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Photographs of Blue Note signs, Las Vegas (Nev.), 2002

Date

2002

Description

Views of the Blue Note club signs on the Las Vegas Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3663 S Las Vegas Blvd
Sign owner: Blue Note International: Father & Son team of Danny and Steven Bensusan
Sign details: The Blue Note is located a short distance east, down Harmon Ave., on the north side of the street, facing south. It is part of the Aladdin Hotel Casino. A vacant lot resides on the corner, and is the only thing that separates the Blue Note from the Strip. Signage for the property includes two logo wall signs on the west wall of the building, a vertical blade sign and an entrance sign over the main port to the establishment.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign-specific description: Just east off of Las Vegas Blvd, down Harmon Ave, lies the entrance to the "Blue Note: Jazz Capital of the World." The Blue Note is actually part of the Aladdin property, residing in the eastern most wing of the building, on the south side of Harmon. The majority of the signage hangs on the front of the building, which faces south toward Harmon Ave., with additional signage on the west face of the structure that extends from the Aladdin property. A vacant lot on the north east corner separates the Blue Note from the rest of the strip. The structure of the building and the design of the signage are juxtaposed with the building still being finished in a Persian Palace theme. While the signs are reminiscent of roaring twenties style font and theatre front design. Several different types of signs adorn the Blue Note. Two wall /logo signs hang on the west side of the building, while a sculpted entrance marquee, a hanging logo sign, and a vertical blade sign hung on the south side of the building. The west wall logo sign is composed of blue channel letters spelling the text " Blue Note," separated by a circular cabinet with a tube of neon bent to emulate the shape of a musical note placed in the middle. Five steel bars just out from either side of the cabinet. Below the text, a white steel cabinet with rounded ends, support a thin set of blue channel letters reading, "Jazz capital of the world." Further to the right a set of pink channel letters rest upon the upper portion of the corner of the structure. The letters are filled with pink neon. Along the South face of the building the first sign, hung in close proximity to the southwest corner, a vertical blade sign sits on a radius base of shaped molding jutting out of the wall. The actual body of the sign is a double backed cabinet finished in polished aluminum, with blue pin striping along the edges as well as along the rounded edge of the top. Near the top of the sign, the same rounded cabinet seen on the west wall of the structure, is integrated into the blade facing east/west. The cabinet is thicker in width to compensate for the width of the actual sign. The edges of the steel structure are painted in the same blue tone. The afore mentioned blue neon tubing fashioned into the shape of the note resides in this cabinet also. Along the east/west sides of the sign the text "The Blue Note," runs vertically from top to bottom, in blue channel letters only interrupted by the circular cabinet. The panel, which the text resides is painted white. Along the edge of the blade, which faces south, the text "Blue Note" is spelled vertically in blue channel letters. Sitting along the edge of the base, which the sign sits on, thin red channel letters stand almost independently, wrapping around the radius of the base. Starting on the west side of the sign and finishing on the east side, the text reads "Club & Cafe." These letters are filled with tubes of red neon. The letters are attached to a backing radius band of metal appearing to be gold. Further down the face of the building the main entrance to the building plays host to an overhead marquee/logo sign incorporating sculptural elements as well. Directly in the center of the composition, a long horizontal cabinet plays host to the red channel letters filed with red neon, reading, "World's Finest Jazz Club." Sitting on the top edge of the cabinet the same configuration of the Blue Note logo sign along with the circular cabinet, rests in front a sculpted piece of black steel. This piece of black painted steel is cut to appear as if it is the open top to a piano. Along the interior edge of the lid tubes of blue neon form a blue border. Between the piano top and the Blue Note logo, a horizontal steel grate serves as a divider as well as support for the blue channel letters. This entire section sits on a long horizontal ledge composed of a long polished steel section with a long LED message center just below that. Slightly recessed below the message center another width of overhang constructed of steel is painted to appear as if it is made of piano keys. Along the wall, just above the door, the pink channel letters read "Insomnia" with pink neon on the interior.
Sign - type of display: Neon
Sign - media: Steel; Fiberglass
Sign - non-neon treatments: Paint
Sign environment: Situated just east off the strip, down Harmon Avenue, the Blue Note is the only attraction in its immediate area. Even though it is part of the Aladdin complex, the closest property is the Harley Davidson Cafe on the south east corner of Harmon and Las Vegas Blvd At night, the property loses its Arabian Nights architecture emitting a sultry glow of neon. It is hard to miss, if a pedestrian peers down the street while traveling north or south, on the east side of the strip. During the day, the architecture helps to blend in the property to appear as it is, part of the Aladdin.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - thematic influences: The building itself is part of the actual Aladdin property, so the faced of the structure is themed in the manner of an ancient Persian city. It is an interesting juxtaposition for the sleek, modern finish and colors of the signage, with the organic facade of domed towers and stone facade. The Blue note signage is themed around the subject of music, specifically Jazz and Blues music. The blue hue of the neon, and the cabinet containing the crafted musical note are all evidence of this. The blade sign is thematically influenced by marquee building signs for theaters and music clubs from the first part of the century, specifically the forties and fifties. Such examples that utilized a similar designed blade sign were properties from the 1930's 40's and 50's such as The Boulder Club, The Pioneer Club, and the Las Vegas Club.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Fascia; Neon; Steel; Fiberglass; Paint

Mixed Content

Transcript of interview with Dennis Wilson by Lisa Gioia-Acres, October 12, 2010

Date

2007-10-12

Description

Dennis Wilson an experienced musician was born in Arabi, Louisiana in 1951. His parents both served in the Marine Corps. Dennis started playing the clarinet in the 4th grade but he did not stop there by the time he was in college he could play the alto saxophone, flute, and clarinet. He received a scholarship to Loyola University in New Orleans. The first introduction to Las Vegas was in 1971. At this time Dennis played for Wayne Cochran and the C.C. Riders traveling all around the United States with the band. In 1979 Dennis moved back to Las Vegas after a short stay in New Orleans. On his return to Las Vegas Dennis recalls his experiences playing with relief bands and performing weekly at Stardust, Dunes, Flamingo, Tropicana, Sands and Caesars. Dennis recalls what it was like working in Las Vegas and the rigorous schedule of a musician. Dennis has had a successful carrier as a musician he went on to play for Burt Bacharach and Dionne Warwick traveling the world. He then settled back in Vegas working on prominent shows such as Avenue Q, Spamalot, and Phantom of the Opera. Dennis still resides in Las Vegas and is now a paraprofessional at Johnson Junior High.

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John McKay interview, March 3, 1980: transcript

Date

1980-03-03

Archival Collection

Description

On March 3, 1980, Donna Malloy interviewed John McKay (b. July 7th, 1926 in North Dakota) about his life in Las Vegas, Nevada. McKay begins by speaking about his family history, his career in the electronics and engineering field for aerospace, as well as his experiences in two wars. Moreover, McKay speaks about his hobbies of hunting and fishing and his time as a musician around Las Vegas. McKay also spends time going over how the city of Las Vegas has grown and changed, the increase in crime, and the extreme floods in the 1950s. Lastly, McKay talks about the Nuclear Test Site, how casino gaming chips were used as money around the city, how the city of Las Vegas started and the future of the valley.

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Transcript of interview with Dick Chapter by Stan Hawkins, March 6, 1979

Date

1979-03-06

Description

On March 6, 1979, Stan Hawkins interviewed furniture refinisher, Richard T. Chapter (born January 28th, 1933 in Maine) at his home in Las Vegas, Nevada. During the interview, Richard recalls swimming at the old ranch, going into the furniture refinishing business, and the cost of living in Las Vegas. He also discusses Howard Hughes, the Boulder Dam, and the Union Pacific Railroad. Richard’s wife is also present during the interview and interjects comments about the old Mormon Fort, gambling, local business, and the weather in Las Vegas.

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Wilma Cooper interview, February 27, 1977: transcript

Date

1977-02-27

Description

On February 27, 1977, collector Sara Finklea interviewed housekeeper, Wilma Cooper (born December 19th, 1913 in Rock Springs, South Wyoming) in her home in Boulder City, Nevada. This interview covers Boulder City and Henderson.

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Transcript of interview with Jo Mueller by Claytee White, August 26, 2011

Date

2011-08-26

Archival Collection

Description

Jo Ann and Hal Mueller arrived in Las Vegas in 1956 when he accepted a meteorologist position. In addition to raising their two children, Jo was active in PTA, worked for Weight Watchers, and was a volunteer with League of Women voters. She tells the story of meeting Hal and their whirlwind romance to the altar, moving to the Caroline Islands and eventually choosing Las Vegas over Seattle as their next career assignment. Las Vegas became their permanent home and Jo reflects on life and experiences here.

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Frieda Steinberg interview, September 10, 2014, November 10, 2014, August 15, 2017: transcript

Date

2014-09-10
2014-11-10
2017-08-15

Description

Interviewed by Barbara Tabach.

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Transcript of interview with Adele Baratz by Claytee D. White, March 19, 2007

Date

2007-03-19

Description

Interview with Adele Baratz by Claytee White on March 19, 2007. In this interview, Baratz talks about her parents who came to the United States as teenagers from Russia and eventually settled in Las Vegas after a short time in California. She discusses the Jewish community in Las Vegas when she was growing up, and her father's job selling bootlegging supplies, then as a real estate broker, then as a bar owner. Baratz attended the Fifth Street Grammar School, which was built after a fire destroyed the original school, and Las Vegas High School. As a teenager, she worked at Nellis as a messenger and in the rations department, then went to nursing school in Baltimore at Sinai Hospital. She talks about her father's bar, "Al's Bar," that was popular with Union Pacific Railroad workers, and how the bar was forced out for the building of the Golden Nugget. Baratz recounts where her family lived, the growth of the Jewish community, and building the first synagogue on Carson Street.

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Transcript of interview with Gordon Smith by Claytee White, January 29, 2013

Date

2013-01-29

Description

Gordon Smith was born in Utah, but moved with his family to Babbitt, Nevada in 1947. His father, a barber, moved the family to Las Vegas in 1955. In this interview, Gordon recalls school and after-school pursuits; changes in the town; summer jobs; and college. He also talks about his military service and returning to Las Vegas to take up the razor himself - starting a successful barbering business of over 30 years.

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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, June 28, 2004

Date

2004-06-28

Description

Includes meeting minutes and agenda, along with additional information about bylaws.

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