On October 24, 1974, collector James M. Greene interviewed civil engineer, Robert Kesterson (born on August 12th, 1920 in Key West, Florida) in his home in Henderson, Nevada. Mrs. Kesterson is also present during the interview. This interview offers an overview on life in Boulder City, Las Vegas, and Henderson, Nevada. The interview ends with a discussion on land development.

On February 21, 1980, collector Bob Bush interviewed porter and retired military man, Hugh E. Key (born on November 17th, 1919 in Fordyce, Arkansas) in Las Vegas, Nevada. This interview covers the life of a Las Vegas old-timer. Hugh Keys’ wife, Mrs. Key, is also present during the interview and offers a few remarks.

On February 28th, 1979, collector Richard Probst interviewed Louise Kirkwood (born December 13th, 1925 in Kemmerer, Wyoming) at her residence in North Las Vegas, Nevada. In the interview, Mrs. Kirkwood discusses moving to Nevada and raising her family. She also discusses recreation in Nevada and her involvement in church activities.

On November 6, 1974, collector Jay Brewer interviewed Madeline Taylor Knighten (born July 7th, 1907 in Chanute, Kansas) at her home in Boulder City, Nevada. In the interview, Madeline Taylor Knighten discusses her life in the early days of Boulder City, Nevada. She also speaks about her husband’s work in the Green Hut Café, as well as in diamond drilling.

On February 28, 1980, Paul Gentle interviewed Luella Knuckles (b. 1910 in Impolla, Texas) about life as an African-American in Las Vegas, Nevada. Knuckles talks to Gentle about the conditions that African-Americans lived in and the discrimination they faced when first arriving to the city. Knuckles, in particular, spends a portion of the interview discussing the segregated layout of Las Vegas and the jobs and opportunities that were available for the black community in a segregated town. Moreover, she provides anecdotes about her deceased husband’s employment, their experience buying and repairing a property by themselves, and the changes in attitudes as the city desegregated. The conversation later focuses on the Church’s place in the African-American community, education and participation in church activities, and Knuckle’s personal love for books and Bible study.

Kim Krantz arrived in Las Vegas in 1953. She came as a seasoned performer having danced in large productions in Chicago, Montreal, New York and Florida. Born Delores Kalcowski in Jersey City, New Jersey, she adopted the name Kim Perrin while working at New York’s Latin Quarter. She had always loved the West and jumped at the chance to take the Latin Quarter show from New York City to Las Vegas. She came for a two-week engagement at the Desert Inn Hotel. The show was held over at that property for three months, and then it moved to the Riviera Hotel and Casino. Bill Miller approached her to join a new production at the Dunes Hotel. He and Harold Minsky were preparing “Minsky’s Burlesque,” the first show to use women born in the United States in a nude show. She opened with the original cast and stayed for two years. Kim retired in 1957 after she married Danny Krantz, the Food and Beverage Manager for the Flamingo Hotel. She raised four children in Las Vegas, but never lost touch with th

Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin