Interviewed by Nathalie Martinez. Laurents Bañuelos-Benitez also participates in the questioning. Luis F. Valera serves as the Vice President of Government Affairs at UNLV. His heritage is from Venezuela and Cuba. He has served as the Chairman of the Latin Chamber of Commerce and has been an active member of the Latino community since his pursuing his undergraduate degree at UNLV in Political Science and his Juris Doctorate degree from the William S. Boyd School of Law. His various achievements in the community and nation led him to become recognized and awarded the Arturo Cambeiro Hispanic of the Year Award in 2011.

Interviewed by Maribel Estrada Calderón. Claytee White also participates in the questioning. Eddie Escobedo was born in 1961 and two years later, he and his family immigrated to the United States. He fondly remembers his father, Edmundo Escobedo. Escobedo is currently in charge of the newspaper that his father started, El Mundo Newspaper.

Prior to 1962, Helen Naugle had only visited Las Vegas once in her life while traveling from Idaho to California for a vacation with her husband and her boss. The group made a quick stop so her boss could interview for a position with EG&G and, as fate would have it, EG&G did not hire Helen’s boss. However, they did extend a job offer to Helen’s husband. A month later, Helen, her two daughters, and her husband became residents of Las Vegas, Nevada. Before moving to Nevada, Helen enjoyed singing in super clubs and performing on her radio show, “Melodies from Meadowland” and working for American Machine and Foundry. Upon her arrival in Las Vegas, Helen went to work for Bonanza Airlines before attending real estate school. In 1963, Helen opened her first office, Bruce Realty, and in 1965, she obtained her Broker’s license. She spent the next ten years selling general real estate. During this period, Helen was an active member of the Board of Realtors, as well as an early participant in the Board’s newly formed Women’s Council. Fate would strike again in Helen’s life while she was visiting her daughter at college in Arizona where she read an article in the Phoenix newspaper about a group of brokers who had formed a networking association to sell hotels and motels across the country. As a result of her initial contact with this association, Helen spent the next four decades selling hotels and motels throughout the State of Nevada, including Las Vegas, Elko, Tonopah, and Wells. She eventually became the first woman President of the American National Hotel-Motel Association. The cultural diversity of hotel and motel buyers would provide Helen with opportunities to travel the world and work with buyers from many different countries and cultural backgrounds. It also led to Helen’s membership in the FIABCI (International Real Estate Federation) and her Certified International Property Specialist and Federation of International Property Consultants certifications. Helen was also selected by the Association to represent the Air Force as “Innkeeper Evaluator” for one year. This honor took her to five Air Force bases in the United States and to Clark Air Force Base in the Philippines. During Helen’s career in hotel and motel real estate sales, she witnessed the transition from “mom-and-pop” American buyers to the influx of international buyers predominately from East India and Asia. The opportunities for helping repeat buyers and sellers gradually went away, as foreign buyers entered the market and tended to resell their properties to friends and family members from their own countries. During the latter part of her career, Helen found time to give back to the Las Vegas community through her volunteer work helping to establish the Scleroderma Foundation of Nevada. She also served on the Board of Directors of the Downtown Las Vegas Partnership where she focused on public safety in the area encompassing the Fremont Street Experience. Her work with both of these organizations allowed her to draw on her career experience for the benefit of others. Whether it was fate, or as Helen put it, she “just lucked into a lot of things,” one thing is certain - Helen Naugle was certainly a trail blazer for women in the hotel-motel niche of the real estate business, not only in Nevada, but across the nation.

In 1927, a sixteen-year-old girl from Rockford, Illinois moved to New York City to play trumpet with the all-girl bands common from the 1920s through the end of World War II. During this period, which spanned Prohibition, the Great Depression, and World War II, all-girl bands came into their own in America. They were especially popular during the war, when most men were off fighting but people still needed and appreciated music. This was also a time when jazz and swing became wildly popular in this country. All-girl bands were able fill a niche left empty by men at war. Doris Eloise Pressler was born in Jamesville, Illinois on January 17, 1911 to Bertha Hendrich Pressler and Louis Pressler. Almost immediately after her birth, the Pressler family moved to Rockford, Illinois. Bertha was a teacher, a homemaker and mother. Louis did auto body hand-painting and also managed a bar. In addition, he played baritone saxophone and taught his daughter Doris to play trumpet. They both performed with hometown bands, playing churches, dances, and other social events. In 1927 at age sixteen, Doris left school, moved out of the family home, and went to work for Walgreens in downtown Rockford. In her free time she played music. Doris began her professional music career in 1927 as a trumpeter with the Gypsy Sweethearts in Rockford. That same year, she moved to New York, where she played in the only women’s band that ever performed at New York’s historic Roseland Ballroom. During the early 1930s, Doris performed with the Red Dominos, an all-girl band that was part of a variety show produced by E. K. Nadel. However, it was tough for girl musicians during the Depression. Few managers wanted to hire female players when so many men were out of work. Doris persevered, and through the 1940s, she traveled and played with other all-girl bands such as Annette Demon and her French Dolls and the Hollywood Debs. While Doris pursued her music career, a little girl in Wisconsin was learning to play the piano and trombone. Born on April 13, 1917, Ruth Poirier came from a musical family: her father John played drums and French horn, her brother drums and bassoon. John performed with the local Elks Club group, while Ruth and her brother played for their high school band. Ruth’s mother Mary had been a nurse, so when she finished high school Ruth decided to attend nursing school in Chicago. After a year, she returned home to Wisconsin and trained as a beautician. In 1939, Ruth answered a local ad for girl musicians and signed on as a trombonist with an all-girl band. Her first gig lasted only a month, the band dissolved, and she left to tour with Annette Demon and her French Dolls out of Milwaukee. While playing down South, Ruth met a fellow musician who became her lifelong companion, Doris Pressler. In July 1939, Ruth and Doris took off for Southern California. While living in Long Beach, Doris performed with bands at the 660 Club on the Pike, a well-known waterfront amusement park, and at the Waldorf Cellar. She also played a gig at Murphy’s, across from the Showboat in Las Vegas. Girl musicians began getting more jobs because the men were being called into military service. Ruth, a “Rosie the Riveter” during the war years, helped to build Navy fighter planes for Douglas Aircraft in El Segundo, California. After the war ended in 1945 women, whether “Rosie the Riveters” or band members, lost their jobs to the hordes of returning servicemen. Realizing that all-girl bands were “gonna go nowhere at all,” Doris had decided in the early 1940s to return to school and pursue studies in her second love, mathematics. She took classes in math and engineering at the University of Southern California, and then joined the Los Angeles County surveyors’ department as a civil engineer. After two years there, Doris transferred to the road department, where she worked until her retirement in 1974. Ruth returned to work as a beautician, running a shop out of her home. The Greater Los Angeles area contained an active gay and lesbian community both during and after the war. Doris and Ruth enjoyed a social life that included girls’ clubs such as Tess’s and drag clubs like the Flamingo. According to Ruth, these were “sitting-down, drinking places…and visiting. We had one club where they had dancing…. But then they let everybody in.” After the war, everybody just wanted to have fun, and Doris and Ruth enjoyed getting together with all types of friends in clubs and in private homes. During these at-home evenings, Doris and others would play popular music for everyone’s enjoyment. After their retirement to Las Vegas in 1974, Doris and Ruth were active in their local senior center. Doris played with the Las Vegas Senior Band for ten years, and Ruth worked in support of the band and the center. According to Ruth, Doris loved playing with the band, and enjoyed it more because she was retired and could devote herself to her playing. Doris Pressler and Ruth Poirier lived together through six decades of radical social change in America. From the rise of women musicians and workers outside the home, through the return of women to more “traditional” roles after World War II, and finally the revolution in women’s roles from the 1960s to the present, Doris and Ruth experienced it all. And through it all, they maintained a relationship that lasted for 62 years, until Doris’s death. According to Ruth, “I enjoyed my life. I never found anything wrong with . ... I think Doris would say the same."

Interviewed by Barbara Tabach. Monserrath Hernández and Maribel Estrada Calderón also participate in the questioning. Born in Mexico, came to live in Las Vegas in 1985. Graduate of UNLV in Journalism and a reporter of Public Safety for the Las Vegas Sun. Ricardo covered the 1 October shooting, the killing of two police officers and other traumatic news of the community.

On the corner of Eastern and Stewart, inside the East Las Vegas Community Center, lies an oasis of creativity and art. The halls ring with the sound of harmonious music coming from the meeting rooms, where children move violin bows up and down in a synchronized motion. They stare with concentration at the music sheets in front of them. They gracefully play together and fill the empty halls with classical music. For most of them, they are the first in their family to learn how to play an instrument. Like many in their neighborhood, they are also first-generation Americans. The students are rehearsing for their recital with the Las Vegas Philharmonic at the Smith Center in a few weeks. In the back of the room there is a man gleaming with pride and joy. The Foundation to Assist Young Musicians (FAYM) provides the rehearsal space, violins, and music lessons at the community center and allows these children to flourish despite their economic, social, or racial background through, “Building

Interviewed by Monserrath Hernández. A native Las Vegan, Justin Favela reminisces about growing up on the east side of the Las Vegas Valley. Favela provides insights about what he refers to as the caste system he is part of, how skin color makes a difference in social hierarchies, and his personal evaluations of the litany of terms such as Latinx, Latino/a, Hispanic etc. He discusses values impressed upon him by his family, especially his grandmothers; one is Guatemalan and the other Mexican. Favela was born in 1986 and discusses his universe where pop culture, gender, ethnicity, history, and Latinidad mix. He talks about his personal artistic expressions and the two podcast series he has created and hosts.