Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.
In this interview, Renee Diamond discusses coming to Las Vegas via Los Angeles, with her husband and children in the 1970s and getting involved in politics. She talks about her husband, Leo, and his business selling vinyl records in L.A., and her work in a doctor's office. Once in Las Vegas, the Diamonds joined Temple Beth Sholom and later Congregation Ner Tamid. Renee talks about her involvement in the political arena in southern Nevada, including the League of Women Voters.
Community activism and social justice rank high in the legacy of Renee Diamond. She often refers to herself as one of the last of the generation without college degrees that could make a difference in the politics of the state. When Renee, her husband Leo Diamond moved their family to Las Vegas from southern California, the energetic advocate Renee quickly plugged into the community. The word "No" was not part of her vocabulary. Among the many Jewish and secular activities the she engaged in were: the editorial board of the Jewish Reporter newspaper; Hadassah; Anti-Defamation League; Red Cross Board; State Museum Board to name a few. She remains a vibrant Democratic Party leader and served one term on the Nevada Assembly in 1989. She was on the front lines as a fierce and active supporter of Welfare Rights, Fair Housing and the Equal Rights Amendment. It is a life that included working alongside illustrious women and men of Southern Nevada history. A list that includes: Harriet Trudell, Ruby Duncan, Myrna Williams and Dorothy Eisenberg and many more mentioned here. Meanwhile she raised four children and enjoyed a loving 43-year marriage with Leo (aka "Uncle Leo") whose career included the popular Bingo Palace, Slots-A-Fun and Stations Casinos. During this oral history interview she recalls the Las Vegas that she moved to in 1972 and reflects on what attracted people here, ways to be part of the Jewish life which might even include a bowling league and how involvement in raising social awareness was a worthy investment of ones' time. This is a look at a woman who made a difference.
Collection is comprised of photographs of Las Vegas, Nevada community leaders Flora and Stuart Mason and three event programs from Temple Beth Sholom (Las Vegas, Nevada). Materials date from approximately 1965 to 2010.
Oral history interview with Elbert Edwards conducted by Layne Covington on October 16, 1986 for the Ralph Roske Oral History Project on Early Las Vegas. Edwards first talks about his family background before talking about what it was like to live in Panaca, Nevada. Edwards later talks about his wife’s and his political involvement, and his involvement in education. He then discusses Hoover (Boulder) Dam, his job as a registrar in the Selective Service, and the effects that the World War II years had on Las Vegas, Nevada.
The Don T. Walker Photograph Collection (1900-1995) is comprised of black-and-white and color photographs taken by or belonging to Las Vegas photographer and Nevada historian Don Travis Walker. The photographs taken by Walker include ghost towns in Nevada, Arizona, and California, as well as a series on Phil Benson, editor and publisher of the Southern Nevada Times. Other items in the collection include photographs taken by other people related to the Moulin Rouge Hotel in Las Vegas, various photographs of historic sites in Nevada, and a program from the Nevada State Museum and Historical Society for its "Moulin Rouge: History in the Making" exhibition.
The Charles Rozaire Collection on Tule Springs, Nevada (1950-2005) contains photographic slides of various archeological sites across Clark County, Nevada, the majority of which were taken at the Tule Springs archaeological site. The collection also contains Rozaire's files documenting the excavation investigations at Tule Springs which include Rozaire's writings, newspaper clippings, programs, and photocopied articles regarding Tule Springs.