Joshua Nathaniel Abbey was born in 1956 to artist Rita Deanin Abbey and author Edward Abbey. While much of Joshua?s early childhood was spent in the southwest following his father?s job, Hoboken, New Jersey, was where he attended elementary school and where his Jewish foundation took shape with his maternal grandparents. In 1964, the Abbey family moved westward again to Las Vegas. Though his father moved on and became a distant influence on Joshua?s life, his mother, Rita, remained and became an artist and art instructor at UNLV. Upon graduating from Las Vegas? Valley High School, Joshua set his sights on an acting career. His creative and industrious energies would inspire him to move about: from Los Angeles to New York and back to Las Vegas. He traveled the world, met the love of his life Yve Eiholzer-Abbey, a fellow Thespian. Eventually the couple made Las Vegas their permanent residence. In this interview, Josh recalls his life?s journey and the many career steps, friendships and accomplishments he has experienced along the path. Among Josh?s local contributions is the creation the Las Vegas Jewish Film Festival, which began in 2001. He also was founder of CineVegas Film Festival in 1998; a member of the Nevada Arts Council, City of Las Vegas Arts Commission and Director of the Desert Space Foundation, a local non-profit foundation committed to assisting emerging arts groups. He has also worked with Blue Man Group, for Jewish Family Service Agency, had a brief speaking part in the movie, The Natural, and been an activist opposing the Yucca Mountain waste repository-and much more. Joshua is a graduate of University of Nevada Las Vegas (Theater Arts 1980) and American Film Institute (1993).

Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.

As Jelindo Tiberti describes his childhood as the youngest of five children growing up on 15th Street, he chronicles a seemingly idyllic time of playing with a large group of neighborhood friends, of doing outdoor chores with his brothers, of spending summers at the family cabin in Utah, of high school dances, and as a high school junior, of meeting Sandee, whom he would marry within two months after they both graduated from the University of Southern California. He talks about his parents: about working for and with his namesake father; about taking his mother to her daily radiation treatments, about cooking his mother's recipes, and about his mother making sure her youngest child earned his college degree before he married. He explains the ubiquity of fencing and shares his experience of taking over Tiberti Fence Company, of retiring and selling the company, and of starting over with Red Star Fence Company. Throughout, Tiberti speaks to living with dyslexia: of attending an after-s

Mark Hall-Patton, administrator of Clark County Museums and since 2008 a frequent guest on the popular cable television show Pawn Stars, was born in 1954 in San Diego, California. His mother was a registered nurse and his father served in the United States Navy. From early childhood, Mark’s interest in history and museums shaped his path in life. After graduating high school in Santa Ana, California, he earned his Bachelor’s degree in history at nearby University of California, Irvine. Degree in hand, Mark worked for Bowers Museum in Santa Ana and founded the Anaheim Museum in 1984. He moved to Las Vegas, Nevada in 1993 to create the Howard W. Cannon Aviation Museum in McCarran International Airport. By 2008, Mark had become administrator over all Clark County museums. In this interview, he explains the various ways his involvement with the popular Pawn Stars program has turned “the museum guy” into a brand, introduced production companies to the value of filming in Las Vegas, increased Clark County museum visits and donations, and raised popular awareness of the academic fields of history and museum studies.