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Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, May 01, 1995

Date

1995-05-01

Description

Includes meeting agenda and minutes. CSUN Session 25 Meeting Minutes and Agendas.

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Transcript of interview with Randall "Randy" Walker by Stefani Evans, November 2, 2017

Date

2017-11-02

Description

In twenty-first-century, urban America, Randall "Randy" Walker is one of the few fathers who can say he raised his children in the same house in which he grew up. Walker did not inherit the house at 443 Republic Street, in Henderson. Instead, Walker bought the house from his parents after he graduated from Brigham Young University in Utah, worked with Exxon Oil Company in Houston, returned to Southern Nevada to work in his first government job as a budget analyst for Clark County, and sold the house he previously owned. He did not have to move his wife and children far-their previous home was at 442 Republic Street, directly across from his parents. In this oral history, Walker shares why his family came to Henderson in 1952, describes growing up in the small town of his youth, and tells what it was like to have his father as his high school Spanish teacher. He focuses on his career in government and how he applied his accountant mindset to the various positions he held with Clark County, the Las Vegas Metropolitan Police Department, the City of Las Vegas, and McCarran Airport. Along the way he shares his experiences with large governmental building projects such as the first 911 Call Center, the Downtown Transportation Center, the Regional Justice Center, and at McCarran Airport, the D v Gates, Terminal 3, and the airport tunnel and connector roads. He explains how his work with these various projects brought him into interaction with such diverse fields as architecture, accounting, construction, design, infrastructure, public art, public safety and local, state, and national politics. Throughout, Walker displays the collegial and common-sense approach to government, leadership, and problem solving that grounds the decisions he makes and explains why Richard Bunker wanted him at Clark County, why Clark County leaders recruited him to be county manager (and why that did not happen), and why McCarran Airport was able to accommodate without interruption Southern Nevada's record-breaking growth in residential and tourist traffic, and why, even in his absence, McCarran was the first major airport allowed to reopen following the 2001 September Eleventh terror attacks.

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Photographs of Madame Tussaud's signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of Madame Tussaud's museum signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Venetian (Las Vegas, Nev.)
Site address: 3377 S Las Vegas Blvd
Sign details: Madame Tussaud's Wax Museum is located inside the Venetian Hotel and Casino. Located at the southern end of the property, it is tucked away at the end of a long stretch of escalators. Even though it is not in complete plain view, the facility is directly in the line of pedestrian traffic. The escalators serve as one of the main causeways into the Venetian for the traveler headed north on the east side of the strip. The facility is also advertised by an architecturally integrated building sign, and an LED screen that are in plain view from the street. A the end of the bay of escalators, a platform folds out, containing the vibrant entrance to the Wax Museum. Flanking the large opening designated as the entrance, are six free standing sculpted cabinet, advertising for Madame Tussaud's, lining up three on either side of the door. Standing underneath the entry, are a cast of ever rotating wax figures of celebrities. Just beyond the wax sentry, six more sculpted cabinets are present on other side of the pedestrian leading up to a ticket counter. On the ceiling above the pedestrian is an array of sculpted elements that are adorned with incandescent bulbs and neon, all leading up to the afore mentioned counter.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing
Sign environment: Madame Tussaud's holds the unique position of being elevated above the street, within the Venetian. Located at the top of a bank of escalators, the museum is positioned so that it is the dominating force upon the pedestrian with its immediate area. With careful examination it is evident that the it resides in the Venetian, but has tight hold on it's claim of space. Even though the location is somewhat hidden, it is a present force, and alongside a series of moving walk paths, generating a high frequency of vibration.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - thematic influences: The theme of Madame Tussaud's revolves around the theme of what the establishment provides. The main attraction is of course the lifelike imagery of celebrities sculpted in wax. The establishment draws from the theme of celebrities and stardom in design. The advertisement cabinets, which line the entry to Madame Tussaud's, are shaped to reference this. One set is crafted in the shape of a stylized star, while the others appear as street side movie posters seen in theatres or propaganda. The feel of them, to sum up initially, is classic "Hollywood" movie opening extravaganza. The star shapes and jutting channels on the ceiling of the entrance are other references to stars as well as the feel of electricity. These too can be associated with "movie star" like elements such as the Hollywood walk of fame, with it's star shaped crests, references to celebrities as "stars," as well as the a fore mentioned flavor of a movie opening or extravaganza.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Fascia; Neon; Incandescent; Steel; Plastic; Graphics; Paint

Mixed Content

Photographs of Outpost Motel, Las Vegas (Nev.), March 14, 2017

Date

2017-03-14
2017-08-28

Description

The Outpost Motel sign sits at 1104 North Boulder Highway. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Outpost Motel (Las Vegas, Nev.)
Site address: 1104 N Boulder Hwy
Sign owner: Vegas Outpost Motel LLC
Sign details: The Outpost motel was built all the way back in 1937 and still resides out in Henderson along Boulder Highway. The current sign was installed around the 1950's.
Sign condition: 5, the sign is in excellent condition.
Sign form: Pole
Sign-specific description: This pole sign has a zig-zag like design on the top of it. Underneath that is the word "OUTPOST" in bold white letters against a forest green background. "MOTEL" is painted under that in bold white letters as well. "VACANCY" is painted under the "OTEL." Outlined in neon is "NO," which is difficult to see if it's not lit up. Each of these words is outlined with neon as well so you can see them at night when the sign would be lit up. The lower half of the sign is a back lit reader board. On the outer edge of the sign is a large, yellow arrow that extends from the top of the sign above the "O" in "OUTPOST" and points to the reader board. This is also covered in incandescent light bulbs.
Sign - type of display: Neon, incandescent, backlit reader board
Sign - media: Steel and plastic
Sign - non-neon treatments: Reader board
Sign animation: From photos, it looks as though the sign has some sort of animation to it in the yellow arrow on the outer edge. The incandescent light bulbs look as though they twinkled, but it is difficult to tell exactly how or in what direction.
Sign environment: This property sits way out in Henderson along Boulder Highway. It is down the street from Sam Boyd Stadium, Clark County Wetlands Park, and the Henderson Bird viewing Preserve. The properties that sit immediately next to the motel are a few small casinos and a random assortment of businesses.
Sign - date of installation: Possibly the 1950's
Sign - date of redesign/move: Photos from 2014 show that the sign was in a rough condition at one point, but in 2015 it received a fresh coat of paint.
Sign - thematic influences: The design for this sign is similar to many of the small motel throughout the city from the 1950's/60's era. They usually have one major element that makes them striking when viewed from the street view, for this sign it would be the big, yellow arrow. It is also a pole sign and many of the motels from this time period use this style of sign.
Survey - research locations: Roadside architecture http://www.roadarch.com/signs/nv2.html , Classic Las Vegas website ghhhttp://classiclasvegas.squarespace.com/classic-las-vegas-photo-galler/classic-las-vegas-signs/900788 , Asessor's Page http://www.clarkcountynv.gov/assessor/Pages/searchbybusinessname.aspx , Flickr website for photos https://www.flickr.com/photos/roadsidepictures/294981090
Survey - research notes: There are not many sources discussing the history of this property.
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-08-28
Sign keywords: Neon; Incandescent; Backlit; Steel; Plastic; Reader board; Pole sign; Directional

Mixed Content

Emily McKinley interview, March 1, 1981: transcript

Date

1981-03-01

Description

On March 1st, 1981, Glorialyn Gutierrez interviewed Emily McKinley (b. April 28, 1930 in Las Vegas, Nevada) about her life in the Las Vegas Valley. McKinley begins by speaking about her childhood, her siblings and her extended family. McKinley gives a variety of anecdotes about being raised in Las Vegas, her family’s economic hardships and the house she grew up in. Lastly, McKinley talks about the businesses she owned with her husband, their hardships and her time working multiple jobs.

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Transcript of interview with Cathie Millson by Anna Huddleston, June 10, 2014

Date

2014-06-10

Description

Cathie and Chris Millson moved to Las Vegas with their one-year-old daughter, Nicole, in 1984 following Chris’s completion of a cardio-thoracic anesthesiology fellowship in Atlanta, Georgia. Their two other children were born in Las Vegas. Shortly after they arrived they purchased the Rancho Bel Air house where they currently reside. Cathie talks about raising her children and living in Rancho Bel Air, a gated neighborhood of custom houses, which grew to maturity after the Millsons moved in. Cathie’s memories chronicle the growth of Las Vegas from small town to large city, how a certain segment of the population lived and entertained, and how downtown revitalization has brought young people back to Rancho Bel Air to raise their families.

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Rodel Fuentes oral history interview: transcript

Date

2021-12-04

Description

Oral history interview with Rodel Fuentes conducted by Tracy Fuentes on December 4, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Rodel Fuentes tells stories of his upbringing in Manila, Philippines, where he was raised in a shared family home amongst his parents, siblings, aunts, and uncles. He talks about his parents' immigration to the United States and how he later joined them in Los Angeles, California where he met and married his wife. Rodel Fuentes shares the couple's decision to move to Las Vegas, Nevada, his work at Dunn Edwards paint company, and how he became a licensed general contractor and real estate agent where he now owns his own company. Rodel Fuentes discusses his thoughts on Las Vegas' diversity, affordability, restaurants, and Asian community. He also talks about experiencing anti-Asian hate, worsened by misconceptions and discrimination that came from the COVID-19 pandemic.

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Transcript of interview with Edward "Ed" Butera by Stefani Evans and Claytee White, July 28, 2016

Date

2016-07-28

Description

Engineer Edward "Ed" Butera spent hours constructing models from the time he was a five-year-old boy in San Jose, California. Besides his interest in building and design, the young Butera also loved math and music—specifically the clarinet, at which he excelled, and which he still enjoys. After earning his Bachelor’s degree in Electrical Engineering at San Jose State University he was hired by Ralph Joeckel as a consulting engineer for Trane, a heating and air conditioning company. Joeckel became a mentor and "second dad" to Butera after the company sent him to Las Vegas in 1972, and the two remain close to this day. In this interview, Butera shares how he engineered and designed power, water, sanitation, utilities, and heating and cooling systems on many Clark County high schools, hospitals, and data centers while considering such factors as the building's shape and its affect on the way wind forces act on its glass, windows, and doors. He talks of his casino work that began with the Stardust soon after he arrived in Las Vegas, and before his client list grew to include Tony Marnell, Steve Wynn, and MGM. Besides the hotels, he shares his experiences engineering the infrastructure for the Bellagio fountains, The Mirage volcano, Treasure Island's pirate show.

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Photograph of the bar area of the Boulder Club (Las Vegas), 1953

Date

1953-08

Description

The long bar on the west side of the Boulder Club, later part of Binion's Horseshoe. Behind the bar is Ben Turner, bar manager, and bartender Chet Blue. Transcribed from original: "About August, 1953, The long bar on the west side of the old Boulder Club on Fremont St. now a part of the Horseshoe." Transcribed from photo sleeve: "Behind the bar, left to right: Ben Turner, bar manager; unidentified bartender; bartender, Chet Blue."
Site Name: Boulder Club
Address: 118 East Fremont Street

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