Letter addresses pending federal legislation's possible influence on the water district's selling of bonds.
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On March 2, 1977, Jonathan R. Bellingar interviewed Edward Gregory (born July 28, 1922) about his life in Nevada. The interview takes place at Nellis Air force Base; also present during the interview is an unidentified man. Gregory was born and raised in Nevada; he discusses leaving Nevada to serve in the Army during World War II before eventually returning to Nevada in 1950. The interview concludes with a brief overview of how Nellis Air force Base has changed since the 1950s.
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Rudy Horst was a prisoner at Auschwitz and was part of the Death March from Warso to Kutno, then transported to Dachau. He was liberated from the camp at Muldorf in 1944. He came to the United States in 1948.
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On March 1st, 1981, Glorialyn Gutierrez interviewed Emily McKinley (b. April 28, 1930 in Las Vegas, Nevada) about her life in the Las Vegas Valley. McKinley begins by speaking about her childhood, her siblings and her extended family. McKinley gives a variety of anecdotes about being raised in Las Vegas, her family’s economic hardships and the house she grew up in. Lastly, McKinley talks about the businesses she owned with her husband, their hardships and her time working multiple jobs.
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Interviewed by Monserrath Hernández and Laurents Bañuelos-Benitez. Eric Calvillo was born into a Mexican American household in San Jose, California in 1980. As he recalls, it was there that his fixation with the colors and recurring themes of his family's Mexican roots told hold of his imagination. Today, this is core to his growing art career. Art has not been his sole ambition. Before moving to Las Vegas in 2005, Calvillo attended a San Francisco culinary school. He relocated to Las Vegas to complete his culinary internship at the prestigious Picasso restaurant at the Bellagio. Eventually, he began to pursue a professional art career as a painter of Día de los Muertos motifs and beautifully portray the Mexican tradition of celebrating the lives of the deceased. Through his use of acrylics and oil on canvas, Calvillo conveys the emotion of his culture and then, being a skilled carpenter, crafts his own frames.
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