Breck Wall grew up tough and honed that toughness into solid business acumen. He also grew up talented and that talent took him to movie sets in Los Angeles and allowed him to produce shows in Dallas, New York, Tahoe, and Las Vegas. Though his family became nonexistent early in his life, he formed his own broad family from a group of faithful friends around the country. One special friendship makes this interview worth reading — the one with Jack Ruby. Wall's talent though is the primary reason that this interview is good history. He did many shows and had up to five running simultaneously. The creative process was the fun part that allowed him to produce Passion , Alias, and Night Beat among many others. Bottoms Up is his signature production and has been at several venues in Las Vegas for the past 40 years. Breck Wall is living a full and interesting life. A good example is a phone call from The London Times'. "Mr. Wall?" 1 said, "Yes." He said, "Are you aware that your best friend, Jack Ruby, just shot Oswald?" I said, "What" I was in shock. I said, "No I'm not." And I talked to him very briefly,and I hung up the phone." The phone continued to ring as calls came in from the Dallas Morning News, The Washington Post, The New York Times, etc, etc.
Text
Archival Component
Image
Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las
Text
Image
Text
Text
Archival Component