From Union Pacific Railroad Collection (MS-00397). The scales are noted in the drawing. The drawing shows the First Floor and Basement Plans. The bottom corner says "Union Pacific System. L.A. & S.L.R.R. Hotel & Passenger Station At Caliente, Nevada. John Parkinson & Donald B. Parkinson Architects. 420 Title Insurance BLDG., Los Angeles. Cal. Drawn L.W.F. Checked. Traced L.W.F. Date 2-25-22. Scale 1/8" = 1'0". Job 162. Sheet 1. Revised 2-28-22. 5-4-22."
From Union Pacific Railroad Collection (MS-00397). The drawing shows the roof and second floor plans. Scales are noted on drawing. The bottom corner says "Union Pacific System. L.A. & S.L.R.R. Hotel & Passenger Station At Caliente, Nevada. John Parkinson & Donald B. Parkinson Architects. 420 Title Insurance Bldg., Los Angeles. Cal. Drawn R.D.M. Checked S.S.S. Traced R.D.M. Date 2-25-22. Scale 1/8" = 1'0". Job 162. Sheet 2. Revised 3-31-22. 4-25-22. 5-4-22."
The Mavis Eggle "Books as They Were Bought" collection provides a broad overview of printed material from the 1780s through 1949. Gathered by book collector Mavis Eggle, the collection serves as a social history of books, newspapers, and ephemera. Physical characteristics of the books include a variety of printer's marks, publishers' bindings, bookplates, and early subscription libraries. The collection's titles are a diverse and creative gathering of poetry, children' literature, religious texts, broadsides, newspapers, and popular fiction. Together, the items in the Mavis Eggle "Books as They Were Bought" collection illustrate changes in literature, printing and publishing, advertising, and book history over a time period of more than 170 years.
Oral history interview with Delon Potter conducted by Eleanor Christoffersen on February 3, 1972 for the Ralph Roske Oral History Project on Early Las Vegas. In this brief interview, Potter, a Mesquite, Nevada native, talks about his birth in 1909 and his move to Las Vegas in 1933. He describes the early town and some of the more notable inhabitants including "Pop" Squires, working at the Winterwood Ranch at the base of Sunrise Mountain, as a sheep herder near Kaolin, Nevada, and later as a construction worker at the Hoover Dam. After the war, Potter explains that he tried running his own ranch in Utah before moving back to Henderson, Nevada, working for U. S. Lime and trading horses throughout Nevada, Utah, and Arizona.
The UNLV University Libraries Photographs of the Development of the Las Vegas Valley, Nevada (2016-2020) are comprised of digital photographs captured as part of the Special Collections and Archives Building Las Vegas project. Digital photographs shot in the Las Vegas Valley, Nevada, include color images of street scenes, neighborhoods, developments, land use, housing, flood control, parks, traffic patterns, and parts of the tourism corridor including casinos and hotels.
The Larven Mason Photograph Collection (approximately 1930 to 1939) consists of photographic negatives with corresponding black-and-white photographic prints, as well as additional black-and-white photographic prints. The images depict the mining equipment, personnel, operations, and housing for the Blue Diamond Corporation mine in Blue Diamond, Nevada.
The Frank Gagliardi Music Manuscript Collection (approximately 1964-1974) contains musical arrangements of standard Frank Sinatra songs, printed or photocopied with annotations. Each part is in its own folder, and each song is numbered. Frank Gagliardi performed as percussionist in Antonio Morelli's orchestra for the Sands Hotel in Las Vegas, Nevada, where he played for Frank Sinatra and other notable entertainers during the 1960s and 1970s.
The Russ Morgan Music Manuscripts (approximately 1950-1967) are comprised of manuscript arrangements used by the Russ Morgan Band for live concert, radio, and television performances. The collection includes handwritten scores and parts for popular music.
Oral history interview with Kaweeda Adams conducted by Kim Kershaw on March 05, 2004 for the Public School Principalship Oral History Project. In this interview, Adams reflects upon her career as a teacher in Louisiana from the 1980s to the 1990s, and as a teacher and administrator with Nevada’s Clark County School District (CCSD) from the 1990s to the early 2000s. She discusses her upbringing, and how her upbringing influenced her pursuit of education. She describes the process by which she became a teacher and eventually administrator, and compares her experiences working in Louisiana and Nevada. She discusses how these experiences shaped her philosophy of education, as well as changes that she has observed in the students over time. She describes her regular job duties, as well as challenges that she faced as a school administrator such as teacher dismissal and evaluations.
The Nevada Watercolor Society Records (1969-2009) contain watercolor paintings and organizational records pertaining to the Nevada Watercolor Society, a non-profit organization that aims to promote watermedia painting and art appreciation. Organizational records contain materials including by-laws, articles of incorporation, newsletters, exhibit information, tax and financial records, receipts, photographs, negatives, and newspaper clippings. The collection also includes paintings by society members and newspaper clippings about art exhibitions and artists in Las Vegas, Nevada.