Search Results
Nevada Women’s Conference Photograph Collection
Identifier
PH-00069
Abstract
The Nevada Women’s Conference Photograph Collection depicts the statewide women’s conference held in June 1977 in Las Vegas, Nevada. The photographs include keynote speaker Gloria Steinem, event organizers, workshops, volunteers, and musical performances.
Archival Collection
Junior League of Las Vegas Photograph Collection
Identifier
PH-00097
Abstract
The Junior League of Las Vegas Photograph Collection contains photographic prints and negatives, as well as postcards of locations in and around Las Vegas, Nevada between approximately 1900 and 1980. Early photographs in the collection offer views of the Las Vegas townsite, buildings, railroads, the Las Vegas High School, Overland Hotel, Arizona Club, and residential areas. Other photographs during this time depict the Hoover Dam (Boulder Dam) construction and Death Valley, California. Later photographs show the University of Nevada, Las Vegas (UNLV) campus, downtown Las Vegas, and the Las Vegas Strip.
Archival Collection
Letter and envelope from Annie Rannow, Provo City, Utah to Mary Etta Syphus, Panaca, Nevada
Date
1894-09-16
Archival Collection
Description
From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, an envelope, a typed transcription of the same letter, and a copy of original letter attached.
Text
Chris Davis, Debbie Davis, and Mynda Smith oral history interview: transcript
Date
2018-05-24
Archival Collection
Description
Oral history with Chris Davis, Debbie Davis, and Mynda Smith conducted by Claytee D. White and Barbara Tabach on May 24, 2018 for the Remembering 1 October Oral History Project. In this interview, Debbie and Chris Davis and Mynda Smith discuss the murder of their daughter and sister (respectively), Neysa Davis Tonks, at the Route 91 Harvest Country Music Festival on October 1, 2017. They discuss plans to form Fifty-Eight Loved and Never Forgotten, a foundation to help educate the children of the 58 families affected that night. Neysa, a single mother, left behind three sons, 24, 18, and 15 years of age. The family members recall how they were first alerted to Neysa's death, and having to locate and identify her body at the coroner's office twenty-four hours later. Chris, David, and Mynda reflect on Neysa's life, her work, and legacy. Debbie, Chris, and Mynda believe that "darkness cannot exist in the presence of light. Neysa's light will shine forever."
Text
Transcript of interview with Alan Clancy by Su Kim Chung, by February 12, 2015
Date
2015-02-12
Archival Collection
Description
Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.
Text
Richard and Sheilagh Brooks Papers
Identifier
MS-00885
Abstract
The Richard and Sheilagh Brooks Papers (1919-2003) are comprised of materials collected during their tenure as professors of Anthropology and Archaeology at the University of Nevada, Las Vegas (UNLV). Included are correspondence, research papers, photographs, reports, books, article reviews, and student scholarship. There is also a file on reburial issues that contains correspondence and an amendment to Nevada State law regarding the handling of exhumed bodies.
Archival Collection
Southern Nevada Daughters of the American Revolution Records
Identifier
MS-00292
Abstract
The Southern Nevada Daughters of the American Revolution Records primarily document the activities of three Southern Nevada chapters of the National Society Daughters of the American Revolution from 1950 to 2024. The materials center around the records of three chapters from Southern Nevada: Old Spanish Trail, Francisco Garces, and Valley of Fire. Materials include administrative records, scrapbooks, photographs, news clippings, and correspondence about the activities of the Daughters of the American Revolution chapters. Mateirals also include some records and scrapbooks from the Nevada State Society of DAR.
Archival Collection
Kiel Ranch Preservation Committee Records
Identifier
MS-00650
Abstract
The Kiel Ranch Preservation Committee Records (1973-2005) document the activities of the North Las Vegas Bicentennial Committee (1973-1976) and its successor, the Advisory Board for Kiel Ranch (1978-1995), in their efforts to restore Kiel Ranch, one of the earliest non-indigenous settlement sites in the Las Vegas, Nevada area. The collection contains various official reports on Kiel Ranch, proposals on how to restore Kiel Ranch, chronological files for each year of the project, and newspaper clippings on the status of Kiel Ranch.
Archival Collection
Tonopah Mining Company Records
Identifier
MS-00752
Abstract
The Tonopah Mining Company Records derive from the office of the company’s general manager in Tonopah, Nevada and consist of documents directly generated by its mining and milling operations from 1901 through 1941. The collection includes daily work reports, assay reports and certificates, employee time cards, invoices and receipts for mining equipment and supplies, monthly stores reports, and the company’s numerous insurance policies. Several of the company’s annual reports, including an original typescript copy of the 1907 annual report, are included in the collection. Additionally, select records from the company's subsidiary, Desert Power and Mill Company, as well as the Tonopah and Goldfield Railroad, which include overcharge claims, freight and repair bills, and delivery receipts are included in the collection.
Archival Collection