in Henderson. Norma shares stories of her Jewish heritage and upbringing in Pittsburgh, the decision to move to Las Vegas, making fast friendships during her life in Las Vegas and the joy she has in traveling the world with Leon, who passed in 2004. In 2017, Norma was honored by the Jewish Family Service Agency.

In this interview, Joyce Mack discusses meeting her husband, Jerry Mack, in Los Angeles,their early life as a couple, and moving to Las Vegas at the suggestion of Jerry's father, Nate Mack. She discusses how Jerry met Parry Thomas and their banking and real estate investments. Mrs. Mack talks about the opening of the Thomas and Mack Center at UNLV, and the development of the strip hotels, and discusses her children.

Joyce Mack: wife to Jerry Mack and matriarch of one of the most influential families of Las Vegas history. During this oral history conversation, she begins by tracing her family ancestry from Kiev to New York to Omaha and then Los Angeles, where she was born and raised. At a UCLA fraternity party in the early 1940s, a teenage Joyce Rosenberg was swept off her feet by her older brother's friend Jerry Mack. Jerry was from Boulder City, Nevada and had attended school in Las Vegas. In 1946, the couple married and took an extended honeymoon throughout the United States and Cuba. Soon afterwards, Jerry's father Nate Mack, a businessman and real estate developer encouraged the newlyweds to come to Las Vegas. She tells of Jerry sharing his vision of the valley's future. Thus began a successful journey that traverses decades of Las Vegas history and breathtaking growth in which the Macks were active participants and leaders. Joyce recalls the people the first met, who they raised their children side-by-side with and became lasting friends. These people were other Las Vegas pioneers including the Greenspuns and mostly importantly her husband's partnership with Parry Thomas which created the Bank of Las Vegas. It was their partnership she explains that reduced the presence of the mob element. As members of the small Jewish community of the late 1940s, the Macks would participate in the founding of Temple Beth Sholom.