Search Results
Photographs of Blue Note signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 3663 S Las Vegas Blvd
Sign owner: Blue Note International: Father & Son team of Danny and Steven Bensusan
Sign details: The Blue Note is located a short distance east, down Harmon Ave., on the north side of the street, facing south. It is part of the Aladdin Hotel Casino. A vacant lot resides on the corner, and is the only thing that separates the Blue Note from the Strip. Signage for the property includes two logo wall signs on the west wall of the building, a vertical blade sign and an entrance sign over the main port to the establishment.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign-specific description: Just east off of Las Vegas Blvd, down Harmon Ave, lies the entrance to the "Blue Note: Jazz Capital of the World." The Blue Note is actually part of the Aladdin property, residing in the eastern most wing of the building, on the south side of Harmon. The majority of the signage hangs on the front of the building, which faces south toward Harmon Ave., with additional signage on the west face of the structure that extends from the Aladdin property. A vacant lot on the north east corner separates the Blue Note from the rest of the strip. The structure of the building and the design of the signage are juxtaposed with the building still being finished in a Persian Palace theme. While the signs are reminiscent of roaring twenties style font and theatre front design. Several different types of signs adorn the Blue Note. Two wall /logo signs hang on the west side of the building, while a sculpted entrance marquee, a hanging logo sign, and a vertical blade sign hung on the south side of the building. The west wall logo sign is composed of blue channel letters spelling the text " Blue Note," separated by a circular cabinet with a tube of neon bent to emulate the shape of a musical note placed in the middle. Five steel bars just out from either side of the cabinet. Below the text, a white steel cabinet with rounded ends, support a thin set of blue channel letters reading, "Jazz capital of the world." Further to the right a set of pink channel letters rest upon the upper portion of the corner of the structure. The letters are filled with pink neon. Along the South face of the building the first sign, hung in close proximity to the southwest corner, a vertical blade sign sits on a radius base of shaped molding jutting out of the wall. The actual body of the sign is a double backed cabinet finished in polished aluminum, with blue pin striping along the edges as well as along the rounded edge of the top. Near the top of the sign, the same rounded cabinet seen on the west wall of the structure, is integrated into the blade facing east/west. The cabinet is thicker in width to compensate for the width of the actual sign. The edges of the steel structure are painted in the same blue tone. The afore mentioned blue neon tubing fashioned into the shape of the note resides in this cabinet also. Along the east/west sides of the sign the text "The Blue Note," runs vertically from top to bottom, in blue channel letters only interrupted by the circular cabinet. The panel, which the text resides is painted white. Along the edge of the blade, which faces south, the text "Blue Note" is spelled vertically in blue channel letters. Sitting along the edge of the base, which the sign sits on, thin red channel letters stand almost independently, wrapping around the radius of the base. Starting on the west side of the sign and finishing on the east side, the text reads "Club & Cafe." These letters are filled with tubes of red neon. The letters are attached to a backing radius band of metal appearing to be gold. Further down the face of the building the main entrance to the building plays host to an overhead marquee/logo sign incorporating sculptural elements as well. Directly in the center of the composition, a long horizontal cabinet plays host to the red channel letters filed with red neon, reading, "World's Finest Jazz Club." Sitting on the top edge of the cabinet the same configuration of the Blue Note logo sign along with the circular cabinet, rests in front a sculpted piece of black steel. This piece of black painted steel is cut to appear as if it is the open top to a piano. Along the interior edge of the lid tubes of blue neon form a blue border. Between the piano top and the Blue Note logo, a horizontal steel grate serves as a divider as well as support for the blue channel letters. This entire section sits on a long horizontal ledge composed of a long polished steel section with a long LED message center just below that. Slightly recessed below the message center another width of overhang constructed of steel is painted to appear as if it is made of piano keys. Along the wall, just above the door, the pink channel letters read "Insomnia" with pink neon on the interior.
Sign - type of display: Neon
Sign - media: Steel; Fiberglass
Sign - non-neon treatments: Paint
Sign environment: Situated just east off the strip, down Harmon Avenue, the Blue Note is the only attraction in its immediate area. Even though it is part of the Aladdin complex, the closest property is the Harley Davidson Cafe on the south east corner of Harmon and Las Vegas Blvd At night, the property loses its Arabian Nights architecture emitting a sultry glow of neon. It is hard to miss, if a pedestrian peers down the street while traveling north or south, on the east side of the strip. During the day, the architecture helps to blend in the property to appear as it is, part of the Aladdin.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - thematic influences: The building itself is part of the actual Aladdin property, so the faced of the structure is themed in the manner of an ancient Persian city. It is an interesting juxtaposition for the sleek, modern finish and colors of the signage, with the organic facade of domed towers and stone facade. The Blue note signage is themed around the subject of music, specifically Jazz and Blues music. The blue hue of the neon, and the cabinet containing the crafted musical note are all evidence of this. The blade sign is thematically influenced by marquee building signs for theaters and music clubs from the first part of the century, specifically the forties and fifties. Such examples that utilized a similar designed blade sign were properties from the 1930's 40's and 50's such as The Boulder Club, The Pioneer Club, and the Las Vegas Club.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Fascia; Neon; Steel; Fiberglass; Paint
Mixed Content
Sheilagh Brooks Collection on Nevada Division of Historic Preservation and Archaeology Records
Identifier
Abstract
The collection contains materials (1967-1991) collected by Sheilagh Brooks predominantly during her time serving on various boards and committees under the Nevada Division of Historic Preservation and Archaeology. Materials include agendas, meeting minutes, correspondence, administrative reports, policies, budget plans, grant applications and guidelines for various federal and state departments. The collection also contains the applications of Nevada sites for the National Register of Historic Places.
Archival Collection
Photographs of Tourist Center signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Sign details: Continuing north, a tourist and information center as well as a mini mart are incorporated into the front of a low rise Travelodge. A small parking lot creates the space between the structure and the street. The light earth tone stucco facade has a small high rise wall behind it, which is treated with signage and graphically treated with paint.
Sign form: Fascia
Sign-specific description: To the north of the Polo Towers plaza, a small lot located next to the Travelodge houses the Tourist Information Center and Gift Shop. A long, back-lit message center runs the length of the west face of the building along the front edge of the low-rise building. It is divided into three sections: The first belonging to the T-shirt mini mart on the north end of the lot, another small section advertising for the same business, then the rest of the sign stretching north belongs to the Tourist Center. The first section is not back-lit yet retains the steel raceway which encloses the entire sign. This section has a stucco background with green channel letters reading "Souvenirs Mini-Mart," with green neon on the interior. The second section is separated by a vertical raceway lined with bulbs. This section advertises for prices of shirts in the shop. The third section, which belongs to the Tourist Center, is dominated by red text which reads "Tourist Center." A higher elevation building sits right behind the front building. Assorted graphics adorn the surface of the building advertising for free maps and discounts. A rounded back-lit cabinet with two sections sticking out from either side hangs on the west face of this higher elevation structure. "Tourist Information" is spelled in red text, and the word "center" below that in black text. Green neon runs along the width edge of the cabinet, as well as the edges of the actual elevation of the building which it is hung, and the painted text below.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Paint
Sign animation: Chasing
Sign manufacturer: YESCO
Sign - date of installation: 35274
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Paint
Mixed Content
Transcript of interview with Anthony A. Marnell II by Stefani Evans and Claytee White, September 29, 2016
Date
Archival Collection
Description
Twentieth-century visitors to the Las Vegas Sands Hotel experienced the masonry work of Anthony A. Marnell, who removed his family from Riverside, California, to North Las Vegas in 1952 in order to build that structure. When he formed his own masonry company in 1958, he taught his namesake nine-year-old son the skills of a mason and the value of honest work. The younger Marnell learned all he could about construction from his father and completed his education by graduating USC School of Architecture in 1972, serving his apprenticeship, and becoming licensed in 1973. After designing McCarran Airport's A and B Gates, he teamed up with Lud Corrao in 1974 to form Marnell Corrao Associates, the first design-build firm in Southern Nevada. Marnell Corrao built many of Southern Nevada's most iconic hotel-casinos including the California Hotel, Maxim Hotel, and Sam's Town and Steve Wynn and Treasure Island, The Mirage, Bellagio, and New York New York as well as the Rio All-Suite Hotel and Casino and the M Resort Spa Casino. In this interview, the Riverside native speaks to the importance of teaching future generations about the value of work, of earning the sense of accomplishment, and of fueling one's inner spirit. His philosophy built a work environment that encouraged employee longevity from the beginning in 1974 (he is employee number one, and his assistant is employee number two). He talks of the American Institute of Architects (AIA), of entrepreneurial gamesmanship, and of casino greats Bill Boyd, Jay Sarno, Cliff Perlman, Kirk Kerkorian, and Steve Wynn. He describes the evolution of Las Vegas resorts from prioritizing casino games to fine dining to night clubs and entertainment. He credits his own Rio staff tradition of serving Chef's Table to the employees and the Rio's award-winning chef, Jean-Louis Palladin, for beginning the Las Vegas food renaissance in the late 1990s that rebranded Las Vegas as a Mecca for celebrity chefs. The nine-year-old who worked part time in his father's masonry business learned his lessons well, much to the benefit of Southern Nevada's growing skyline, its residents' growing waistlines, and its businesses' growing bottom lines.
Text
Transcript of interview with Doug Unger by Barbara Tabach, August 26, 2014
Date
Archival Collection
Description
Interview with Doug Unger by Barbara Tabach on August 26, 2014. In the interview, Unger discusses his schooling, his family's mattress business, and his endeavors in the company and the mattress industry in Las Vegas. Unger becomes involved in Holocaust education and the Sperling Kronberg Mack Holocaust Resource Center.
Doug Unger was born in Cleveland, Ohio, and grew up working summers in a mattress factory, a family business started by his maternal grandfather. After graduating from high school in Cleveland, Doug attended the University of Cincinnati until moving to Steamboat Springs, and enrolled in Denver University, though ended his college career one class away from graduation. Eventually, Unger moved back to Cleveland, then to Las Vegas. In 1976, Dough bought Supreme Mattress and moved to Las Vegas to build his new business. Outside his successful career, Doug was always an active member in the city's Jewish community. He joined Congregation Ner Tamid, where he was a trustee. He became involved with the Jewish Federation, serving as treasurer and later as president. When he moved to Reno, Doug joined Temples Sinai and Emanu-el, and also became heavily involved with Guide Dogs for the Blind Friends Committee, serving as its director for a period of time. He was also the co-chair of the Governor's Advisory Council on Education Related to the Holocaust (GAC). Doug was instrumental in establishing the Library for Holocaust Studies as a successful organization, independent of the Jewish Federation. The Library is now located in its own, donated space, run by trained staff, and receives $200,000 from the state biennially.
Text
Las Vegas Israelite newspaper, Section B, June 22, 2001
Date
Description
Issue of the Las Vegas Israelite newspaper.
Text