Ann Lynch discusses her background - born in Kansas City, 1934; attended Baker University in Baldwin, Kansas; classes at Kansas University; a year in theater; director of PR at Evansville University. In 1959 she came to Las Vegas as director of the clubs at Nellis Air Force Base. Ann shares in depth on her parents and grandparents and on her family today, which includes a brother 14 years younger, her son, and a nephew. She describes Las Vegas in the early sixties, meeting her husband, and her duties as club manager at Nellis. She comments on becoming camp director for the Girl Scout program at Mount Charleston, which led to training scout leaders and board members. When Ann's son Edward went to kindergarten, she took on the PTA job of parliamentarian, then president of Ruth Fyfe ES PTA. She eventually became President of the Las Vegas Area Council, Nevada State PTA president, and finally national president of the PTA. The school named after her (Ann T. Lynch Elementary) has benefited from her other charity organizations. Because of her PTA involvement, Ann became very active in legislation in Washington, D.C., traveling to other countries to help activate parent involvement. She had also worked with Sunrise Hospital during this time and when she was relieved of some of her PTA duties, she helped found the Sunrise Hospital Children's Foundation and the Public Education Foundation. She details the many functions of both foundations. Ann comments on the lobbying she does in the Nevada legislature and in Washington, D.C., medical billing through Medicare and Medicaid, and the ongoing shortage of nurses nationwide. She offers opinions on unions for nurses and mentions robotic surgery, the stroke center, neonatal center, and breast cancer center as evidence of recent developments in medicine at Sunrise Hospital.

On May 8, 1976, James Thomas Griffin interviewed former casino dealer Midge Innis (born September 23rd, 1928 in Neligh, Nebraska) in her apartment in Las Vegas, Nevada about her life in Southern Nevada. The two discuss her occupational history as well as how she met her husband. The interview concludes Innis’ thoughts on environmental and social shifts in Las Vegas.

Interview with Greg Goussak by Barbara Tabach on May 19, 2015. In this interview Goussak discusses his upbringing in Las Vegas, including his education in the Clark County School District and his experience with bussing to Sixth Grade Centers as the school district attempted to desegregate. As a teenager, he became involved with the B'nai B'rith Youth Organization through Temple Beth Sholom. Goussak talks about his mother's involvement with the Albert Einstein Hebrew Day School, which later moved and became the Dr. Miriam and Sheldon Adelson Educational Campus, and the kidnapping of Cary Sayegh. He then discusses finding his niche in accounting through taking an accounting course at UNLV as a high school student. Goussak talks about his education, career path as a controller in the gaming industry and public works projects, and becoming a professor.

Greg Goussak is a Las Vegas native, born January 1961, just after his parents moved to the city for his father's work as an accountant. His mother was a dedicated educator, who served throughout the city as a teacher and principal, including as the director of the Hebrew Day School in the 1970s. Greg's childhood was shaped by experiences with Las Vegas' sixth grade centers, challenges with scoliosis, and especially, involvement with B'nai B'rith Youth Organization (BBYO). In 1974, Greg helped start the city's new Aleph Zadik Aleph (AZA) chapter for BBYO, and his involvement with this youth organization became a formative part of his junior high and high school years. During this time, he became very involved with AZA at the regional, district and national levels, and made lifelong friends. As a high school student, Greg participated in UNLV's Early Studies Program, earning him college credit, and there he discovered his aptitude for accounting. He began tutoring fellow high school students in accounting, and thus, simultaneously discovered his passion for teaching. After earning his bachelor's degree in hospitality administration from UNLV in 1984, Greg got a job at Dunes Hotel and Casino, then under the leadership of Moe Shenker, working as an operations analyst. Over the next decade, Greg worked as a controller at several properties around town, including Nevada Palace, the Four Queens, Fitzgeralds, as well as a project on Boulder Highway. In 1992, seeking a reprieve from the gaming industry, Greg went back to UNLV to achieve his master's degree, in hotel administration. After graduating, he worked for Riviera Hotel and Casino, and established and oversaw their auditing department as well as box office. During this time, Greg met his wife Cynthia (Cindy) Riceberg, and the two were married in 1996. That same year, Greg took a position with Sigma Game, and soon after became Chief Financial Officer for Manpower Temporary Staffing. In 2002, deciding it was time to work for himself, he bought Haynes and Thomas Printers, which he owned and operated for the next eight years. Greg started teaching in 1989 as an adjunct professor in the William F. Harrah College of Hotel Administration at UNLV. In 2010, having finished his doctorate the year before, Greg assumed his first fulltime faculty position as an assistant professor at the University of Southern Nevada. The next year he was hired as an assistant professor at Ashford University, where he continues to teach today in the Forbes School of Business. Greg and Cindy have two daughters: Ariel, who is seventeen years old, and Alyssa, who is fourteen years old.

This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.