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Photographs of Donn Arden production "Ca C'Est Paris" proof sheet, Hollywood (Calif.), 1954-1955

Date

1954 to 1955

Archival Collection

Description

Proof sheet of ten images from "Carnival Martinquais," a scene from the Donn Arden production "Ca C'Est Paris" at Frank Sennes' Moulin Rouge in Hollywood, California. Credit for creating the image goes to Wilbur Jerger and Graphic House. Site Name: Moulin Rouge (Hollywood, Calif.)

Image

Q. B. Bush Papers

Identifier

MS-00882

Abstract

The Q. B. Bush Papers are comprised of Q. B. Bush's personal papers dating from 1957 to 2018 and document Bush's work in Westside Las Vegas, Nevada casinos including the Moulin Rouge, Town Tavern, and the El Morocco. The collection also documents Bush's involvement with the Dealers Security Association and the association's effort to provide better working conditions for African American casino employees. Included are both original photographs and copies of photographs that document the African American casinos where Bush worked, as well as the Bush family at various events.

Archival Collection

Transcript of interview with Betty Bunch by Joyce Marshall, January 9, 1996, February 7, 1996, & February 13, 2002

Date

1996-01-09
1996-02-07
2002-02-13

Description

Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin

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