On February 5, 1975, James M. Greene interviewed Mrs. Patricia Hesse (born 1895 in Beaumont, Texas) in her home in Las Vegas, Nevada. The two discuss Hesse’s personal history and the general social life of early Las Vegas. Hesse also shares experiences that she has had with her friends while living in Las Vegas.
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On February 13th, 1980, collector Valerie Fujii interviewed dancer, Elinor Horden, (born May 21st, 1930 in Ohio) at the University of Nevada, Las Vegas. This interview covers local entertainment in the 1950s and the social and environmental changes that have occurred in Las Vegas, Nevada.
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From the Ralph Roske Oral History Project on Early Las Vegas collection OH-00897. On February 27, 1977, collector Michael K. Ericksen interviewed his uncle, schoolteacher, Jack E. Howard, (born June 18th, 1920 in Dewey, Oklahoma) in his home in Overton, Nevada. This interview covers Mr. Howard’s personal experiences and recollections about Southern Nevada. Mr. Howard’s wife, Mrs. Helen Howard, is also present during this interview, which offers a thirty year local overview.
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Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]
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On February 26, 1976, Gary Gione interviewed Stella Iaconis (born September 16th, 1910 in Italy) about her life in Southern Nevada. The two discuss Iaconis’ reasons for moving to Las Vegas as well as her childhood memories of Hooverville. Iaconis also talks about seeing the above-ground atomic tests in Southern Nevada from Los Angeles, and the drastic population growth that occurred after the construction of Hoover Dam.
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On March 20, 1978, David Furbush interviewed Joanne Imprescia (born October 10th, 1927 in Keokek, Iowa) about her life as a hairdresser in Las Vegas, Nevada. Imprescia discusses the growth of Las Vegas and the local social climate of the fifties. The interview concludes with Imprescia explaining her experiences as a Las Vegas business owner and the hairdressing industry in Southern Nevada.
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On March 20, 1978, collector Danny Budak interviewed the University of Nevada Las Vegas (UNLV) bookstore buyer, Marie Jordan (born June 26th, 1940 in Arizona) in the UNLV library. This interview offers Marie Jordan’s personal perspective of life in Nevada, being a local resident for twenty years. Marie also discusses family life and changes that she has witnessed in the Valley.
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On February 21, 1980, collector Bob Bush interviewed porter and retired military man, Hugh E. Key (born on November 17th, 1919 in Fordyce, Arkansas) in Las Vegas, Nevada. This interview covers the life of a Las Vegas old-timer. Hugh Keys’ wife, Mrs. Key, is also present during the interview and offers a few remarks.
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On February 28, 1980, Paul Gentle interviewed Luella Knuckles (b. 1910 in Impolla, Texas) about life as an African-American in Las Vegas, Nevada. Knuckles talks to Gentle about the conditions that African-Americans lived in and the discrimination they faced when first arriving to the city. Knuckles, in particular, spends a portion of the interview discussing the segregated layout of Las Vegas and the jobs and opportunities that were available for the black community in a segregated town. Moreover, she provides anecdotes about her deceased husband’s employment, their experience buying and repairing a property by themselves, and the changes in attitudes as the city desegregated. The conversation later focuses on the Church’s place in the African-American community, education and participation in church activities, and Knuckle’s personal love for books and Bible study.
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Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin
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