Search Results
UNLV Libraries Collection of Anchor Gaming Promotional and Publicity Materials
Identifier
Abstract
The UNLV Libraries Collection of Anchor Gaming Promotional and Publicity Materials includes annual reports, equity reports, financial reports, newspaper clippings, press kits, and promotional materials for Anchor Gaming in Las Vegas, Nevada, dating from 1994 to 2001.
Archival Collection
Nevada State Senator Bob Coffin Records of the Kathy Augustine Impeachment Trial
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Abstract
Nevada State Senator Bob Coffin Records of the Kathy Augustine Impeachment Trial (2004) contains exhibits, testimonies, witness lists, questions posed, computer forensic evidence, correspondence, newspaper clippings, magazine articles, and printed legislative materials. Also included are 21 DVD recordings of the trial.
Archival Collection
Breck Wall Photograph Collection
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Abstract
The Breck Wall Photograph Collection, approximately 1960 to 1980, consists of black-and-white photographic prints depicting comedian and entertainer, Breck Wall, and other cast members of the comedy revue, “Bottom’s Up!” in Las Vegas, Nevada. Images include scenes from sketches performed on the show, group shots of the cast members off-set, and portraits of Wall.
Archival Collection
Larry A. Strate Faculty Papers
Identifier
Abstract
The Larry A. Strate Faculty Papers (approximately 1985-2023) are comprised primarily of scholarly articles and papers from the Pacific Southwest Academy of Legal Studies in Business annual conferences written by Strate during his time as a business law professor at the University of Nevada, Las Vegas (UNLV). Materials also include personal memoir written by Strate about his life.
Archival Collection
Pom Fritz oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Pom Fritz conducted by Kristel Peralta and Stefani Evans on June 8, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Pom talks about her family and upbringing in Udon Thani, Thailand and her immigration to the United States with her second husband, an American citizen, in 1972. She discusses living on Air Force bases in North Carolina and California before moving to Las Vegas and finding work at different hotels. Pom shares her experiences as a member, steward, and executive board representative of the Culinary Workers Union and what she recalls from the Frontier Strike. She also talks about her children and grandchildren, some of whom still live in Thailand.
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Vera Moore (True Beginnings/Divinity House) oral history interview conducted by Kelliann Beavers and Elia Del Carmen Solano-Patricio: transcript
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Archival Collection
Description
From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Community organization interviews file.
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Draft offer of Las Vegas Valley Water District to purchase the water production lands and facilities of the Las Vegas Land and Water Company and the railroad, October 15, 1952
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Archival Collection
Description
Draft offer of Las Vegas Valley Water District to purchase the water production lands and facilities of the Las Vegas Land and Water Company and the railroad. R. L. Adamson's red pencil edits are handwritten. Accompanies letter (see Is referenced by). Draft has penciled corrections in the margins.
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Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, August 21, 1986
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Archival Collection
Description
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Photographs of Welcome to Fabulous Las Vegas sign, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site name: Welcome to Las Vegas neon sign
Site address: 5200 S Las Vegas Blvd
Sign owner: YESCO
Sign details: The sign sits as a welcome to travelers entering the Las Vegas experience via Las Vegas Blvd The sign itself resides in the middle of traffic median directly in the middle of the road.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon
Sign-specific description: The sign itself is a classic roadside pole design which faces North/South. It is double backed, internally lit with a border of yellow incandescent bulbs along the flat edge of its width. Across the top of the sign seven white neon circles house separate red neon letters which form the word welcome. Crowning the sign at the very peak, above the word welcome, is a seven pointed neon star comprised of orange and yellow neon. The cabinet itself is faced with translucent white plastic and treated with blue and red painted text. The South side of the sign reads with the Neon welcome word then in blue painted text "To Fabulous" in a 50's style text reminiscent of that used in the Last Frontier property, and cursive. The Words "Las Vegas" are spelled in all caps, in red block text. And below that in smaller blue text the word "Nevada" are spelled in all caps block text.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: chasing, flashing
Sign environment: The famous Welcome to Las Vegas sign sits alone at the South end of the strip and is often the very first sign a traveler encounters when entering the strip. It casts a surprisingly powerful glow over the barren median which it stands. It stands as a gateway to the extravaganza that is Las Vegas. When leaving the main drag headed south the sign has an equal effect of being a lone gateway in and out of the Strip.
Sign manufacturer: YESCO
Sign designer: Betty Willis
Sign - date of installation: 1959
Sign - thematic influences: Although it has no specific theme, it is from a specific period in Las Vegas History. It is the quintessential roadside pylon design. With an exposed steel center pole double backed marquee it is reminiscent of the common design of the roadside motor inn.
Sign - artistic significance: This sign has become perhaps the most copied icon of Las Vegas, as it was never copyrighted. It is a ubiquitous symbol of the city.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Paint; Graphics
Mixed Content