Release of all rights, licenses, leases, contracts, etc., of the Las Vegas Land and Water Company to the Las Vegas Valley Water District. Notarized by Louis Scholnick in Douglas County, Nebraska on June 3, 1954.

As he reveals in this oral history, Roger Thomas is, among many other things, a son, a father, a brother, a husband, a student, an artist, a visionary, and a philanthropist. As the second son of Peggy and E. Parry Thomas’s five children, Roger was raised a Mormon child of privilege and civic responsibility. The banking family summered in Newport Beach, wintered in Sun Valley, and taught their children by words and deeds that it is not up for debate if you will be involved in your community; the only question is how you will apply your talents and resources to benefit your community. Roger absorbed the lessons well. As a child who struggled in school but excelled in art, he attended his last two years of high school at Interlochen Arts Academy, graduating in 1969, finally finding himself “in an environment where what I did had currency.” From there he earned his BFA from the School of the Museum of Fine Arts Boston and Studio Degree from Tufts University before returning to Las Vegas and eventually joining Steve Wynn’s team in 1981. As Executive Vice President of Design for Wynn Design & Development, he is the man in whom Steve Wynn places his trust to make real at each Wynn property the Wynn design philosophy: aim for a constituency of highly sophisticated, well-traveled, very educated people and give them a reality, a now, that is so fetching, so alluring they wish to be no place else. As he was mentored by his father and Steve Wynn, he too is mentoring those who will follow him. At Wynn, the next generation will carry forward the Wynn idea of evoca-texture, of creating “moments of experiential emotion that result in a memory so captivating and so unique that if you want to repeat that you have to come back.” At home, he collaborates with his daughter on a children’s book that has the potential to become a series; she is the illustrator, while he provides the words. Roger Thomas sat for this interview five days after his father, E. Parry Thomas, passed away in Idaho. Instead of postponing the interview to a more convenient time, Roger kept the appointment and explained, “This is for UNLV. If I’d cancelled my father would have killed me.”

Interviewed by Monserrath Hernández. A native Las Vegan, Justin Favela reminisces about growing up on the east side of the Las Vegas Valley. Favela provides insights about what he refers to as the caste system he is part of, how skin color makes a difference in social hierarchies, and his personal evaluations of the litany of terms such as Latinx, Latino/a, Hispanic etc. He discusses values impressed upon him by his family, especially his grandmothers; one is Guatemalan and the other Mexican. Favela was born in 1986 and discusses his universe where pop culture, gender, ethnicity, history, and Latinidad mix. He talks about his personal artistic expressions and the two podcast series he has created and hosts.

On February 28th, 1979, collector Richard Probst interviewed Louise Kirkwood (born December 13th, 1925 in Kemmerer, Wyoming) at her residence in North Las Vegas, Nevada. In the interview, Mrs. Kirkwood discusses moving to Nevada and raising her family. She also discusses recreation in Nevada and her involvement in church activities.