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Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, Febuary 14, 1985
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Archival Collection
Description
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Transcript of interview with Toni Clark by Joanne Goodwin, July 2, 1996
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Archival Collection
Description
Toni Clark (born Lena Gaglionese) spent her youth in Seattle, Washington where she was born on April 4, 1915 to Angelene and Salvatore Gaglionese. Her father and mother moved to the Seattle area when they immigrated to the United States from Naples, Italy years earlier. Salvatore worked as a street cleaner for the city of Seattle and Angelene cared for the house and family until her early death. Toni grew up with three siblings, her father and step-mother, and an uncle and cousins next door. After attending Seattle’s Franklin High School for three years, she left. “I just didn’t like school so I quit,” she said, and spent the next couple of years at home. From these simple origins, Toni became “the first lady of Las Vegas” as some admirers called her, referring to the role she played in the transformation of Las Vegas from a frontier town into a glamorous resort town during the 1950s and 1960s. In 1941, before the Second World War began, Toni traveled to San Diego to visit friends and decided to stay. After a year of caring for a young boy, she moved into the Barbara Worth Hotel which was owned by Wilbur Clark. Clark’s father ran the hotel and suggested that Toni apply for a job at his son’s new bar and restaurant, the Monte Carlo. She had not met Wilbur Clark at the time and her shyness dissuaded her from making the move. Nevertheless, she did apply and went to work as the hostess of the Monte Carlo in downtown San Diego. Wilbur and Toni’s courtship began slowly. He gave her the name Toni, saying she “looked more like a Toni than a Lena,” and she kept it. In 1944, around the time Wilbur Clark relocated to Las Vegas where he had purchased the El Rancho Hotel, the couple married in Reno, Nevada and permanently made Las Vegas their home. Clark’s involvement in Las Vegas clubs and gambling expanded with the Monte Carlo downtown and the Player’s Club on the strip. But his dream to create a luxury resort hotel came to fruition when the Desert Inn opened in 1950. The fifth major property on the strip, the Desert Inn had several features that distinguished it from other places. The Skyroom offered a private club atmosphere for talking, music, and dancing. The Monte Carlo Room served French cuisine. The Doll House provided round-the-clock childcare for children of hotel guests. The Painted Desert Room, the property’s showroom, featured top performers and the Donn Arden Dancers. All these features combined to create a resort that offered guests an exquisite setting for a gambling vacation. Toni Clark had a special place at the heart of the Desert Inn’s social life. She brought a gracious and elegant charm to social events associated with the property. Although she said she was never involved in the business of the hotel-casino, she played a unique role setting a new tone for the enterprise. She entertained guests and dignitaries at the hotel as well as her home; organized fashion shows featuring the top designers of the time for the wives of high-rollers; and created celebrations of special events, notably her husband’s late December birthday, with annual parties. When Wilbur Clark died in 1965, Toni Clark remained active in the city’s social life. She did not disappear as others had, but continued to plan and attend social functions. As part of her service to the community, she took particular pleasure in her work with the Variety Club. She continued to reside in Las Vegas until her death in 2006.
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Gene Noboru Nakanishi oral history interview: transcript
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Archival Collection
Description
Oral history interview with Gene Noboru Nakanishi conducted by Ayrton Yamaguchi, Cecilia Winchell, and Stefani Evans on April 2, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Gene Nakanishi shares his detailed family history from both his father's and his mother's families. He discusses his paternal grandfather's work on the Union Pacific Railroad, the family's internment in Wyoming during World War II, and his father's release from the camp by joining the United States Army Signal Corps. Nakanishi also talks of his maternal grandfather who was of the Bushido ("warrior") class in Osaka, Japan, and his grandfather's work with Christian missionaries. He shares details of his mother's restaurant employment in Los Angeles and her opening of Osaka Japanese Bistro in Las Vegas in 1969. Nakanishi also talks about being born and raised in Las Vegas, his musical schooling at Berklee College of Music in Boston, and his graduate education at Harvard University. He discusses his work as a band teacher for the Clark County School District, his involvement in the Idyllwild Arts Summer Program band camp, and his interests in jazz music.
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Transcript of interview with Fluff LeCoque by Joyce Marshall, May 5, 1997
Date
Archival Collection
Description
This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.
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MGM Mirage Corporation Records
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Abstract
The MGM Mirage Corporation Records date from 1970 to 2010 and consist of the records of the Las Vegas, Nevada based global entertainment company. The collection contains organizational records, employee newsletters, files about the MGM Mirage diversity and inclusion initiative, correspondence, reports on gambling addiction, gambling statistics, press clippings, and audiovisual materials. There are also photographs, photographic slides, and photographic negatives of performers, corporate executives, and MGM Mirage properties.
Archival Collection
Fort Mojave Indian School Records
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Abstract
The Fort Mojave Indian School Records (1890-1923) consist of correspondence, finance and administrative records, pump station blueprints, and policy implementation and fact finding records. The school served the Hualapai and Mojave Indians at a site near present-day Kingman, Arizona. The information is contained in two bound volumes.
Archival Collection
Southern Nevada Historical Society Photograph Collection on Basic Magnesium, Inc.
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Abstract
The Southern Nevada Historical Society Photograph Collection on Basic Magnesium, Inc. contains photographs of the construction of Basic Magnesium Inc.'s plants and buildings from 1941 to 1942. The photographs primarily depict aerial views of the plant site and various buildings, including the administration building, tent camp, chlorination buildings, electrolysis facilities, electrical distribution systems, and warehouses. The photographs also depict Lake Mead and the early buildings in Henderson, Nevada.
Archival Collection
Dunes Hotel Photograph Collection
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Abstract
The Dunes Hotel Photographs (1950-1993) consist of administrative, publicity and entertainment images documenting the history of the Dunes Hotel and Casino in Las Vegas, Nevada. In addition to materials focusing on day-to-day activities at the hotel (correspondence, contracts, personnel, budgets, etc.) the collection provides insight into the hotel’s entertainment and public relations activities. Although there are chronological gaps in the collection, particularly during the later years of the Dunes (1970s-1990s), it provides a significant amount of historical documentation on the famed Strip hotel that was long known to tourists and residents alike as the “the Miracle in the Desert.”
Archival Collection