Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]

On March 20, 1978, David Furbush interviewed Joanne Imprescia (born October 10th, 1927 in Keokek, Iowa) about her life as a hairdresser in Las Vegas, Nevada. Imprescia discusses the growth of Las Vegas and the local social climate of the fifties. The interview concludes with Imprescia explaining her experiences as a Las Vegas business owner and the hairdressing industry in Southern Nevada.

On March 2, 1980, collector Krista Jenkins interviewed assistant manager, Sally L. Jackson, (born March 28th, 1932 in Culver City, California) in her home in Las Vegas, Nevada. The interview covers the social and environmental changes that have occurred in Las Vegas. Sally also discusses the hospitality industry and offers details on the local hotels, casinos, and nightclubs in Las Vegas, Nevada.

On March 2, 1977, Danny DiGiacomo interviewed office manager, Maxine James (born September 6th, 1925, in Hayti, Missouri) about her life in Southern Nevada. The two discuss the ease with which people could find jobs in early Las Vegas. The interview provides an overview of James’ occupational history in Las Vegas and concludes with a discussion on the rapid growth of the city in the fifties and sixties.

On February 21, 1980, collector Bob Bush interviewed porter and retired military man, Hugh E. Key (born on November 17th, 1919 in Fordyce, Arkansas) in Las Vegas, Nevada. This interview covers the life of a Las Vegas old-timer. Hugh Keys’ wife, Mrs. Key, is also present during the interview and offers a few remarks.

From the Ralph Roske Oral History Project on Early Las Vegas, OH-01017. On February 26, 1980, collector Steven McKenzy interviewed Clark County Community College coordinator of rehabilitation, Autumn Keyes Ita (born December 8th, 1936 in Port-au-Prince, Haiti) at the Clark County Community College. This interview offers a personal historical account on home and family life in Las Vegas, Nevada. Autumn also discusses entertainers such as Wayne Newton and Sammy Davis, Jr., and the role that entertainment played in the development of Southern Nevada.

On February 28, 1980, Paul Gentle interviewed Luella Knuckles (b. 1910 in Impolla, Texas) about life as an African-American in Las Vegas, Nevada. Knuckles talks to Gentle about the conditions that African-Americans lived in and the discrimination they faced when first arriving to the city. Knuckles, in particular, spends a portion of the interview discussing the segregated layout of Las Vegas and the jobs and opportunities that were available for the black community in a segregated town. Moreover, she provides anecdotes about her deceased husband’s employment, their experience buying and repairing a property by themselves, and the changes in attitudes as the city desegregated. The conversation later focuses on the Church’s place in the African-American community, education and participation in church activities, and Knuckle’s personal love for books and Bible study.