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Transcript of interview with Alan Clancy by Su Kim Chung, by February 12, 2015

Date

2015-02-12

Description

Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.

Text

Mabel Hoggard: family materials

Date

1936 to 1994

Archival Collection

Description

Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Personal papers file. This folder contains obituaries, newspaper clippings, cards, and programs.

Mixed Content

Corey Nyman oral history interview: transcript

Date

2018-05-04

Description

Oral history interview with Corey Nyman conducted by Claytee D. White on May 04, 2018 for the Remembering 1 October Oral History Project. In this interview, Nyman recalls his high school and college experiences, and working in Las Vegas, Nevada as a young adult. On October 1, 2017, Nyman attended the Route 91 Country Music Festival with his brother and a group of friends. They enjoyed the concert from the Red Bull VIP suite, which Nyman felt helped them escape bullets as he and his friends helped others escape. About three hours after escaping the venue, they arrived at Tropicana Avenue and Koval Lane where their ride picked them up. The driver was one of the last allowed into the area under the airport underpass. Nyman discusses his feelings since the shooting, and states that he loves the city and has made it his home despite the traumatic events of the night.

Text

Las Vegas Art Museum Records

Identifier

MS-00549

Abstract

The Las Vegas Art Museum Records (1952-2009) contain administrative files, press, marketing materials, and scrapbooks that document the history of the Las Vegas Art Museum (LVAM). Collection materials include exhibition files, annual reports, financial statements, board meeting agendas and minutes, event invitations, press releases, and newspaper and magazine clippings documenting the museum's activities. Materials include photographs from museum events as well as photographs of artwork displayed as part of visiting and permanent exhibitions. Audio and video recordings include interviews with museum staff and local news coverage of events. Also included are architectural floor plans for the Sahara West Library, which was used as a gallery space for LVAM. Digital files in this collection include recordings and presentation slides from LVAM lectures with curators and artists. Other digital files include photographs from LVAM events and workings files from LVAM staff.

Archival Collection

Mabel Hoggard Papers

Identifier

MS-00565

Abstract

The Mabel Hoggard Papers (1903-2011) contain materials related to Hoggard's career as a Las Vegas, Nevada elementary school teacher, her research and civic interests in Las Vegas's predominantly African American Westside communities, and her engagement with civil rights issues. The collection also contains materials about Hoggard's life, including biographical newspaper articles about her childhood, education, work, and family. The collection includes lesson plans, scrapbooks, awards, correspondence, photographs, and physical objects such as a vinyl record and political pins. The bulk of the collection focuses on her life in Las Vegas from approximately 1946-1989.

Archival Collection

Gary W. Royer Collection on Gaming

Identifier

MS-00658

Abstract

The Gary W. Royer Collection on Gaming (dating from 1950 to 2009, with the bulk of the materials dating from 1970 to 1995) contains research files, legal files, reports, and manuals about gaming written and collected by Gary W. Royer. The collection includes research and regulatory files collected by Royer while he worked at the Nevada Gaming Control Board. These files primarily document the legislation and regulation of gaming in Nevada, but include information on other states in the US and some international locations. Regulatory files include statutes, codes, regulations, revenue reports, Nevada Gaming Control Board and Nevada Gaming Commission meeting minutes, and tribal-state gaming compacts. Also included are research files about casino, racetrack, and sports betting facilities that include data on organizations, monthly revenue reports, occupancy rates, management and operational control manuals, annual reports, policy and procedure manuals, and profile sheets collected for consulting purposes in Royer’s role as President of Casino Control Corporation (CCC), a private gaming consulting firm. Also included are subject and research files, vendor advertisements, catalogs, and reports; gaming industry publications; conference materials; audit guides; and a comprehensive collection of newspaper articles that document the US gaming industry in the second half of the twentieth century.

Archival Collection

Donn Arden Photographs

Identifier

PH-00328

Abstract

The Donn Arden Photographs (approximately 1920-1989) contain photographs, negatives, and photographic slides of dancer and choreographer Donn Arden. The photographs primarily document Arden's life as a dancer and choreographer in Las Vegas, Nevada and in Paris, France, including performances at the Stardust Hotel, Desert Inn, and MGM Grand in Las Vegas and the Lido in Paris. The photographs also depict rehearsals, dancers, showgirls, Arden's friends and family, and performance locations.

Archival Collection