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The Shar Rednour and Jackie Strano Papers on S.I.R. Productions (1981-2015) contain the personal and professional papers of Rednour and Strano, two lesbian filmmakers, writers, and activists from the 1990s until the 2010s. The collection contains the personal papers of both Rednour and Strano, including correspondence between the pair before they married in 2006. The collection also contains the professional files of Rednour and Strano in their capacity as creators of SIR (Sex, Indulgence, and Rock and Roll) Video in 1998. Materials include financial documents, correspondence, scripts and editing notes, crew information, publicity photographs, and direct order forms for S.I.R. Productions. In addition to records on SIR Video, the collection also contains a number of sex-positive and lesbian, gay, bisexual, transgender, and queer (LGBTQ) publications from the LGBTQ scene in San Francisco, California during the 1990s.
Archival Collection
Oral history interview with Corey Nyman conducted by Claytee D. White on May 04, 2018 for the Remembering 1 October Oral History Project. In this interview, Nyman recalls his high school and college experiences, and working in Las Vegas, Nevada as a young adult. On October 1, 2017, Nyman attended the Route 91 Country Music Festival with his brother and a group of friends. They enjoyed the concert from the Red Bull VIP suite, which Nyman felt helped them escape bullets as he and his friends helped others escape. About three hours after escaping the venue, they arrived at Tropicana Avenue and Koval Lane where their ride picked them up. The driver was one of the last allowed into the area under the airport underpass. Nyman discusses his feelings since the shooting, and states that he loves the city and has made it his home despite the traumatic events of the night.
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I've known Christie Young for many years and was grateful she agreed to be interviewed for the Las Vegas Gay Archives Oral History Project. Not only is she frank in what she says, but her background as a researcher in sexual issues and as a straight woman involved in the gay community give her a unique perspective. Ancillary to her donation of this interview transcript to the University of Nevada, Las Vegas, Christie has generously donated her personal journals which detail more than a decade of her life including the years she worked with Las Vegas's gay community . Christie shares the project's concern that documentation of the gay community is ephemeral and vanishes rapidly; her determination that her contribution to that community be preserved greatly enriches our knowledge and will benefit future scholars.
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Breck Wall grew up tough and honed that toughness into solid business acumen. He also grew up talented and that talent took him to movie sets in Los Angeles and allowed him to produce shows in Dallas, New York, Tahoe, and Las Vegas. Though his family became nonexistent early in his life, he formed his own broad family from a group of faithful friends around the country. One special friendship makes this interview worth reading — the one with Jack Ruby. Wall's talent though is the primary reason that this interview is good history. He did many shows and had up to five running simultaneously. The creative process was the fun part that allowed him to produce Passion , Alias, and Night Beat among many others. Bottoms Up is his signature production and has been at several venues in Las Vegas for the past 40 years. Breck Wall is living a full and interesting life. A good example is a phone call from The London Times'. "Mr. Wall?" 1 said, "Yes." He said, "Are you aware that your best friend, Jack Ruby, just shot Oswald?" I said, "What" I was in shock. I said, "No I'm not." And I talked to him very briefly,and I hung up the phone." The phone continued to ring as calls came in from the Dallas Morning News, The Washington Post, The New York Times, etc, etc.
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