Search Results
Transcript of interview with Dr. Ray and Linda Rawson by Claytee White, October 30, 2009 and November 13, 2009
Date
Archival Collection
Description
Raymond Rawson's life started in the rural Utah community of Sandy in 1940. His family moved around in what he describes as a scene from John Steinbeck's The Grapes of Wrath. By the age of 10, the family settled in Las Vegas, which had a population of around 35,000. He attended Fifth Street Grammar School, Las Vegas High School, was a member of UNLV's first graduating class, and eventually became a dentist. In this interview, he reflects on his experiences of growing up in Las Vegas, the hardships of difficult economic eras, and his professional accomplishments in the field of dentistry, including actively advocating the creation of UNLV School of Dental Medicine. Ray also became a community leader. He served in the Nevada State Legislature from 1985 to 2001. He talks about his relationship with long-time legislator Joe Neal. Education and access to healthcare were among the issues that Ray championed and he shares his observations of these issues. In 2009, he was appointe
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Transcript of interview with Kerin Scianna Rodgers by Suzanne Becker and Claytee D. White, February 7, 2009 and August 11 & 16, 2011
Date
Archival Collection
Description
Kerin Rodgers was born in 1936. She recounts her family history and stories of her youth growing up in Boston, MA, and shares how the family relocated to Seattle, WA in the mid-1940s. She talks about her enjoyment of theatrical arts and politics, and about being a resourceful divorced, single-mom and entrepreneur. In 1958 she opened a retail fashion store and modeling agency with a friend in Santa Monica, CA. Kerin had a knack for fashion and interior design that would assist her then and into the future. She also shares the story of arriving in Las Vegas as part of retail job with The Broadway stores in 1966—a two-week stint that seemed to have no ending. Her transition into Las Vegas included remarriage, a 1974 Keno win that enabled her to put down money on a home ( a house built by Paul Huffey) in the John S. Park neighborhood, and making close friends in the community. Her interview is sprinkled with tales of activities and personalities from the neighborhood's past and present. Kerin was involved with the Focus Youth House, speaks about First Fridays and art, as well as gives a perspective of police, criminal behaviors and changes in the neighborhood over the years. She hosted a local television show and enjoyed being a community activist.
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Transcript of interview with Pat van Betten by Claytee White, February 6, 2007
Date
Archival Collection
Description
Patricia and Herman van Betten met in Pittsburg through their volunteer work on the John F. Kennedy Campaign. After their Connecticut wedding and Herman's studies at the University of Texas and the University of Southern California, they and three small children moved to Las Vegas. Their fourth child, a native Las Vegan, was born in 1968. In 1967, Herman acquired a position at the Nevada Southern University, which is now the University of Nevada, Las Vegas. Beginning in the 1970's the couple worked diligently to make the Las Vegas community a great place to live. They participated in The League of Women Voters, The Consumer League, the Welfare Rights Movement, and the Community of a Hundred. Patricia served as the President of the Consumer League and Herman was elected to the local school board. They were jointly appointed by the ACLU as Civil Librarians of the Year, 1990-1991. Currently retired, they engage in civic, environmental, and historical activism in the village of
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Laura Gentry interview, February 26, 1977: transcript
Date
Archival Collection
Description
On February 26, 1977, collector Harold May interviewed Laura Gentry (born May 1897 in St. Thomas, Nevada) at her cabin in Gold Butte, Nevada. In this interview, Laura Gentry discusses living in St. Thomas and Overton, Nevada. She discusses the development of the Overton and Gold Butte areas of Nevada as well as the people involved in mining in these areas.
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Transcript of interview with Irene Doty by Jackie Ogden, March 20, 1977
Date
Archival Collection
Description
On March 20, 1977, Jackie Ogden interviewed Irene Doty (born 1914 in Dangerfield, Texas) about her life in Southern Nevada. Doty first talks about the first casino properties and restaurants in Las Vegas along with some of the other businesses and operations of the area. She also describes some of her experiences as a justice of the peace, conditions during World War II, and the clothing fashion of the time. Doty also talks about some of her experiences in Goodsprings, Nevada, and about her experiences as a juror and potential juror in several murder trials. The interview concludes with a discussion on housing development and gambling in Las Vegas.
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Transcript of interview with Murl Emery by James M. Greene, October 18, 1974
Date
Archival Collection
Description
On October 18, 1974, James M. Greene interviewed Murl Emery (born June 7th, 1903 in Bolton, California) at his home in Nelson, Nevada. Also present during the interview is Mrs. Emery and Mr. Dutch Eckhart, a guest who has just arrived to visit with Mr. Emery. The interview covers Mr. Emery’s personal experience in and around Southern Nevada, particularly in the areas from Searchlight, Nevada to Nelson, to Boulder Canyon, but mostly on the Colorado River. Mr. Eckhart also helps to interject some insight into the popularity of the Model T Ford in those days and early days of newly paved roads. Additionally, they discuss water shortage, wells, the building of the railroad, and mining in Nevada. Mr. Emery also discusses the books that were written about his adventurous life, his discoveries and his explorations.
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Transcript of interview with Roger Thomas by Stefani Evans and Claytee D. White, August 31, 2016
Date
Archival Collection
Description
As he reveals in this oral history, Roger Thomas is, among many other things, a son, a father, a brother, a husband, a student, an artist, a visionary, and a philanthropist. As the second son of Peggy and E. Parry Thomas’s five children, Roger was raised a Mormon child of privilege and civic responsibility. The banking family summered in Newport Beach, wintered in Sun Valley, and taught their children by words and deeds that it is not up for debate if you will be involved in your community; the only question is how you will apply your talents and resources to benefit your community. Roger absorbed the lessons well. As a child who struggled in school but excelled in art, he attended his last two years of high school at Interlochen Arts Academy, graduating in 1969, finally finding himself “in an environment where what I did had currency.” From there he earned his BFA from the School of the Museum of Fine Arts Boston and Studio Degree from Tufts University before returning to Las Vegas and eventually joining Steve Wynn’s team in 1981. As Executive Vice President of Design for Wynn Design & Development, he is the man in whom Steve Wynn places his trust to make real at each Wynn property the Wynn design philosophy: aim for a constituency of highly sophisticated, well-traveled, very educated people and give them a reality, a now, that is so fetching, so alluring they wish to be no place else. As he was mentored by his father and Steve Wynn, he too is mentoring those who will follow him. At Wynn, the next generation will carry forward the Wynn idea of evoca-texture, of creating “moments of experiential emotion that result in a memory so captivating and so unique that if you want to repeat that you have to come back.” At home, he collaborates with his daughter on a children’s book that has the potential to become a series; she is the illustrator, while he provides the words. Roger Thomas sat for this interview five days after his father, E. Parry Thomas, passed away in Idaho. Instead of postponing the interview to a more convenient time, Roger kept the appointment and explained, “This is for UNLV. If I’d cancelled my father would have killed me.”
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University of Nevada, Las Vegas (UNLV) 47th commencement program
Date
Archival Collection
Description
Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).
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Photographs of Greek Isles signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 305 Convention Center Dr
Sign owner: Mark IV Realty
Sign details: The property which is at the eastern end of Convention Center Dr., is one tower at the east end of the property, and is attached to a low-rise structure which reaches westward along the east side of Convention Center drive. Various signs adorn the facade of the Greek Isles including a small pylon sign, a porte- cochere and two wall/logo signs. The stucco surface of the front of the building is painted with images of rustic Mediterranean cottages, as well as the rising or setting sun image seen on the pylon as well.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The signage for the Greek Isles is essentially brand new, with exception to the porte-cochere. The Porte cochere was left over from the previous establishment with a bit of standard upkeep.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: At the east end of Convention center Blvd The Greek Isles casino resides at the old site of establishments such as The Paddlewheel, and The Debbie Reynolds Hotel Casino. The signage consists a pylon sign, a porte- cochere and two wall signs. Located on the south side of the street, the signage is located in relatively small span of space along the north face of the establishment. At the western most end of the property, a section of the low rise structure radiuses outward creating a giant white, convex stucco canvass. A golden sunset has been painted on the entire surface of this rounded wall. A bright white round section represents it with the color blending from an intense yellow into a burnt orange on the top edge of the building. At the top of the wall along the surface, "Greek Isles is spelled in shallow blue channel letters, with each letter set upon a white cabinet which mimics the shape of the font. Incandescent bulbs fill each channel letter, surrounded by a border of blue neon. The text is very angular, also mimicking ancient Greek text and the text utilized in Caesar's Palace. Just below the text on the surface of the wall. A wall sign in the shape of a rectangle with scrolls on the either sides. The resultant effect is a two-dimension representation of an Ionic top of a column. The outer edge of the sign including the spiraling scrolls on either side is created with a narrow blue channel. Tubes of blue neon line the interior of this channel. The open rectangular space left in the banner of the sign reads "Hotel &Casino," in red channel letters, lined with red neon on the interiors. Further east on the surface of the building, the white stucco is treated with a mural of broken tile overhangs and open shutters. Column, and corbels are other elements represented in the mural of a Greek village. Another sign is located on the wall between the western most sign and the central Porte cochere. This sign is two parts. Pair of concrete columns support a cabinet, crafted in the same fashion as the secondary portion of the previously mentioned sign. The details of the scroll are created by gold raceways lined with incandescent bulbs. Painted in red , all capital, letters, the text "Restaurant &Lounge Show," lies horizontally across the white surface. Neon is crafted over the tops of the letters. Sitting on top of the cabinet is another set of channel letters. The shallow blue letters are filled with incandescent bulbs. The shadowing cabinet, behind the letters is painted gold. Blue neon borders each one of the letters. On either side of the text, three slightly arched rods angle out of the body of the faux scrolled cabinet. The rods are lined on the surface with one single tube of blue neon. A pair of gold, polished, doors lie underneath the sign between the columns. The main entrance of the building is underneath the porte-cochere, continuing east along the property. The surface of the awning is illuminated with lengthy backlit cabinets, lined on the top and the bottom with gold raceways lined with incandescent bulbs. Blue tubes of neon line the top and the bottom edges of the surface of the cabinet. The underside of the awning is divided in clear plastic covered recessed cubes, forming a grid over the surface. The interiors of the cubes are mirrored, and sloped to a point in the negative shape of a pyramid. The centers are adorned with incandescent bulbs. The borders that periodically broken up with polished, reflective panels of a bronze hue. The property continues east still, until a north/south drive separates the building from the pylon sign for the establishment. A pair of white painted steel poles are capped with a white cabinet, sculpted itself to add elements to the poles themselves. The left and right bottom edges of the cabinet are crafted to look lime the scrolled column capital, represented in the two logo wall signs on the east surface. The scrolls are created with blue paint, n the white surface, as well as the address painted in the center. The combination of the sculpted cabinet and supporting poles create a solid base for a giant black cabinet which housed a color LED message center. Atop the cabinet, another horizontal cabinet sits wider in length than the LED cabinet. The cabinet is crafted like the two wall signs as well, with bulbous radius ends, adorned on the surface and edges with the channel raceways creating the scroll shape. This channel is lined with blue neon. All capital, red channel letters, filled with red neon, reads "Hotel & Casino." A top this cabinet another sculpted cabinet hold the main logo text of the sign. The sign is crafted as a half circle, creating a cabinet with the entire outer edge being a single radius. The surface of the sign is painted in the same fashion the sunset mural on the east end of the building. The sign starts as a dark orange at the bottom and fades to a yellow at the top. The edge of the radius is interrupted by the main text. "Greek Isles" is spelled in the same fashion as all the other signs. The mimicking backing cabinets for the letters are painted white as well. The outer edge is also lined with gold polished raceways , and incandescent bulbs. The width of the sign from the LED cabinet on up is painted black
Sign - type of display: Neon; Incandescent
Sign - media: Steel
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The Greek Isles is on the unique street line of Convention Center drive. To the east there is a nightclub, a chain motel, The Las Vegas Hilton, and the transplanted Riviera pylon. To the west, on that side of the street, is a bank complex and the Casino Royal. Across the street the vast expanse of the Hilton Convention Centers parking lot, makes the Greek Isles seem much larger for it's relatively small set of signage.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - date of redesign/move: The Greek Isles signage is the same since its initial installation, but replaces other vestiges of the previous properties, most recently the Debbie Reynolds Hotel and Casino.
Sign - thematic influences: The theme of the property is quite evident in its name as well as in its facade. The exterior is made to appear with elements of a rustic Greek village utilizing a white stucco finish treated with mural designs of wooden shutters and other village amenities. On western end of the property, the large round, surface of the wall is treated with graphic paint representative to a rising or setting sun. This element also adds to the apparent ambiance of the serene village. The text for the property is crafted in the generalized angular style of the ancient Greek text, not that much dissimilar to the Caesar's Palace logo text. In fact they are almost identical in fashion.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Graphics; Paint
Mixed Content
Transcript of interview with Harvey N. Dondero by Iskander A. Batlouni, February 26, 1981
Date
Archival Collection
Description
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