Anna Peltier, owner and founder of ARIA Landscape Architecture in Las Vegas, Nevada, is a transplanted farm girl and a musician. She was born in 1978 on Michigan’s Upper Peninsula in Escanaba, Michigan, where she and two brothers were the second generation to grow up on their parents’ (and formerly their grandparents’) farm. She studied music performance at Michigan State University but after discovering her love of landscape architecture early in her college career, she changed majors and earned her degree in landscape architecture. Moving to Las Vegas in 2007, she first worked for JW Zunino Landscape Architects. While with Zunino she did design work for Lorenzi Park and designed the award-winning Cactus Avenue Interchange. As ARIA’s principal designer, Anna designed Discovery Park in Pahrump, Nevada, and the USA Parkway between Lake Tahoe, California, and Reno, Nevada. In 2013, when Anna opened ARIA, she carefully chose the name of her business. First, for practical reasons she want

Randy Lavigne, Honorary AIA, has every reason to smile. Since 1995 she has been the Executive Director for AIA (American Institute of Architects) Las Vegas professional organization; she works daily with her daughter in a beautifully restored historic building in the heart of downtown Las Vegas; and the architects with whom she works so value her contributions they compiled and submitted documentation in order to surprise her with honorary AIA membership. In this interview, Lavigne recalls growing up in segregated Emory Gap, Tennessee, where her grandfather bought all the schoolchildren new shoes every year. She details the cross-country trip that brought her to Las Vegas in 1994 and eventually to the AIA in 1995. The bulk of the interview focuses on the building where the AIA is housed and the history of the organization. In 2008 the AIA moved from its former home at UNLV’s School of Architecture to the historic Fifth Street School in downtown Las Vegas. Lavigne discusses the history of the building and its significance to the City of Las Vegas. She reveals plans to examine the architectural history Las Vegas to celebrate the AIA Chapter’s sixtieth anniversary. She also talks about diversity in the profession, the process of licensure, publications, continuing education, organizational records, and the now-defunct auxiliary organization, the Architects' Wives League.

Architect Paul Senzaki, and artist-illustrator Charlie White III recall their experiences of working in Las Vegas: Paul on Treasure Island, The Palms, Fremont Street Experience, and World Market Center and Charlie on Treasure Island and its successor, TI; New York New York. Architectural historian Alan Hess, who is an expert on Las Vegas architecture, offers historical context and asks pertinent questions. While this interview touches on several iconic Las Vegas buildings, the conversation mostly details why and how Steve Wynn's Treasure Island involved the labors of artists, illustrators, art directors, and designers of stage and screen as well as the those of architects, contractors, planners, and subcontractors.

Brad Friedmutter is the architect behind a number of Steve Wynn’s prominent casinos in Las Vegas, Nevada and Atlantic City, New Jersey. He obtained his degree in architecture in 1973 from the Cooper Union School of Architecture in lower Manhattan and worked on a number of smaller projects before connecting with Steve Wynn. After meeting the famous Vegas tycoon, Friedmutter built a number of well-known casinos, like the Golden Nugget and the Mirage. In this interview, he discusses the development of his numerous projects, explains his process for starting and completing architectural projects, and the future of urban planning and casino design.

In 1978 Bill Snyder came Las Vegas for a heavyweight championship fight between his homeboy, Larry Holmes and Ken Norton. During that visit, he saw cranes dotting the cityscape so he returned home and proposed that the family move across country and settle in the desert. His wife, Joy, gave him a year. And as they say, the rest is history. And what am amazing history it is. In this interview, Bill Snyder talks about his life from its beginning in Easton, Pennsylvania, where he discovered the challenge of architecture first by perusing books in the library and then by hands-on construction experience. But his love of art built the foundation to this treasured craft that has allowed him to design homes, office buildings, airport terminals and the McCaw School of Mines on the campus of McCaw Elementary School in Henderson, NV. The projects that Mr. Snyder seems to prize most are those that include the imagination of children. The people who shaped his life are introduced and the impact of his military training is wonderfully expressed. His connection with young people is paramount throughout the oral history that is beautifully documented with images of many of the projects that displayed children's art in an exciting way. Bill and Joy are the parents of two sons. Dana age 36, lives with his wife Christine in Hollywood, California, and works as a voice actor best known for his role as Master Shake on the cartoon Aqua Teen Hunger Force. Their younger son, Mike age 31, owns The Krate, a clothing, music, and art shop in Santa Cruz, California, where he lives with his wife Mandy and daughter Maya. A husband, father, sports car enthusiast, runner, thinker and lover of teaching and trusting young people, Bill Snyder is a brilliant architect and manager of people. He is dyslectic and never expected a school to be named in his honor but the William E. Snyder Elementary School was dedicated in 2001 with overwhelming community support. One of his current goals is to dream an architectural project that rivals the McCaw School of Mines for his own school. I trust that you will learn to love architecture in a different and very profound way as you read this interview just as I did during my conversation with Bill.

On March 11, 1978, Sosuke Miyazawa interviewed Nanyu Tomiyasu (b. May 28, 1918 in Las Vegas, Nevada) about his family’s farm and their legacy as one of the pioneering families of the city. Tomiyasu begins by talking about what brought his family to Las Vegas, the city’s abundant water reservoir and his father’s farm. In particular, Tomiyasu discusses his father’s experiments with farming as one of the city’s early farmers, the transition into nursery farming and Japanese gardens. Moreover, he discusses his siblings, the local schools, their great quality, the successful students the city produced and the growth of school populations. Tomiyasu describes the large Japanese population and the Union Pacific Railroad that many of them worked on. He ends by discussing the change in architecture within the city, such as where old buildings stood and what they are used for now, the first Episcopal Church and the old Mormon Fort.