Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]

For the first 19 years of her life, Mary Martell Shaw called Central America home. Then thanks to misrouted luggage, she met the love of her life Rollin H. Shaw, a civil engineer, at a time in when his atomic energy career was taking off. In October 1943, they married in Costa Rica and for the next two decades traversed the country: Hawaii to California to Panama—wherever a project required Ronnie's engineering skills. Mary supported her husband every step of the way, with every new location. As a traditional homemaker of the era, she became adept at raising their four kids while packing boxes, enrolling them in school and setting up a warm home wherever they landed. The move to Las Vegas in September 1964, however, left her a bit challenged: there was a shortage of adequate housing, a concern for where to send her two daughters and two sons to school, and the feeling that they wouldn't be here long. Years later, Mary and Ronnie would retire to the city where their roots ran deepest, Las Vegas. With great wit, Mary recalls the long absences demanded by Ronnie's work with the Atomic Energy Commission. She also tells stories of the great fun they and their fellow Nevada Test Site employees had at parties, of her learning to paint with watercolors, and the pride she has of all her children's successes based on their education in Las Vegas.

Interviewed by Joanne L. Goodwin. Stella Butterfield's family, the Goldbergs, was Jewish, and she was born in the Bronx. During World War II she worked for the Coast Guard in the steno pool in Washington, D.C. Stella moved to Santa Monica a few years later while the war was still going on and worked briefly as a riveter for Douglas Aircraft and then as a teletype operator for the Air Force but at Douglas Aircraft. Because she had a hard time getting a job because of antisemitism, she changed her name to Gilbert. In December of 1948 she went to the Canal Zone in Panama to be the secretary of the commanding officer of the Panama Supply Depot. Stella was also a law reporter for court martials. She met Frank Butterfield, who was stationed there, and married him in 1952. He was transferred back to the United States, and they lived in Massachusetts. Then they moved to Los Angeles, and in 1953 they moved to Las Vegas, where she was a court reporter at Nellis Air Force Base. Then they moved to Mexico City, then back to California where she worked as a legal secretary. In early 1955 they moved back to Las Vegas, and Stella worked as a federal court reporter for Judge Roger T. Foley.