Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin

On March 14, 1976 Raymond E. Frey interviewed Vice President of Nevada State Bank, Mitchell A. Cobeaga (born December 11, 1917 in Lovelock, Nevada) at Mr. Frey’s home in Las Vegas, Nevada. This interview covers early life in Nevada and the history of the Nevada State Bank. During this interview Mr. Cobeaga also discusses education in Nevada in the twenties and thirties, and Southern Nevada’s influence over the rest of the state.

Courtney Mooney is the Urban Design Coordinator for the City of Las Vegas. Her job description includes a knowledge of historic preservation, which is her passion. In this interview she shares her professional and personal thoughts about John S. Park Neighborhood. She moved to John S. Park in 2002. As a professional she explains that "how I look at preserving neighborhoods or buildings, is more of a community preservation, not saving the individual building for the individual building's sake..." Courtney offers a big picture of the neighborhood's past, present and future. John S. Park, like so many other Las Vegas neighborhoods, was built during World War II and has been affected by history of segregation and the wave of changing demographics, and the work that went into the plan and requirements to be designated a historic neighborhood. Courtney provides a summary of the story about the land, its ownership and what lead to the foundation of the neighborhood: from John S. Park to George Franklin and John Law, to Mary Dutton and explains how the proposed development of the land differed from other communities being built to FHA standards and specifics that declared Las Vegas a Defense City in the 1940s. She lists the factors that made the neighborhood a logical and important target for the historic designation, a small neighborhood tucked away, that is "a snapshot of the types of people that were coming here," filled with community leaders, entrepreneurs, blue-collar and casino workers. She also mentions about the missed opportunity of the Las Vegas High School neighborhood for preservation while supporting the John S. Park designation.

As Las Vegas native Jim Olson looks back on his law career, he keeps returning to the case that gouged a sooty scar on his memory, altered legal practice and technology in Southern Nevada, captured the world's imagination, and changed international building codes-the MGM Grand Hotel and Casino fire of November 21, 1980, that killed 85 people and took eight years to litigate. Olson became involved with the litigation because his firm, Cromer, Barker, and Michaelson, represented the MGM Grand's insurance company, INA, Insurance Company of North America. Juggling thousands of claims, Olson ended up working with the MGM's corporate counsel in Los Angeles, a legal firm in Denver, Lloyd's of London, and a special master; renting additional office space for taking depositions; hiring graveyard-shift transcribers, and purchasing the legal world's latest technological marvel-a fax machine. As a first grader, five-year-old Jim was known to walk home during the school day whenever the St. Joseph nuns scared him. As an attorney whose career path was inspired by Perry Mason and augmented by his argumentative streak, Jim offers insights into litigation about some of Southern Nevada's most iconic buildings, signs, and spaces. In this interview, he recalls his mentors, Al Gunderson, George Cromer, Bill Barker, and Kent Michaelson. He talks of construction defect cases including his first MGM Grand litigation, in which his firm represented the architect, Martin Stern, when faulty siding fell off the building, and the 1994 lawsuits that followed when the top of the newly constructed, 365-foot Las Vegas Hilton sign blew down in a windstorm. He shares tales of legendary fellow attorney Mike Hines and his annual Nevada Bar Association parties on the Mike Hines Ranch, and he speaks to litigation between Hank Greenspun, Howard Hughes, and Hughes Tool Company.

Interviewed by Irene Rostine. In July of 1955, Joanne Molen's husband was offered a job at Nellis Air Force Base, so they moved from Alturas, California, to Las Vegas. Joanne had worked for Citizens Utilities in Alturas as a Western Union teletype operator, so she got a job with the Southern Nevada Telephone Company. She was the only woman to hold some of the positions she held. She worked for the telephone company, which became Sprint, for more than forty years, ending up as a main engineer. Joanne also was a volunteer and was active in community organizations including the American Ex-Prisoners of War and the Disabled American Veterans organizations, which lead to her being appointed by Governor Richard Bryan to the state of Nevada's Veterans Advisory Commission where she became the first woman to hold the position of chairman for the Commission. She was also voted Women of the Year four times by the local chapter of the American Business Women's Association for her work with veterans.

On March 1st, 1976, Suzan DiFederico interviewed Jack Herst (born in 1943 in Las Vegas, Nevada) in his home on 3221 La Mirada Street, Las Vegas, Nevada. During the interview, DiFederico does not speak; rather, Herst appears to read and answer questions aloud from “DiFederico’s dossier.” Herst talks about the population growth in Nevada and emphasizes the significant changes Las Vegas has experienced from its origins as a small town. Herst also discusses his personal family history, his Jewish identity and community affiliations, as well as his employment history as a dealer and broker at different casinos.

Paul and Sari Aizley discuss their many accomplishments as residents of Las Vegas, including those in education and with Jewish Family Service Agency.