The Margo Mansergh Papers (approximately 1920-2010) document the life of former showgirl and dancer Margaret "Margo" Mansergh Tomaszewski. Materials include photographs of Margo modeling, backstage at various shows, portraits, and personal family photographs as well as programs from her international career performing in the Lido de Paris and Pigalle Nightclub in London, as well as a number of shows in Las Vegas, Nevada, such as Vive Les Girls, Casino de Paris, Minsky's Burlesque, and Lido de Paris at the Stardust. The collection contains materials from Mansergh's modeling career, including photographs, book covers, and images of her as an extra in films. Digital images from the closing Stardust performance and an event for Miss Bluebell are also found in the collection.

Oral history interview with Betty Bunch conducted by Joyce (Marshall) Moore on January 09, 1996 and February 07, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview, Bunch discusses the origins of her dance career and the places her pursuit of this career took her. Bunch discusses the various shows she performed in both in the United States and Europe, and describes the differences between a dancer and a showgirl. Bunch describes the responsibilities and rights of dancers, their contracts, and their leisure activities. Finally, Bunch also discusses her personal life including two of her marriages.

Oral history interview with Carol Baker conducted by Nancy Hardy on May 29, 2003 for the Boyer Early Las Vegas Oral History Project. Baker talks about her life as an entertainer on the Las Vegas, Nevada Strip, including backstage life, parties, and relationships amongst other dancers.

Oral history interview with Shirley Allen conducted by Nancy Hardy on June 21, 2003 for the Las Vegas Oral History Project. In this interview, Allen discusses moving to Las Vegas, Nevada with her family and starting dancing professionally while attending university. Her first job was at the Riviera in 1964, working as a showgirl. She explains that the work was not difficult and they were not asked to do anything inappropriate, but they did have to pay for their own cocktail dresses and accessories. She also explains that she was a "covered dancer" in the beginning but by the late 1960s she had to "uncover" (work topless) to be employed. She then talks about working in Pzazz! '68 at the Stardust Resort Hotel and Casino, after auditioning for Fluff LeCoque, Donn Arden's company captain. She also talks about her impression of Miss Bluebell and Donn Arden. She spends some time talking about what life was like backstage, relations between the girls, and meeting celebrities, her first experience with topless dancing in Lido de Paris, and how the backstage dressing areas were assigned and the difficulty of fast changes between sets. Later, she talks about things that can go wrong, from forgeting choreography to the more serious issue of the HIV/AIDS epidemic that swept through the shows in the 1980s.

The Horden-Graglia Family Photographs depict the Horden-Graglia Family in Las Vegas, Nevada from 1910 to 1941. The photographs primarily depict Joseph and Frances Graglia and their children John and Anne. The photographs also depict historical buildings, including the Hotel National, the Pair o’ Dice Nite Club, the Union Hotel, and the Las Vegas School. The photographs also include Elinor Horden, who performed as a showgirl in Las Vegas in the 1950s.

The Larry Billman Papers (1961-1975) primarily reflect his work in the entertainment industry of Las Vegas, Nevada as a dancer, choreographer, and director. Materials include scripts, photographs, music scores, contracts, ephemera, and magazine and newspaper clippings. The collection also includes two scrapbooks and photographs of Tomoko (Katsuko) Billman performing in shows like "Holiday in Japan" at the New Frontier Hotel and Casino and "Rome Swings" at Caesars Palace in the late 1950s into the mid-1960s as well as photographs of Tomoko and other "Holiday in Japan" performers at various reunions.

The Terry Ritter Collection, dating from approximately 1995-2012, contains six color prints of Ritter's artwork depicting Las Vegas, Nevada showgirls. There is also one convention flier advertising her artwork.