The front of a poster for the mock trial "The People Vs. Abraham" put on by Temple Beth Sholom in Las Vegas, Nevada. The advertising text reads: "Temple Beth Sholom proudly presents "The People Vs. Abraham." One time only. Sunday, March 21st. Opens at 9am. Tickets call 702-804-1333. Be there as masterful attorneys Oscar Goodman and Michael Cherry go before hard nosed Judge Joseph Wapner. A trial with roots at the foundation of Jewish heritage. Hear extraordinary details of passionate father nearly sacrificing his son. Then you, the jury, cast the deciding vote." The signatures of Michael Cherry, Oscar Goodman, and Joseph Wapner are included on the poster as well.

In the signature line of Harry Fagel?s emails is a reads: Be the light in dark spaces. This illumines the person that Harry is both as a police officer and a poet in Las Vegas. Harry is native Las Vegan, who has served the community with the Las Vegas Metropolitan Police Department for nearly 30 years. He currently is a police lieutenant serving in Laughlin, Nevada. In addition, Fagel is a respected poet, writing both for the public and on commission. He performs in the local poetry scene. He also has showcased his poetry in two published books, released an album, and is a recipient of the Hilliard Endowment Grant from the University Nevada, Reno. Fagel is a graduate of the University of Nevada, Las Vegas, and currently lives in Henderson with his wife, Leilani and two sons, Sam and Jake. In this interview, Fagel discusses his family background, how his grandparents came to live in Las Vegas in the 1950s, as well as his relationships with both his mother and father. He recalls his early jobs which included working for his cousin Freddie Glusman?s restaurant Piero?s and for Circus Circus-long before becoming a policeman. His involvement with the Jewish community started young and he shares how it has evolved over the decades. In addition, Fagel reflects upon his career as a law enforcement officer, the progressiveness of the Las Vegas Metropolitan Police Department, and changes in relations between the police and communities, both locally and nationally. Lastly, Fagel talks in detail about his poetry, its dominant themes, and the local poetry scene.