The Strip Centre sign sits along a stretch of vacant storefronts in the north-end section of South Las Vegas Boulevard. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Sign owner: Has been for sale since 2013 Sign details: This location has is a little shopping mall, and is called the strip centre since they are near the north end of the strip. Though this location has been up for sale since 2013. Sign condition: 3- has had some bad weathering over the years and the paint is quite faded now. Sign form: Blade Sign-specific description: This sign stand on top of the building above the entrance. It is a green base that reaches the top of the sign. On the top part there is a big green steel rectangle with yellow painted words "The Strip Centre" but the word "Strip" is contained in channeled neon while the other two words are skeletal neon. Beneath this is 3 green sign boxes that would contain back lit plastic signs, but there are no signs in them currently. To the south side of the main sign there are remains of a sign that look like it used incandescent light bulbs. Sign - type of display: Neon and plastic back lit signs. Sign - media: Steel and plastic Sign - non-neon treatments: Plastic back lit portion Sign environment: This location is on the north end of the strip. It is north of the Stratosphere by a few blocks but also has some motels and wedding chapels close to it. Sign - date of installation: Has been up since at least 2009 Sign - thematic influences: The plastic back lit portion is helpful for malls like this since they can change out which stores are within the mall relatively easily without getting a whole new sign. Survey - research locations: Google map roadside view, attempted assessor's page but could not find it Survey - research notes: This location was hard to find information on since it is for sale. Also I could not find information on it the assessor's page for some reason. Surveyor: Emily Fellmer Survey - date completed: 2017-10-01 Sign keywords: Neon; Plastic; Backlit; Steel; Pole sign; Back to back
Oral history interview with Francis Oh Allen-Palenske conducted by Stefani Evans on June 30, 2022 for Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Francis describes her childhood growing up in Lousiana with a white father and Korean mother. She recalls the family relocating to Reno, Nevada in 1983 where Francis obtained her bachelor's degree in political science from the University of Nevada, Reno in 1999. She describes serving as a staffer in Washington, D.C. for Representative Jim Gibbons (R-NV) before moving to Las Vegas, Nevada. She discusses her Korean mother, maternal grandmother, and maternal aunts as strong, smart, business-minded women. Throughout the interview, she discusses Korean traditions, celebrations, clothing, and foods, as well as Korean cosmetics and views about skin color.
On February 12, 1975, collector Marilyn Swanson interviewed housewife, Mrs. Helen H. Holmes (born Helen Hanson on February 24th, 1906, in Harrison, Nebraska) in her home in Boulder City, Nevada. This interview covers the social, economic, and environmental changes that occurred in Boulder City from 1931 to 1975. Mrs. Holmes also discusses home and family life in Nevada.
Oral history interview with Jeanettee L. Del Rosario conducted by Alessandra Del Rosario on December 6, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Jeanettee Del Rosario talks about her family life with nine siblings and her upbringing in Urdaneta City, Pangasinan province, Philippines. She shares her educational background in hotel and restaurant management and, after immigrating to Las Vegas, Nevada in 2006, the different hotel positions she has held in the city. Jeanettee Del Rosario discusses the process of immigration, language barriers, and missing her family in the Philippines. She also talks about Filipino traditions of respect, barangay fiestas, cultural foods, and religion.
The Howard Hughes Public Relations Reference Files (1931-1997) were compiled by Richard "Dick" Hannah, vice-president of the Los Angeles public relations firm Carl Byoir & Associates, which was hired to direct public relations for Hughes’ companies. The collection is primarily composed of newspaper clippings organized into reference files. A significant number of the files contain articles about Howard Hughes’ personal life, the operations of his companies, and legal and political disputes involving Hughes and his companies. The files also document a range of other subjects related to his business ventures, including aviation, aerospace, defense industries, motion picture studios, film stars, communism in Hollywood, and the House on Un-American Activities Committee (HUAC). Later in life Hughes became obsessed with how he was being portrayed in the media. In addition to collecting magazine articles, newspaper clippings, transcripts, screenplays, and books that referenced him. He also collected newspaper clippings about the activities of print media outlets, columnists, radio-television stations, current and former employees, and competitors. The collection also contains newspaper clippings about Watergate, organized crime, gambling, and Las Vegas and contains press releases, correspondence and records generated by Carl Byoir & Associates as well as Rosemont Enterprise, Inc.
Daytime views of the O'Sheas Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 3555 S Las Vegas Blvd Sign owner: Park Place Entertainment Sign details: O'Shea's Casino is located just north across a small driveway from the Flamingo. The small but busy facade is a small, yet busy stop along the Las Vegas Strip. The exterior signage consists of two corner signs, a blade sign, hanging off of the west face of the building, a main entrance sign, backlit screens as well as various images laden with neon. All of these create a flashing display of luminescence all just above the pedestrian's head. Sign condition: Structure 5 Surface 5 Lighting 5 Sign form: Fascia Sign-specific description: O'Shea's Casino is located just north across a small driveway from the Flamingo. O'Shea's theme and signage is influenced by Irish culture and imagery, integrated into the forms of signage along the Las Vegas Strip. The building design itself is influenced by traditional European housing imagery, generalized with other elements of architecture also. One example of this is the coloring, exposed wooden beams and narrow rooflines over treated windows, which suggest styles seen in classic European architectural imagery. Examples of other elements such as sculpted windowsills and exterior molding are more akin to neoclassical than the Irish pub or cottage. A small blade sign hangs in the center of the structure facing north /south. Attached off of the building by two poles, the double sided cabinet is designed with a circular portion at the top that transforms along it's bottom edge into length portion of the "blade" that continues down to a rounded bottom. The Circular portion serves as the "O" in O'Shea's. The exterior of the signs width is finished in a polished gold aluminum surface. The top portion continues into a full circular space in the front where the backlit image of the O'Shea's leprechaun mascot resides in it's center. The image has a circular green neon border at the edge of the cabinet and is set into a field of incandescent bulbs, which occupy the remaining space in the face of the "O". Incandescent bulbs also run around the edge of a face on a gold raceway. Channel letters run vertically down the face of the blade spelling the remaining "Sea's" of the title. Each letter is filled with incandescent bulbs, and bordered on it's exterior in green neon. The remainder of the space, which comprises the surface of the sign, is a green material. The entire edge of the rest of the sign is also bordered with incandescent bulbs. Below the blade sign, the main entrance for the establishment is denoted by the large, arched, marquee logo, and wall sign for the casino. The arch shape is bordered by gold polished raceways, with the interior space where the O'Shea's logo is written in a bowed, horizontal arrangement with the "O" and "S" being the biggest letters in this group. The same back-lit leprechaun figure which is present in the blade sign, in seen in the "O" of the logo. The letters are of channel design and filled with incandescent bulbs. Gold scrollwork adorns the green background above and on the sides of the logo. An entablature, running the length below the arch, reads "casino" in channel letters filled with incandescent bulbs and bordered with green neon. The orange background in contained on the bottom edge with a gold polished raceway, which sharply curves into a downward point at the very center. All the raceway edges of the sign are lined with incandescent bulbs. Flanking the wall on either side of the main entrance are two backlit message centers with vinyl lettering. They also are bordered with incandescent bulbs, strewn upon polished raceways. To the south toward the Flamingo Casino, a corner marquee sign faces toward the southwest. The message center on the right of the main entrance essentially continues its shape wrapping in radius fashion all the way around the corner. As the entablature wraps the corner, the color changes to a section of black, containing the channel letters hung at a slight angle, spelling the words " Hall of Fame," in cursive text. Small stars in channel design adorn the black background. On the left of the text, O'Shea's is painted in red paint, in a cursive script at a similar angle as the premier text. Neon is shaped over the surface of the letters to allow it to be spelled in light. The word "Casino" is spelled on the right hand side, and treated in the same fashion. A top the black portion of pediment, the sign continues with it's corner finishing, rounded marquee, containing the text, "Magic & Movie," in a three lined arrangement. Putting the two signs together the appropriate title for the advertisement of the attraction is read "Magic and Movie Hall of Fame." The channel letters on the top portion are filled with neon and treated white on the interiors. The edge of the cabinet is treated with white bull nose borders, sandwiching a field of pink holding two tubes of contoured neon. At the peak of the sign a small element reminiscent of a fan, created using a multi layered box, uses different levels receding into space, with the center blade at the front of the sign. The sections are lined with gold raceways and incandescent bulbs, with the center blade being horizontally striped with tubes of neon. Two small gold finished gargoyle statues flank either side of the theatre-esque entrance. Underneath the overhang created by the corner sign, polished aluminum element creates a sloping drum shape above the door. This drum is divided into sections by gold polished raceways. The flat portion, which returns to the ceiling of the overhang is adorned with painted images of clovers, encircled in rings of green neon. This section is reminiscent of the top section of the corner drum of the Barbary Coast. The black pediment along the south portion of the building., abruptly changes to the orange color seen on the main entrance. Along the south wall section of the pediment green pan channels in the shape of clovers hang, lined on the interior with neon. A small sign denoting parking is also present. Another corner entrance is located on the north end of the property, facing northwest. It too has the rounded corner entrance and logo sign. Slightly different than the main entrance, the same "Casino text and structure is seen on the orange pediment above the door, as well as the channel logo with the mascot located in the letter "O." A three-sectioned panel with swooping wings and an arched center creates the field for the main logo. A more busy section of two dimensional scrollwork sits below the neon filled text. The wings of the top section a recessed panels with checkerboard design behind that. Each side of the entire top section is book ended with two small square posts. Three small miniature spires line the very top, and the same inverted drum shape sits underneath the door. Street posts reside on the sidewalk outside. Sign - type of display: Neon; Incandescent; Backlit Sign - media: Steel; Plastic Sign animation: Chasing, flashing, oscillating Notes: All of the bulbs, which reside in the fascia signs which designate entrances, oscillate rapidly. The entrance sign a bit closer to the north end of the property also contain the pan channel star shapes, with incandescent bulbs in the center. The bulbs which, reside on the widths edge of the small pole sign at the south end of the property, oscillate giving a twinkling effect. The main pylon's animation is rather simple considering the amount of lighting. Bulbs which create the dazzling background chase each other upward to the very point, then once they reach the top, each letter light up from left to right, one at a time, then off one letter at a time. The letters all turn on simultaneously while, while the background chases up, leaving the lights off in its trail. The text then shuts off as well. The small incandescent bulbs lacing the background of the main body of the sign oscillate subtly, twinkling themselves. Each letter of the text contains a single row of incandescent bulbs, just inside the border of the red neon. This row is always on in a chasing animation from left to right even when the letters are dark. The animation for the three sided, pole sign, at the north end of the property is adorned with sparkling animation as well. The purple bulbs, which create the border of the main base, chase each other from bottom to top, and the star shape in the center is filled with oscillating incandescent bulbs. The bulbs, which also encrust the bottom surface of the cabinet, oscillate as well. The incandescent bulbs, which adorn the background of the text portion of the sign, also sparkle with a soft random oscillating pattern. The stars which sit on top of the cabinet, animate in a random, non descriptive fashion. The inner star shaped pans oscillate with incandescent bulbs, and the neon borders flash on then off, in a clumsy random order. The three-sided sign also rotates, one of the few animatronic signs on the Strip. Sign environment: Being essentially part of the Flamingo, O'Shea's is only separated by a small drive, producing the easy traffic flow from the north entrance of the former. The north of O'Shea's on the immediate vertical explosion of the front tower/porte cochere of the Imperial Palace. It is easy to say that O'Shea's is sandwiched in between two giants, assuming its place as the charming gap between the Flamingo and the Imperial Palace which is quite a bit more pedestrian friendly. Traveling north on the east side of the strip, O'Shea's is not hard to miss at all Sign - date of installation: Original date of installation 1989. The southwest, and northwest corner signage were added at a later date Sign - thematic influences: O'Shea's centers around the theme of the Irish pub, utilizing various imagery to get support the design. The color green is used extensively in the main signs color scheme while the ever-popular image of the folkloric leprechaun illuminated it a cartoon form upon the pylon. The green pan channels, which are shaped like shamrocks, are place along the exterior wall, an obvious reference to the St. Patrick's Day Holiday as well a reference to good luck. ( example: the four-leaf clover, luck of the Irish.) Luck is something synonymously associated with an industry such as gaming. Gold is also used extensively with the exterior referencing the infamous pot of gold associated with the lore of leprechauns. The actual structure itself is constructed with elements which suggest a European rustic cottage. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Chasing; Oscillating; Fascia; Neon; Incandescent; Backlit; Steel; Plastic