Search Results
Clyde F. Merrick Photographic Slides
Identifier
Abstract
The Clyde F. Merrick Photographic Slides (approximately 1971-1979) contain color photographic slides taken by Clyde F. Merrick, longtime resident of Las Vegas, Nevada. The majority of slides in this collection depict signs for different businesses around Las Vegas including the Las Vegas Strip and the Westside. Some of the businesses documented in this collection includes Fong's Garden, Leon's Shear Magic Beauty Salon, Lucas and Son's Antiques, Dick's Tricky Trikes, Mohan's Custom Tailors, the Twenty Grand Club, Owens TV Repair, and Caesars Palace. The collection also documents a variety of different types of businesses around Las Vegas including bars and nightclubs, beauty salons, car washes, gas stations, and restaurants. Merrick was also a car racing hobbyist and a number of slides in this collection depict what is presumed to be the Las Vegas Speedrome racetrack (later known the Las Vegas Motor Speedway). This collection also includes photographs of locations outside of Las Vegas and Southern Nevada.
Archival Collection
Carolyn Merriam Collection on the Sands Hotel
Identifier
Abstract
The Carolyn Merriam Collection on the Sands Hotel (1972-1998) consists primarily of Sands Hotel merchandise and ephemera, including mugs, glassware, playing cards, dice, an ashtray, and a tote bag. The collection also contains several framed photograph reproductions depicting Las Vegas, Nevada in the 1950s and 1960s. The Sands Hotel operated in Las Vegas, Nevada from 1952 to 1996.
Archival Collection
Photographs of La Concha sign, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 2955 S Las Vegas Blvd
Sign owner: Edward Doumani
Sign details: The La Concha is located north of the Riviera hotel Casino, just past the giant glass wall advertising for Splash. The La Concha double sided ground sign, sits close to the street on the east side of the strip, facing north /south. Directly to the east the origin of the signs shape resides in the form of the front structure of the La Concha's lobby structure. The sweeping elliptical roofline creates a structure dripping with the flavor of outlandish 50's-60's expressionistic modern design. The roadside ground sign reflects this shape actually mimicking it in a stylized silhouette of itself. The two icons are separated by a small but busy parking lot that expands north of the La Concha to house other similar style structures. The wings of the hotel, which extend out behind the main lobby, are a rather stark and plainly rectangular form, compared to the front portion of the lot.
Sign condition: Structure 4 Surface 4 Lighting 4 Notes: Considering the age of the property and the sign, it is in great condition, everything is intact, but not perfect.
Sign form: Pylon
Sign-specific description: The sign resides in a pleasant spot of green grass, among the concrete and black top surfaces. A rectangular base, painted a light hue of blue and gold, supports a double-sided sculpted cabinet in a three-pointed crown, which is the stylized profile of the building in sits in front of. Below the main cabinet a triangular internally lit message center has been added, as well as two more, flat rectangular cabinets on the north and south sides. The cabinets are adorned with text that advertising for car rentals located in the same neighboring lot. Off of the west side of the cabinet a small circular cabinet is cantilevered off of the edge. It is an internally lit marker, noting that color television is available inside. The surface of the actual cabinet is painted red, and is somewhat faded. The section of the cabinet that would be dedicated to the low-lying portions of the La Concha's roof are addressed in white. The "La Concha" is spelled across the front of the sign in white text outlined in blue. The text is designed specific to the sign, for the capital L and C are shaped to match the contours of the crowns of the sign. The rest of the script also takes on some of the same stroke of the manner. Motel is spelled in the same coloring across the bottom right hand portion of the signs face, in block text. The very bottom portion of the cabinet is a black painted horizontal extension with edges that angle back into the body of the sign. The words "vacancy' are written across the surface of the sign to the right hand side. No is spelled on the left, but only in neon. When illuminated the main text is lined with a light electric blue, while the edges, and the top contours are lined with a pink and fuchsia glowing borders. The words "vacancy" and "motel" are lined in an orange, amber colored, warm tubing.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The La Concha sits just to the south of the Riviera's giant glass wall. Headed south, the property comes into view, being a quiet transition from the extreme nature of the Riviera. The sign sits in a black top expanse that meanders back into the rest of La Concha's property. The base of the sign is surrounded with plants and curbing, firmly rooted into the urban mainstream of the neighboring street.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of the La Concha can be drawn directly from 1950's and 60's modern design. Such curve can be seen signs of the decade for example the original Dunes pylon displays elements of such curve and swell. In Jorg Rugemer's Lost Las Vegas, there is a picture of a 60's era automobile sitting next to the building. It is used to show the influences of the structures design present in the design of something as common as the automobile. It is reminiscent of the protruding fins and large eye like taillights seen on such autos. The sign itself is an interpretation of the building in a silhouette form, so it's angle draw from the same pool as well. The coloration of the neon is also reminiscent of the era. The turquoise, vermilion and red are reminders of such properties as the original Flamingo, and the Algiers.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Graphics; Paint
Mixed Content
Transcript of interview with Judy Laliberte by LaVaun Hendrix, February 27, 1979
Date
Archival Collection
Description
On February 27, 1979, collector Judy Laliberte interviewed local school teacher LaVaun Hendrix in her home in Las Vegas, Nevada. The two discuss how Hendrix originally came to Nevada, her occupational history, and differences between the school system in Las Vegas and other states that she’s lived in. Hendrix explains how a changing school system has affected her job as a teacher and her students. She goes on to talk about the above-ground atomic tests, Helldorado, changes to the desert, and Nevada during World War II. The interview concludes with Hendrix describing her travels through Nevada.
Text
Transcript of interview with Bertha Gresh by James M. Green, November 1, 1974
Date
Archival Collection
Description
On November 1, 1974, collector James M. Greene, interviewed widow and mine leaser, Bertha Gresh (born August 29th, 1883, in Cedarburg, Wisconsin) in her home in Nelson, Nevada. This interview covers early mining days, Bertha’s personal history, and the history of Nelson County. She also discusses her art, social activities, and the prizes she won as a visual artist in Nevada.
Text
Transcript of interview with Lawrence Hadland by Lorraine Owens, February 2, 1979
Date
Archival Collection
Description
On February 2, 1979, collector Lorraine Owens interviewed nurseryman, Lawrence Hadland (born November 16th, 1919 in Long Island, New York) in his home in Las Vegas, Nevada. This interview covers the life and times of “Nurseryman Hadland,” and offers insights into local business, family life, jobs, and the overall community of Las Vegas. He also discusses the military and the local airport.
Text
Lisa Corrado (City of Henderson, Community Development) oral history interview conducted by Kelliann Beavers and Kristian Thymianos: transcript
Date
Archival Collection
Description
From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Government agency interviews file.
Text
Photographs of McDonald's sign, 3755 S Las Vegas Blvd, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 3755 S Las Vegas Blvd
Sign details: The McDonald's pylon sits in the parking lot just to the north of the Fatburger establishment and the Walgreen's structures. It faces north/south in the parking lot of the Cable Center Shops. It sits across a property length parking lot, near Las Vegas Blvd It is also serves as advertising for the rest of the shops in the shopping center, but the main cabinet is dedicated to the McDonald's logo cabinet. The shops behind the sign are covered in the same stucco as seen on the surface of the pylon.
Sign condition: Structure 5 Surface 4.5 Lighting 5 Notes: It is noted that the structural integrity is intact. Certain elements of lighting are out or not working, but present still. The surface appears to be slightly deteriorating at this point.
Sign form: Pylon
Sign-specific description: The pylon sign for the McDonald's and the Cable Center Shops is essentially a double sided pole sign comprised of a two sided main logo cabinet and an internally lit rectangular cabinet. The internally lit cabinet located in the middle of the pole finished it's exterior the same as the rest of the actual pole. The post is covered in an off white stucco finish, with a green channel running up the center of each face. The channel T's off as well following the supporting stretch at the top of the rise, below the main cabinet. Three gold neon bars run up the center of the green channel. The internally lit cabinets face is adorned with graphics advertising for all of the shops located within the strip mall. Its luminescence is strong for an internally lit cabinet. A blue section at the top of the plastic face is designated blue with white script reading "Cable Center" shops. The rest of the text below that reads like two-sided menu. The McDonald's cabinet at the very top of the pole is constructed of red painted steel, as well as yellow painted steel for the golden arch crown designated as the top portion of the cabinet. The face of the cabinet is encrusted with red incandescent bulbs as well as being striped horizontally across its width edge with bars of red neon. The underside of the golden arches is also encrusted with yellow incandescent bulbs, while the faces of each arch is striped horizontally with neon bars as well bordered on the edges of the ace of the arch as well. The text McDonald's is spelled in white channel letters and lined on the interiors with white neon.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Paint
Sign animation: Oscillating, flashing
Notes: The incandescent bulbs located on the underside of the arches, as well as on the face of the sign oscillate rapidly, while the neon bars on the width of the sign and underneath chase each other from top to bottom. The neon bars, which comprise the face of the arches, chase each other also. The rest of the arch is dark as they start at the bottom of the middle point of the "M" shape. They chase each other until the surface of the sign is covered, and at this time they all flash off, then on, then off again before the entire sequence starts over.
Sign environment: It is an interesting section of the strip between the Showcase Pylon sign and the edge of the Cable Center shops. First, it is noticeably an interesting cross section of the Strip, because vicinity has three establishments which fit a specific genre of sign. The Fatburger, Walgreen's and McDonalds are properties which function in everyday America, but are suited up to be part of the neon charged appearance of this specific location. Not only are the establishments linked by nature to everyday America, but the face that a strip mall is added to the scenery, just adds to the point. The environment is a heavily pedestrian-accessed area, bombarded by the combination of all of the signage.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of the McDonald's establishment is in the realm of the well-established McDonalds corporation. The golden arches, and solid red hue, have become synonymous with the name " McDonald's," and is an image, which has been communicated to the masses of people for half a century. It is an icon, which is associated with America all over the world. McDonalds has created it's own realm and thematic influence over the years from all of it's extensive advertisements and marketing. Therefore, the theme of the establishment's signs draws from itself and the world that the name has created. Being one of the most commonly seen images in America, this sign is tailored to fit into the illustrious, illuminative properties held on the Las Vegas Strip. It fits into the category of everyday images and businesses dressed up for Las Vegas, which include, Arby's, Arco AM/PM, Walgreen's, and Fatburger.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Flashing; Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Paint
Mixed Content