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Transcript of interview with Geoconda Arguello Kline by Claytee D. White, September 18, 2014

Date

2014-09-18

Description

Geoconda Arguello Kline is the first female Secretary Treasurer of the Culinary Union Local 226. She got there the hard way. Beginning as a maid, then union organizer, director, ten years as President, and then the in 2012, she attained the highest office in the local. Arguello Kline left Nicaragua in 1979 as a political refugee and settled in Miami. The wages there did not allow her to take care of her family so she moved to Las Vegas following family members who had taken union jobs upon their arrival. She joined as well and worked as a guest room attendant for eight years. After becoming an organizer, she organized and walked picket lines whenever necessary. She is adamant that striking is the last thing that workers want to do. Her longest strike and the longest one Culinary Union history was the Frontier. The strike lasted for six years, four months, and ten days. Geoconda feels honored to be a member of the Culinary Union Local 226. ”It is a testament to our diverse and incredible members that has put me her. We undoubtedly have challenges ahead, but I’m confident that we will overcome by working as a union.” I’m sure that this quote by her in 2012 holds true today.

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Transcript of interview with Jeanne Maxwell William by Claytee D. White, July 7, 2016

Date

2016-07-07

Description

Foxhunting may be the Sport of Kings but was also found among the elite in Michigan. In the early 1960s when Jeanne Williams married Ed Wilson, son of Charles Wilson, President of General Motors, she learned the art of riding to the hounds. She left that life for Las Vegas in 1965. During the heyday of Las Vegas, Williams reared her daughter, Christine, on the Desert Inn Country Club working as an artist and sculptor. The Summa Corporation’s job as Women’s Events Coordinator wooed her. She kept the wives of golfers busy with luncheons featuring speakers like Ann Landers and David Frost. These women were also treated to fabulous gifts including designer purses. But soon Williams was swept off her feet by Jack Kent Cooke, one-time owner of the Los Angeles Lakers. She moved with him to Virginia where her art suffered. Jeanne’s return to Las Vegas allowed her artistic canvas to expand with commissions from the town’s movers and shakers. This time, home was the Sahara Country Club and then in 1994, the Canyon Gate Country Club. Those homes gave her space for her art. Her artistry and skill as a sculptor were keenly honed during this period as she joined the prestigious Desert Sculptors Association and the illustrious Las Vegas Watercolor Society. Actress, singer, dancer, painter, sculptor Jeanne Maxwell Williams helped to start the arts movement in Las Vegas.

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Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter scholarship committee reports

Date

2002-03-02
2002-04-06
2002-05-11
2002-06-22
2002-09-07
2002-12-07

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

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Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter calendar

Date

1997

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

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Transcript of interview with Arte Nathan by Claytee White, December 11, 2014

Date

2014-12-11

Description

Arte Nathan is trained in Human Resources. He evolved the thinking in the casino industry to allow management and labor to work for the best interests of both. Educated at Cornell University, he worked with Jim Wilhelm of the Culinary Workers Union Local 226 to develop an unusually profitable relationship that served the casino owner and the people who maintained the cleanliness of the property. “Look, before I got here it was Al Bramlet. I mean the strike of '84 is something that's indelibly etched in all of our minds. The strike in '86 in Atlantic City was much the same. But that type of contentious labor relations is not the future. And there are progressive companies all over the U.S. whether it's General Motors or Ford or Steve Wynn and Mirage Resorts. That's really the story. Are there disconnects along the way? Are there fights and arguments and egos? Of course, there are. But the overriding story of the Culinary Union in Las Vegas between 1980 and 2014 is that they forged a different relationship, a different model that was unique and successful and helped people to live and achieve their dreams. You don't often get that opportunity.” “I'm not the smartest guy in any room. Never have been and I never will be. But I'm willing to try. I'm willing to be open. I have an opinion and I'll fight with my opinion; you fight with yours because two heads are better than one.” He made room for the disabled, ex-felons, and drug addicts. Arte believes that no person is better than another.

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Tom Mead Photograph

Identifier

PH-00385

Abstract

The Tom Mead Photograph consists of a black-and-white photographic print from 1928. The image depicts members present for the Presidential signing of the Boulder Canyon Project Act on December 21, 1928, including Elwood Mead, Calvin Coolidge, and Hiram W. Johnson.

Archival Collection

"UNLV launches fundraising campaign" Las Vegas Review-Journal article

Date

2005-09-22

Archival Collection

Description

September 22, 2005 tear sheet from the Las Vegas review-Journal covering a UNLV capital campaign event. Jon Eric Cobain and his mother Ruth Cobain are pictured in the top left photo.

Mixed Content

Transcript of interview with Rosemary (Conner) Cleman by Beatrice Owens (Gillard), March 8, 1981

Date

1981-03-08

Description

On March 8, 1981, Beatrice Gillard interviewed Rosemary Cleman (AKA, Rosemary Conner, b. 1926 in New York, New York) about her experiences living in Southern Nevada and her background as a teacher and youth parole counselor. Conner begins by talking about how she ended up in Las Vegas to become a teacher for emotionally disturbed children and how she would eventually assist with the creation of the Nevada Girls Training Center, the first parole program for female juvenile offenders in Nevada. Conner also talks about the development of Las Vegas from when she arrived in 1952, and she discusses the segregation of the African American community in the city as well as her perspectives on the attitudes of the community as they related to it. Conner also mentions her coffee business, her personal interaction with Nevada Supreme Court justices, and her involvement in starting a grant-funded drug treatment program, known as Us, for juveniles. The interview concludes with Conner’s thoughts on the reemergence of mining communities in Nevada and her close interaction with Nevada governors during her roles in social service.

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