As Las Vegas native Jim Olson looks back on his law career, he keeps returning to the case that gouged a sooty scar on his memory, altered legal practice and technology in Southern Nevada, captured the world's imagination, and changed international building codes-the MGM Grand Hotel and Casino fire of November 21, 1980, that killed 85 people and took eight years to litigate. Olson became involved with the litigation because his firm, Cromer, Barker, and Michaelson, represented the MGM Grand's insurance company, INA, Insurance Company of North America. Juggling thousands of claims, Olson ended up working with the MGM's corporate counsel in Los Angeles, a legal firm in Denver, Lloyd's of London, and a special master; renting additional office space for taking depositions; hiring graveyard-shift transcribers, and purchasing the legal world's latest technological marvel-a fax machine. As a first grader, five-year-old Jim was known to walk home during the school day whenever the St. Joseph nuns scared him. As an attorney whose career path was inspired by Perry Mason and augmented by his argumentative streak, Jim offers insights into litigation about some of Southern Nevada's most iconic buildings, signs, and spaces. In this interview, he recalls his mentors, Al Gunderson, George Cromer, Bill Barker, and Kent Michaelson. He talks of construction defect cases including his first MGM Grand litigation, in which his firm represented the architect, Martin Stern, when faulty siding fell off the building, and the 1994 lawsuits that followed when the top of the newly constructed, 365-foot Las Vegas Hilton sign blew down in a windstorm. He shares tales of legendary fellow attorney Mike Hines and his annual Nevada Bar Association parties on the Mike Hines Ranch, and he speaks to litigation between Hank Greenspun, Howard Hughes, and Hughes Tool Company.

In this interview, the cultural power couple recall their early impressions of Las Vegas, their beloved Ninth Street house built by Marion Earl, and the changes that caused them to move when spot zoning destroyed their close-knit downtown neighborhood. Lamar speaks of the founding of public radio KNPR and KCNV, of finding studio space, of obtaining grant money to build on the campus of the (now) College of Southern Nevada, and of acquiring the Peter Shire sculpture that graces the front of the studio. He talks about the vision of Charles Hunsberger, of Hunsberger's fall, and of politically appointed boards of trustees. Pat shares her experience of meeting people in a babysitting co-op and the UNLV Art Department, getting her UNLV Master's degree in public administration, and her work in cultural programming with the City of Las Vegas and with Clark County. She speaks of creating gallery, classroom, and performing space at the City's Reed Whipple building and the Charleston Heights Art Center; of founding the Rainbow Company Youth Theatre; of developing Clark County's Desert Breeze Park, Flamingo Senior Center, and the Wetlands, among others; of placing exhibits of the Clark County Museum at McCarran International Airport; of the Public Arts Commission, the Airport Arts Commission, the Allied Arts Council, and of developing Community Development Block Grant programs for the City of Las Vegas and Clark County. Throughout the interview, Pat and Lamar Marchese exemplify why Southern Nevada got lucky in 1972. As the duo grew in their knowledge of and passion for the arts, they also honed their skills at bringing the arts to the public. And we, the Southern Nevada public, continue to benefit as their legacies live on through public radio, community arts programming, and useful and accessible parks.

As Jelindo Tiberti describes his childhood as the youngest of five children growing up on 15th Street, he chronicles a seemingly idyllic time of playing with a large group of neighborhood friends, of doing outdoor chores with his brothers, of spending summers at the family cabin in Utah, of high school dances, and as a high school junior, of meeting Sandee, whom he would marry within two months after they both graduated from the University of Southern California. He talks about his parents: about working for and with his namesake father; about taking his mother to her daily radiation treatments, about cooking his mother's recipes, and about his mother making sure her youngest child earned his college degree before he married. He explains the ubiquity of fencing and shares his experience of taking over Tiberti Fence Company, of retiring and selling the company, and of starting over with Red Star Fence Company. Throughout, Tiberti speaks to living with dyslexia: of attending an after-s

In 1973, Dr. Frank P. Silver ( 1934 - ) escaped the bitter weather of Philadelphia with his choice to relocate his OB/GYN medical practice to the small community of Boulder City. In his reflections of the move, Dr. Silver recalls his wife Elaine had little input in the initial move. However, with four children to manage, she soon made a home for the Silvers. Before the move, Dr. Silver was a lifelong resident of the Philadelphia area. He graduated from La Salle University, Jefferson University Medical School and did his residency at Nazareth Hospital – all in Philadelphia. In Southern Nevada he enjoyed the weather and the excitement of building his medical practice. He mentions occasional challenges of being Jewish in the 1970s in the area. He also talks about being a shareholder in the Crystal Palace, a Laughlin casino.

On March 1, 1979, John L. Bennett interviewed Dan Hill (born May 20, 1914 in Illinois) in his home at 2130 Walnut Road, Las Vegas, Nevada, about his memory of Southern Nevada. In addition to the collector and informant, there is an unidentified woman present during the interview. Hill explains that he originally came to Nevada in search of work. He briefly moved to Europe during the First World War where he served in the Army; at the end of the war, Hill returns to Las Vegas to work at the Nevada Test Site. Hill then goes in-depth about his experience as a worker at the Nevada Test Site and different mining sites that he had also worked at. The two briefly discuss the different sheriffs that had been in charge of Las Vegas, and how many people came to Las Vegas to work at the Henderson Magnesium Plant and Hoover Dam in addition to the Nevada Test Site.

Bert Hood is celebrated in Las Vegas's gay history for his ownership of the Red Barn, one of our most famous gay bars. This is another of those serendipitous interviews I've conducted with someone I very much wanted to interview but didn't know how to find. Bert's in Las Vegas from Oklahoma City for just a short while visiting old friends, and I was lucky enough to have found him through Bill Schafer, president of the Southern Nevada Gay and Lesbian Historical Society. I want to thank you, Bert, for donating these two hours of your vacation time to me so I can preserve your stories for the gay community.

In this interview, Arlene discusses her family and important friendships; her relations with and impressions of the disparate Las Vegas Jewish communities; the meaningful ways her Jewish relationships in Duluth, Winnipeg, and Las Vegas intertwine; her theatrical, professional, and philanthropic work; the reasons she and Jerry became active Zionists; and their support for Israeli causes. Her liberal sprinkling of Yiddish terms enriches her speech as it exemplifies her deep cultural attachment to and identification with her Jewish heritage, despite the fact that her wide and diverse circle of friends remains predominantly non-Jewish.

Actor, director, friend, mother, producer, wife, and volunteer extraordinaire Arlene Piekoff (now Blut) arrived in Las Vegas in 1971 with two young children and husband, Michael Peikoff, who was opening a surgical practice. Arlene was born and raised in Duluth, Minnesota, where she attended a Conservative Jewish temple but had mostly non-Jewish friends. She met Michael at the University of Minnesota, and they married before he began medical school in Winnipeg, Manitoba, Canada. Arlene and Michael followed his residencies and fellowships to California, Michigan, and Manitoba before they came to Las Vegas Through her brother in law and Ayn Rand?s intellectual heir, Leonard Peikoff, Arlene was exposed to Ayn Rand Objectivism, a philosophy that still influences her political outlook. After her 1975 divorce she began working at the Jockey Club; founded the Meadows Playhouse, Las Vegas?s first professional black box theater; and started Renta Yenta, the valley?s first full-service event planning business. In 1980 she married tax attorney Jerry Blut in a Renta-Yenta-produced, Fiddler-on-the-Roof-themed wedding at Paul Anka's Jubilation Restaurant.