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Transcript of interview with Julie Menard by Joyce Marshall, March 17, 1996

Date

1996-03-17

Description

Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las

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Theresa Thomas interview, February 29, 1980: transcript

Date

1980-02-29

Description

Thomas discusses her family history and arriving to Boulder City, Nevada in 1930. Thomas describes housing in Boulder City and explains that people needed to build their own homes in the 1930s. She then discusses prostitution becoming illegal in Nevada, the Helldorado Parade, and the construction of Hoover Dam (Boulder Dam). Lastly, Thomas recalls how her musical career began and entertainment in casinos.

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Ruth J. Kiley interview, January 24, 2013: transcript

Date

2013-01-24

Description

Rancho High School. Moved to Las Vegas in 1957 when she was thirteen. Ruth graduated from Rancho High School and worked with a variety of unions and casinos on their insurance claims

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Transcript of interview with Anna Sipl Meyers by Leita Kaldi Davis, February 12, 2012, February 29, 2012, March 27, 2012, April 6, 2012, April 24, 2012, May 3, 2012, May 9, 2012, May 16, 2012, October 19, 2012, November 16, 2012, & December 7, 2012

Date

2012-02-12
2012-02-29
2012-03-27
2012-04-06
2012-04-24
2012-05-03
2012-05-09
2012-05-16
2012-10-19
2012-11-16
2012-12-07

Description

From concentration to ownership of Las Vegas casinos, Meyers owned the Cashbah and the and Queen of Hearts in downtown Las Vegas. Interview dates: 2/12/2012, 2/29/2012, 3/27/2012, 4/16/2012, 4/24/2012, 5/3/2012, 5/9/2012, 5/16/2012, 10/19/2012, 11/16/2012, 12/7/2012.

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Transcript of interview with Dr. Jacob Paz by Claytee White, September 15, 2014

Date

2014-09-15

Archival Collection

Description

During the 1950s, Dr. Jacob Paz grew up in an agricultural environment in Israel where he attended a very famous high school in Israel called Kadoorie where Yitzhak Rabin was a student. After his graduation, Jacob joined the Israeli army building his skills so that he could get into technical school after he fulfilled his army service. For two years he attended technical school and then started working for the Israel Atomic Energy Commission in Dimona, Israel making atomic bombs in the 1960’s. After working in Dimona, Jacob was accepted into UC Davis and moved to the United States to study veterinary medicine. After one semester, he realized that he preferred history and left California for New York City, There he earned degrees in Jewish history and chemistry from the Jewish Theological Seminary. He quickly moved onto graduate school and earned his master’s degree in marine science and environment from CW Post, Long Island University in Greenvale, New York. In 1972, he returned to I

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Transcript of interview with Jane Greenspun Gale by Barbara Tabach January 31 and February 9, 2018

Date

2018-01-31
2018-02-09

Description

Jane Greenspun Gale-actor, activist, writer, magazine publisher, philanthropist, and farmer- has filled her life with accomplishments such as the Animal Foundation and Springs Preserve. It has also been a life filled with adventure - from “looking for John Lennon” during her time living and studying acting in London to learning to raise chickens on the acres of the Gilcrease Farm she owns with husband and photographer Jeff Gale. Everyone calls her Janie. Born Jane in 1949, she is the third of four children born to community leaders Barbara and Hank Greenspun. In this oral history, Janie captures the fun of growing up in Las Vegas under the watching eye of Hank. As a teen she and her friends cruised Fremont Street. Several years later she wanted to be arrested protesting the Atomic Test Site, when Hank diverted her into reporting about the event instead. Her Jewish foundation was at Temple Beth Sholom, where her parents were among the founding members. As the Jewish population grew, the tastes in synagogues grew to reflect the change. When Janie’s children preferred the Reform approach at Congregation Ner Tamid, a new family tradition began. She is proud of her background and shares loving stories of time spent with her grandparents as a child and pride in the heroic and dramatic story behind the naming of Hank Greenspun Plaza in Israel. Even her love story with Jeff is a tale made for movies. It unfolds in this engaging oral history interview along with anecdotes that are plucked from her personal history and preserve a reflection of growing up in Las Vegas, one of the Greenspun family of local fame.

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Transcript of interview with Kim Krantz by Joyce Marshall, February 26, 1996

Date

1996-02-26

Archival Collection

Description

Kim Krantz arrived in Las Vegas in 1953. She came as a seasoned performer having danced in large productions in Chicago, Montreal, New York and Florida. Born Delores Kalcowski in Jersey City, New Jersey, she adopted the name Kim Perrin while working at New York’s Latin Quarter. She had always loved the West and jumped at the chance to take the Latin Quarter show from New York City to Las Vegas. She came for a two-week engagement at the Desert Inn Hotel. The show was held over at that property for three months, and then it moved to the Riviera Hotel and Casino. Bill Miller approached her to join a new production at the Dunes Hotel. He and Harold Minsky were preparing “Minsky’s Burlesque,” the first show to use women born in the United States in a nude show. She opened with the original cast and stayed for two years. Kim retired in 1957 after she married Danny Krantz, the Food and Beverage Manager for the Flamingo Hotel. She raised four children in Las Vegas, but never lost touch with th

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Transcript of interview with Eldon Cooper by Kamal Whilelm, March 3, 1975

Date

1975-03-03

Description

On March 3, 1975, Kamal Wilhelm interviewed Eldon G. Cooper (born 1922 in Overton, Nevada) about his experiences in Southern Nevada. Also present are Cooper’s wife and several unnamed adults in the background. Cooper first talks about his background and his eventual move to Las Vegas before describing the recreational activities in which he and his family took part. He later describes the atomic testing, environmental changes, modes of transportation, social changes, and tourism in Las Vegas. Cooper also discusses the Stewart Ranch, and his wife describes the setting of multiple photographs taken of properties in the Downtown Las Vegas area.

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Transcript of interview with Richard Leigon by Stefani Evans and Claytee White, January 12, 2017

Date

2017-01-12

Description

The first part of this Shakespearean quote perfectly describes the deep admiration and love that Richard Leigon has for his father, International Brotherhood of Electrical Workers (IBEW) leader Ralph Leigon. The elder Leigon's major contributions include 39 various positions from the Nevada State American Federation of Labor and Congress of Industrial Organizations (AFL-CIO), Nevada State Democratic Party, and the Southern Nevada Building Trades Council. Richard speaks upon the early years of Las Vegas with the allure of atomic testing, going to school with future community leaders Jerome Mack, Shelley (Levine) Berkeley, and Beth Molasky as well as the role of the union in building Las Vegas. After graduating from Las Vegas High School, he attended Somona State University and obtained a degree in humanistic psychology where he furthered his father’s influence on becoming a ‘we’ person. He came back to Las Vegas to start his 40-year career as an active member of Local 357 as executive

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Transcript of interview with Patricia "Pat" Marchese and Lamar Marchese by Stefani Evans and Claytee White, February 7, 2017

Date

2017-02-07

Description

In this interview, the cultural power couple recall their early impressions of Las Vegas, their beloved Ninth Street house built by Marion Earl, and the changes that caused them to move when spot zoning destroyed their close-knit downtown neighborhood. Lamar speaks of the founding of public radio KNPR and KCNV, of finding studio space, of obtaining grant money to build on the campus of the (now) College of Southern Nevada, and of acquiring the Peter Shire sculpture that graces the front of the studio. He talks about the vision of Charles Hunsberger, of Hunsberger's fall, and of politically appointed boards of trustees. Pat shares her experience of meeting people in a babysitting co-op and the UNLV Art Department, getting her UNLV Master's degree in public administration, and her work in cultural programming with the City of Las Vegas and with Clark County. She speaks of creating gallery, classroom, and performing space at the City's Reed Whipple building and the Charleston Heights Art Center; of founding the Rainbow Company Youth Theatre; of developing Clark County's Desert Breeze Park, Flamingo Senior Center, and the Wetlands, among others; of placing exhibits of the Clark County Museum at McCarran International Airport; of the Public Arts Commission, the Airport Arts Commission, the Allied Arts Council, and of developing Community Development Block Grant programs for the City of Las Vegas and Clark County. Throughout the interview, Pat and Lamar Marchese exemplify why Southern Nevada got lucky in 1972. As the duo grew in their knowledge of and passion for the arts, they also honed their skills at bringing the arts to the public. And we, the Southern Nevada public, continue to benefit as their legacies live on through public radio, community arts programming, and useful and accessible parks.

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