The Tom Hawley Papers (approximately 1955-2019) contain the personal papers of Las Vegas, Nevada based traffic and transportation reporter, Tom Hawley. The collection primarily includes physical and digital materials that represent Hawley's interests in Las Vegas history; transportation issues in the Las Vegas Valley, including the Las Vegas Monorail and Resort Corridor Project; and his work as a traffic and transportation reporter for KSNV Channel 3. Materials from KSNV include video clips and transcripts of Video Vault, a segment on the history of Las Vegas hosted by Hawley. Other materials in this collection include ephemera, postcards, newspaper clippings, and memorabilia on Las Vegas entertainment and gaming. The collection also includes papers and memorabilia representing Hawley's activities as a string bass player for the Henderson Symphony Orchestra and files kept by his parents on Marta Becket and the Amargosa Opera House in Death Valley Junction, California.

The Alice P. Broudy Papers on Broudy v United States (1940-2018) comprise materials collected and created by the wife of Charles A. Broudy during her effort to obtain compensation for his death in 1977, which she believed to be a result of repeated radiation exposure. Materials include government documents obtained through the Freedom of Information Act (FOIA), correspondence, memos, litigation papers, scholarly reports and articles on radiation exposure and its effects, congressional testimony, speeches, newspaper clippings, books and audiovisual materials. Also included are photographs, slides, and one box of Alice "Pat" Broudy's personal papers. There are two boxes of papers that remain unprocessed.

The Jacob E. Von Tobel Photograph Collection contains black-and-white photographs of the pioneer Von Tobel family from 1900 to 1980. The collection includes photographs of the Von Tobel family, early Las Vegas, Nevada buildings and landmarks, and aerial photographs of Las Vegas and surrounding areas.

The Charles Vanda Photograph Collection, approximately 1960 to 1988, contains black-and-white and color photographic prints with some corresponding negatives of Charles Vanda with colleagues and friends from the University of Nevada, Las Vegas (UNLV). The images depict Vanda at UNLV sporting events, graduation ceremonies, and other campus events. Also included are some images from fellow musicians, entertainers, and producers associated with Vanda.