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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, August 27, 1974

Date

1974-08-27

Description

Agenda and meeting minutes for the University of Nevada, Las Vegas Student Senate. CSUN Session 3 Meeting Minutes and Agendas.

Text

"Collecting Family History": article draft by Roosevelt Fitzgerald

Date

1988 (year approximate) to 1989 (year approximate)

Description

From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Drafts for the Las Vegas Sentinel Voice file. On Black families in the United States and family reunions.

Text

Film transparency of Herbert Hoover and his party touring the Boulder Canyon Project, November 12, 1932

Date

1932-11-12

Description

Black and white image of Herbert Hoover and several others touring the Boulder Canyon Project. The following printed description accompanies the image: "President Herbert Hoover and official party in Tunnel No. 2 during inspection tour of Boulder Canyon Project. Left to right: Construction Engineer W. R. Young, Bureau of Reclamation; Mr. Ritchey , Secretary to the President; Chief Engineer R. F. Walter, Bureau of Reclamation; Mrs. Hoover; President Hoover; Mrs. Wilbur; Secretary of the Interior R. L. Wilbur; E. O. Wattis, First Vice-President, Six Companies, Inc.; F. T. Crowe, Gen. Superintendent, Six Companies , Inc." Note: Boulder Dam was officially renamed Hoover Dam in 1947.

Image

Fred Houghton Papers

Identifier

MS-00204

Abstract

The Fred Houghton Papers (1909-1998) consist of Houghton’s legal and personal files on his Blue Chip Ranch property in Las Vegas, Nevada. The materials include legal cases, maps, reports, and correspondence concerning water access on the property, and his work with the Las Vegas Well Users Association, which primarily contains correspondence in conjunction with Las Vegas's water politics. The collection also contains court cases during the 1930s when Houghton worked as a lawyer in Chicago, Illinois, as well as legal files for his time as a public defender for the State of California. The personal files in the collection primarily consist of correspondence, banking records, diaries, and notebooks.

Archival Collection

Leon Carter, Sr. Photographs

Identifier

PH-00443-DEACCESSIONED

Abstract

This collection has been removed from the University of Nevada, Las Vegas Libraries Special Collections and Archives' holdings by request of the donor. The collection was returned to the donor. Please contact special.collections@unlv.edu for further information.

The Leon Carter, Sr. Photographs (approximately 1948-2019) primarily contain photographic prints documenting Leon Carter, Sr.'s life living in Las Vegas, Nevada. Included are photographs of Carter, his brother John L. Carter, members of the Carter family, and snapshots from the Helldorado Days parade in the mid-1960s. The collection includes a photograph of Carter as a table dealer, a facsimile photograph of Carter when he played baseball in Canada in the early 1950s, and his yearbook portrait. Materials also include a brochure from Carter's political campaign running for County Commissioner in 1972, and a 1989 certificate of appreciation to Carter from the Las Vegas Breakfasters Lions Club.

Archival Collection

Transcript of interview with Juan Saa by David G. Schwartz, November 21, 2016

Date

2016-11-21

Archival Collection

Description

Juan Saa entered the gaming industry in information technology at Isle Casino Racing Pompano Park in Pompano Beach, Florida in 2006. Saa would later transition into performance manager and director of slot operations at two properties in Black Hawk, Colorado: Isle Casino Hotel Black Hawk and Lady Luck Casino Hotel Black Hawk. The interview begins with Saa’s discussion of his start in the technical side and his eventual move into an operational role in the casino industry. He talks about his experience as a director, specifically the responsibilities involved and the type of staff being supervised. Saa goes on to describe how both mentors and training have helped him to progress in his career. Saa also describes the differences in the technical and performance aspects of the industry, and he then provides his philosophy on what makes both a good and bad slot manager. Saa later discusses the importance in communicating with other departments in the casino, such as marketing and food & beverage, and he also provides his thoughts on what customers are looking for on the slot floor. He then describes what he believes are the biggest changes in the slot industry, specifically with TITO and slot analysis. The interview continues with Saa’s description of his interaction with vendors in bringing new games to the slot floor, and he describes his philosophy on how a slot floor should be laid out. He goes on to discuss what he believes the future of the slot floor will look like, specifically regarding skill-based games, and he describes his personal gambling. The interview finalizes with Saa’s advice to young people who want to go into the slot operations as a career.

Text

Photographs of Aladdin Casino Hotel and Resort signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the Aladdin Hotel Casino and Resort signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Aladdin Hotel (Las Vegas, Nev.)
Site address: 3667 Las Vegas Blvd
Sign owner: Aladdin Gaming LLC
Sign details: Just north of Harmon across the street from the Harley Davidson café, the stretch of the Aladdin property begins. The facade of the building is a pedestrian designed attraction, for it replaces the sidewalk. One must pass along the elaborate array of landscaping, to be confronted by the massive replication of the ancient Persian city, fully realizing it's Arabian Nights theme. Various signage does adorn the Aladdin property, Including a small one sided message board, resembling a miniature pylon, two jumbo LCD screens adorned with text, and entrance signs cover a couple of entrances.
Sign condition: Structure 5 Surface 5 Lighting 5--All signage is in good repair.
Sign form: Pylon; Fascia
Sign-specific description: The first sign you come upon is a small single sided pylon , which houses a message cabinet, and a channel letter logo for the Aladdin. Two poles rise out of a flowerbed, supporting a purple-faced message cabinet reading about valet and parking service. Incandescent bulbs surround the box along the border. Above that section, Aladdin is spelled in red channel letters, filled with red neon. They are hung upon the remainder of space on the upper portion of the cabinet, which only rises an additional 10 inches or so above the internally lit cabinet. The top of the cabinet is adorned with a three-tiered sculpted steel section mimicking the classic shape of the Persian spire seen so often in the property. Each section is finished in a different color: gold, pink and purple. Two neon tubes run the circumference of the tops of the poles, just underneath the negative Persian spire shape, which supports the internally lit cabinet. Neon tubes also border the tops and bottoms of each section of the sign as well as following the contour of the sculpted edges. This sign faces southwest and is found on the south end of the property and is the first sign you see walking on the property headed north. The first casino entrance is seen north of the previous sign and is above an entrance. The negative space of a Persian arch, preceding the entrance is occupied by a sign which designating an entrance. It is essentially one giant pan channel, with a smaller positive shaped cabinet in the center. Aladdin is spelled in gold polished channel letters with blue plastic faces. Another sign, of this sort, is also further down the face of the building. Translucent red ruby shapes run horizontally across the bottom. As the building steps up in various places, a larger, higher elevation, approximately in the center of the complex, plays host to two LCD screens facing northwest and southwest on the surface of the wall. Above each screen, Aladdin is spelled with larger red translucent letters, backed with white neon. When the light is visible, it creates a halo of white light around the text.
Sign - type of display: Neon; Incandescent; Matrix
Sign - media: Steel; Plastic
Sign animation: Chasing
Notes: The only Animation which I see present are in the pan channels occupying the negative Persian arch shape over two of the entrances on the west face of the building. The red plastic jewel shapes chase from either side to meet in the middle.
Sign environment: The Aladdin property lies between Harmon avenue and the Paris Hotel, on the east side of the strip. Headed North from Harmon, on the east side of the street, the pedestrian is enveloped by the properties façade, for it replaces a standard sidewalk. Once inside the path along the façade, it curves to and fro, mostly toward the casino entrances. Tall shrubbery and bushes separate the pedestrian from Las Vegas Blvd, creating a world all to it's own.
Sign architect of record: Nadel Architects, Contractor: Adp/Fd, Fluor Daniel
Sign - date of installation: 2000
Sign - thematic influences: The theme surrounding the Aladdin is centered around the Arabian Nights theme of an ancient Persian city or palace. Restaurants and storefronts are cased in with faux stone facades topped with bulbous towers and Persian spires. The significance lies in the lineage of the Aladdin transformed through the years since its change of management in 1966. It stands today holding the same theme but designed to fit in with the themed mega resorts currently present on the strip. The exterior is completely engulfed in themed architecture but draws references not only to its past self but other desert fantasy themed resorts such as the Desert Inn and the Sahara.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Steel; Plastic; Neon; Incandescent; Matrix; Pylon; Fascia; LCD; Internally illuminated

Mixed Content

Baepler, Donald

Dr. Donald Baepler was born in Edmonton, Alberta, Canada in July of 1932. The family moved to Springfield, Illinois in 1936, where his father was president of Concordia Seminary. Donald decided at the age of seven that he wanted to pursue a Ph.D. in ornithology, not an unusual goal in his family. By the time he graduated high school, he knew that he wanted to attend Carlton College in Minnesota to study under Olin Sewall Pettingill. He followed world-famous ornithologist and artist George Sutton to Michigan and then to Oklahoma to complete his doctorate.

Person