Search Results
Clyde F. Merrick Photographic Slides
Identifier
Abstract
The Clyde F. Merrick Photographic Slides (approximately 1971-1979) contain color photographic slides taken by Clyde F. Merrick, longtime resident of Las Vegas, Nevada. The majority of slides in this collection depict signs for different businesses around Las Vegas including the Las Vegas Strip and the Westside. Some of the businesses documented in this collection includes Fong's Garden, Leon's Shear Magic Beauty Salon, Lucas and Son's Antiques, Dick's Tricky Trikes, Mohan's Custom Tailors, the Twenty Grand Club, Owens TV Repair, and Caesars Palace. The collection also documents a variety of different types of businesses around Las Vegas including bars and nightclubs, beauty salons, car washes, gas stations, and restaurants. Merrick was also a car racing hobbyist and a number of slides in this collection depict what is presumed to be the Las Vegas Speedrome racetrack (later known the Las Vegas Motor Speedway). This collection also includes photographs of locations outside of Las Vegas and Southern Nevada.
Archival Collection
Kenneth Giles Professional Papers
Identifier
Abstract
The Kenneth Giles Professional Papers (1964-2001) contain documents and visual material related to Giles's time as an Environmental Radiation Monitor for the Environmental Protection Agency (EPA) at the Nevada Test Site (NTS). Photographic slides, film, and digital images depict the general flora and fauna throughout the area surrounding the NTS. Visual materials also document specific mule deer and steer surveillance and testing at the EPA Farm located within the NTS. The collection also contains environmental reports written or collected by Giles, government documents, pamphlets, and newspaper clippings related to environmental monitoring and Giles's work at NTS. A small portion of the collection documents his brief role providing monitoring support at Three Mile Island in Pennsylvania in 1979. Note: Some images may be of a graphic or disturbing nature and may not be suitable for some users. Photographs may contain scenes of animal testing or other objectionable imagery.
Archival Collection
Jay Sarno Photograph Collection
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Abstract
The Jay Sarno Photograph Collection (1947-1983) contains photographs from hotel and casino developer Jay Sarno. The photographs primarily depict Sarno and his family. The photographs also depict some of Sarno's development projects, including Circus Circus, Caesars Palace, and the Grandissimo. The photographs depict construction of the hotels, events, and famous figures.
Archival Collection
Marjorie Barrick Museum of Natural History Records
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Abstract
The Marjorie Barrick Museum of Natural History Records (1939-2003) detail the creation of the Marjorie Barrick Museum of Natural History in Las Vegas, Nevada founded by Richard H. Brooks, a professor of anthropology at the University of Nevada, Las Vegas. The records are comprised primarily of correspondence between Brooks and members of the Southwestern Anthropological Association (SWAA), the Society for California Archaeology (SCA), and the meetings and exhibitions of the Nevada State Museum. The collection also contains financial statements that describe expenses for supplies, research, and excursions. Also included are anthropological, archaeological, and historical publications, as well as administrative files and Richard Brooks' correspondence with the Nevada Archaeological Survey (NAS). The collection also includes architectural floor plans for the Classroom and Physical Education, the original space that was converted into the museum in 1980, and plans for the redesign of the Barrick Museum and the Harry Reid Environmental Research Center addition.
Archival Collection
Donna Andress Papers
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Abstract
The Donna Andress Papers (1890-2021) contain the personal papers of Donna Andress, a longtime resident and activist in Southern Nevada. Materials include correspondence and newspaper clippings from the Nevada Welfare Committee, on which Andress served as chairperson during the 1970s, in addition to pamphlets and newsletters from various Nevada historical organizations and committees. The papers reflect her involvement with community organizations throughout Southern Nevada.
Archival Collection
Stewart, Helen Jane Wiser, 1854-1926
Helen Jane Wiser Stewart was born in 1854 in Springfield, Illinois. When she was nine years old, the family moved to Nevada, and then to Sacramento, California in 1863. Helen was educated in Sacramento and in 1873 she married Archibald Stewart in Stockton, California.
Person
Linda Miller Papers
Identifier
Abstract
The Linda Miller Papers (2008 to 2023) document Dr. Linda Miller's historic preservation work in Las Vegas, Nevada including her work portraying early Las Vegas resident, Helen J. Stewart, at historical events across Southern Nevada. The collection documents Miller's efforts to erect a statue of Helen Stewart at the Las Vegas, Nevada Old Mormon Fort, as well as her contributions to the programming for Sarah Winnemucca Day in 2018. The collection documents Miller's appearances as Helen J. Stewart through photographs, pamphlets, video recordings, digital files, and curriculum used for her outreach work. The collection also documents Dr. Miller's activities as chair for the Nevada State Society chapter of the National Society of the Daughters of the American Revolution (NSDAR).
Archival Collection
Eileen Brookman Papers
Identifier
Abstract
The Eileen Brookman Papers date from 1934 to 2002 and document Brookman's personal life and political career. Brookman was active in the Las Vegas Jewish community. Personal papers include programs from B'nai B'rith, scrapbook materials, correspondence, and photographs. The collection includes documentation from the White House Conference on Aging. She served several terms in the Nevada State Assembly from 1967 to 1977 and again from 1987 to 1989. Political materials include legislative information, bumper stickers, election returns, and newspaper clippings.
Archival Collection
Transcript of interview with Helen Naugle by Irene Rostine, October 31, 1996
Date
Archival Collection
Description
Prior to 1962, Helen Naugle had only visited Las Vegas once in her life while traveling from Idaho to California for a vacation with her husband and her boss. The group made a quick stop so her boss could interview for a position with EG&G and, as fate would have it, EG&G did not hire Helen’s boss. However, they did extend a job offer to Helen’s husband. A month later, Helen, her two daughters, and her husband became residents of Las Vegas, Nevada. Before moving to Nevada, Helen enjoyed singing in super clubs and performing on her radio show, “Melodies from Meadowland” and working for American Machine and Foundry. Upon her arrival in Las Vegas, Helen went to work for Bonanza Airlines before attending real estate school. In 1963, Helen opened her first office, Bruce Realty, and in 1965, she obtained her Broker’s license. She spent the next ten years selling general real estate. During this period, Helen was an active member of the Board of Realtors, as well as an early participant in the Board’s newly formed Women’s Council. Fate would strike again in Helen’s life while she was visiting her daughter at college in Arizona where she read an article in the Phoenix newspaper about a group of brokers who had formed a networking association to sell hotels and motels across the country. As a result of her initial contact with this association, Helen spent the next four decades selling hotels and motels throughout the State of Nevada, including Las Vegas, Elko, Tonopah, and Wells. She eventually became the first woman President of the American National Hotel-Motel Association. The cultural diversity of hotel and motel buyers would provide Helen with opportunities to travel the world and work with buyers from many different countries and cultural backgrounds. It also led to Helen’s membership in the FIABCI (International Real Estate Federation) and her Certified International Property Specialist and Federation of International Property Consultants certifications. Helen was also selected by the Association to represent the Air Force as “Innkeeper Evaluator” for one year. This honor took her to five Air Force bases in the United States and to Clark Air Force Base in the Philippines. During Helen’s career in hotel and motel real estate sales, she witnessed the transition from “mom-and-pop” American buyers to the influx of international buyers predominately from East India and Asia. The opportunities for helping repeat buyers and sellers gradually went away, as foreign buyers entered the market and tended to resell their properties to friends and family members from their own countries. During the latter part of her career, Helen found time to give back to the Las Vegas community through her volunteer work helping to establish the Scleroderma Foundation of Nevada. She also served on the Board of Directors of the Downtown Las Vegas Partnership where she focused on public safety in the area encompassing the Fremont Street Experience. Her work with both of these organizations allowed her to draw on her career experience for the benefit of others. Whether it was fate, or as Helen put it, she “just lucked into a lot of things,” one thing is certain - Helen Naugle was certainly a trail blazer for women in the hotel-motel niche of the real estate business, not only in Nevada, but across the nation.
Text
Photographs of Mandalay Bay signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site name: Mandalay Bay (Las Vegas, Nev.)
Site address: 3950 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Mandalay Bay resides on the west side of the Strip, south of the Luxor. The expanse of property is surrounded with ornate foliage, jutting faux rocks, and assorted statuary accented with the flavor of an ancient island. The three-winged tower looms over the low-rise casino structure. The surface of the tower is covered with an impressive expanse of gold mirrored windows, and vertically striped with gold tubes of neon. The towers also home to the giant channel letters, which serve as the logo building text for the establishment. The ground level the property is home to two giant pylon signs at either end of the property as well. One resides on the east side of the property, while the other on the west.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: The Mandalay Bay has little signage, but is cohesively joined together into a simple yet effective use of lighting, which fits in well with it's environment. The building itself is actually the biggest piece of signage, being vertically striped with tubing of gold neon. There is actually over three miles of neon tubing which runs up and down the surface of the tower, reflecting off of the gold, mirrored, surface of the tower. The tower itself during the day is unassuming, for the off white stucco, and mirrored surface, blend to create a harmonious surface. When dark, the building transforms into a mysterious figure clad in golden stripes. On each wing of the Y shaped tower, " Mandalay Bay" is spelled in channel letters across the top edge of the surface. These giant black pans hold incandescent bulbs, which oscillate rapidly. The two pylon signs sit flanking the building on extreme edges of the property. The two pylons are rather plain in design, but are efficient and large. They are highly integrated architecturally, being essentially two giant vertical rectangles. Two massive square legs support an upshot of space defined by two internally it color screens advertising for the "Shark Reef" and for the "House of Blues" These two are squares which sit side by sides, comprising the bottom section of the face. Above that, a large LED screen stretches up to the end of this section. The three signs are closed in on either side by a set square legs capped on the top and bottom with molding. Making up the top section of the pylon another horizontal plane rises up a bit before being topped with a series of crown moldings. Two lines of channel letters spell " Mandalay Bay" and are filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The incandescent bulbs inside the channel letters which spell the text for the establishment oscillate in a pattern which makes them appear as if shimmering. This style is the most common animation next to the incandescent bulbs on the raceway.
Sign environment: The Mandalay Bay resides in exclusive company on the south end of the Strip. It stands as one of the four major establishments before Tropicana Ave. The other three include the Luxor, the Excalibur, and the Tropicana
Sign manufacturer: LED and plastic sign inside pylon were manufactured by Ad-Art
Sign - date of installation: 1999
Sign - thematic influences: The theme of the Mandalay Bay is one revolving around an island paradise, transformed into a sleek ultra modern super resort, creating a sort of independent city of steel glass, neon, lush foliage, and assorted statuary. It could best be said that it is a combination of the influences of the Tropicana, the Mirage, and Treasure Island, all mixed together as one. The pylons themselves find themselves more a kin to those displayed by the large corporate properties like the Bellagio, and the Mirage. The simple vertically oriented rectangle, plays host to LED screens and backlit color advertisements, and channel letters filled with incandescent bulbs. These elements can be seen in other large properties such as the Mirage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics
Mixed Content