Search Results
Jonathan S. Sparer, FAIA oral history interview
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Oral history interview with Jonathan S. "Jon" Sparer, FAIA conducted by Stefani Evans and Claytee D. White on August 29, 2016 for the Building Las Vegas Oral History Project. Sparer discusses his involvement in the Jewish, and LGBTQ+ communites, and his career as an architect in Las Vegas, Nevada. He also talks about working on projects that included The Mirage Hotel and Casino, the Congregation Ner Tamid, and The Center (The Gay and Lesbian Community Center of Southern Nevada).
Archival Collection
Hal Rothman Faculty Papers
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Abstract
The Hal Rothman Faculty Papers (approximately 1930-2006) are comprised primarily of research, teaching, and professional papers of Hal Rothman, professor of history at the University of Nevada, Las Vegas (UNLV). The papers include Rothman's research notes, manuscript drafts, conference articles, lecture notes, audiovisual material for his book
Archival Collection
Las Vegas City Commission Records
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Abstract
The Las Vegas City Commission Records (1911-1960) is comprised of bound and unbound materials from the original Las Vegas City Commission. Twelve of the bound volumes are minutes that served as the official record of the proceedings of all Las Vegas City Commission meetings from 1911-1960. There are also three volumes of City of Las Vegas ordinances dating from 1911 to 1958, one volume of legal documents from 1944-1945 and two large volumes containing an alphabetical subject index to the topics covered in the minutes. Unbound materials cover the period 1921 to 1946 and include minutes, resolutions, ordinances, correspondence, financial records, proclamations and other documents related to city business. They provide a valuable historical record of a wide variety of business and community activities in Las Vegas in the first fifty years of its incorporation.
Archival Collection
Phillip L. Cook oral history interview
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Abstract
Oral history interview with Phillip L. Cook conducted by Richard Strahan on March 3, 1977 for the Ralph Roske Oral History Project on Early Las Vegas. Cook first talks about his parents' move to Nevada and discusses how the school system has changed over time. He then describes the first businesses that opened up in the Downtown and Strip areas of Las Vegas, Nevada before discussing prostitution, Block 16, and recreational activities available to youth. Cook also talks about the first television sets and telephone systems made available, and he moves on to talk about the prices of things such as movies and haircuts when he was younger. The interview then moves to discussions on the Old Ranch, racial discrimination, school integration, the crime rate, and the school system in Las Vegas.
Archival Collection
Fred Houghton Papers
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Abstract
The Fred Houghton Papers (1909-1998) consist of Houghton’s legal and personal files on his Blue Chip Ranch property in Las Vegas, Nevada. The materials include legal cases, maps, reports, and correspondence concerning water access on the property, and his work with the Las Vegas Well Users Association, which primarily contains correspondence in conjunction with Las Vegas's water politics. The collection also contains court cases during the 1930s when Houghton worked as a lawyer in Chicago, Illinois, as well as legal files for his time as a public defender for the State of California. The personal files in the collection primarily consist of correspondence, banking records, diaries, and notebooks.
Archival Collection
Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, March 30, 1994
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Archival Collection
Description
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Transcript of interview with Justice Michael Cherry by Barbara Tabach, September 19, 2014
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Archival Collection
Description
Interview with Justice Michael Cherry by Barbara Tabach on September 19, 2014. In this interview, Justice Cherry talks about how he came to Las Vegas and his work as a public defender and as a lawyer in private practice. He also discusses his involvement with Jewish organizations in various capacities, and his involvement with high-profile cases such as the MGM Grand and Las Vegas Hilton fires, earning him the nickname "master of disaster."
Justice Michael Cherry was born in St. Louis, Missouri, and went on to spend his childhood in the Jewish neighborhood of University City. He attended University of Missouri and became a leader in his fraternity, Alpha Epsilon Pi, and a committed ROTC cadet. By the time Justice Cherry graduated from Missouri and was heading to Washington University School of Law, he was a second lieutenant; halfway through law school, he was promoted to first lieutenant. It was also during law school that he married his college sweetheart, Rachel Wolfson. When a bad back prevented him from becoming an active air force officer, he and his wife decided to follow his mother to Las Vegas. Justice Cherry worked both as a law clerk with the Public Defender's Office as well as a security guard at Wonder World when he first moved to the city. After passing the Nevada bar, Cherry took at position with the Public Defender's Office, and later went into private practice as a successful criminal defense attorney. Cherry was elected as district judge in 1998 and 2002. In 2006, he won his campaign for state Supreme Court justice. Justice Cherry was reelected to office in 2012 for another four-year term. He is currently the highest-positioned Jewish official in the state of Nevada. Throughout his years in Las Vegas, Justice Cherry has been an extremely active and influential member of the Jewish community and served as chairman of the Anti-Defamation League and is active in the Jewish Federation. Justice Cherry attributes his commitment to service to his mother. In addition to his service to the Jewish community, he has been active in numerous other service organizations, including March of Dimes, Olive Crest, Adoption Exchange and American Cancer Society.
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Photographs of MGM Grand signs, Las Vegas (Nev.), 2002
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Archival Collection
Description
Site name: MGM Grand Hotel and Casino
Site address: 3799 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: The MGM Grand is host to several types and numbers of signs around the exterior of the property. These types include the MGM lion logo and text which adorn the tops of the towers, a multimedia pylon sign, a golden monument sculpture of a lion which serves as the main entrance, and several smaller textual signs that denote parking and entrances.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The MGM's signage is excellent repair, being a less than a decade old. The structure is intact, as well as all the lighting, and surface.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The property contains different types signs including Pylon, sculpted three-dimensional signs as well as building front logos. The pylon sits along the East side of Las Vegas Blvd, just north of Tropicana Blvd, and faces north /south. Constructed as if to appear as different sized towers from the emerald city, the double backed pylon contains the MGM Lion Logo in a backlit steel cabinet and the Letters "MGM" at the top in gold polished channel letters with horizontal bars of Neon. Directly beneath that sit two message centers one being an animated color LED screen on the left, and the one on the right being a backlit plastic advertisement screen. Located beneath the two screens the phrase The City of Entertainment in all capital polished gold aluminum channel letters with neon running horizontally across the diameter of the letters. The sculpted three dimensional lion structure sits on the North East corner of Las Vegas Blvd and Tropicana and faces to the Southwest. The statue appears to be made of polished gold and is surrounded by an impressive array of fountains, which are illuminated themselves. The statue is ambiently lit from underneath with spot lighting and the glow of the fountains. Serving as a backdrop for the structure, an impressive wall of multicolored incandescent bulbs form a concave geometric canvass that wraps the corner of the building. This wall is separated into different sized fields by square columns of similar height. Sitting atop each of the columns is a statue of a man holding a giant urn upon his back. The statuary is lit from underneath with ambient lighting similar to that of the lion sculpture. The bulbs animate in a subtle waving pattern that gently creates the illusion of a rippling of the surface.
Sign - type of display: Neon; Incandescent; Matrix; Backlit
Sign - media: Steel; Plastic; Fiberglass; Masonry; Glass
Sign animation: Chasing, flashing, oscillating
Notes: The V-shaped red channels on the silver main pylon chase each other downward toward the ground. The main text on the pylon animates as well. The letters light up one at a time with red neon from left to right as the arrows continue to chase downward. The logo/text sign located above the giant replica of the Harley Davidson, animate as well. The incandescent bulbs which fill the text, spelling the name of the establishment, oscillate, steady burn, then shut off, and then restarting the sequence. The letters that spell cafe on the lower portion of the sign animate in concert and with the same sequence as the main text.
Sign environment: The MGM Grand dominates the corner on which it sits. Headed west on Tropicana toward the Strip the property casts a green glow but not too electrifying. Once you reach the corner you can't help but be overwhelmed by standing underneath the looming golden lion and the bustling fountains. Facing the structure from the corner, the facade becomes a canvass of dancing light and water. Look up toward the strip the giant pylon booms the golden letters "MGM" and busy LED screens.
Sign - date of installation: Property was opened in 1993 but signage was changed in 1998
Sign - date of redesign/move: The original sculpted lion entrance was replaced in 1998 with a new trophy style sculpture. With the original sphinx structure, patrons passed trough the mouth of the lion into the main lobby of the hotel. Guests and visitors now pass around the pedestal on which the lion sits upon.
Sign - thematic influences: The exterior of the MGM Grand Hotel incorporates the themes of the movie industry for which the name is so prominent. Most specifically the Wizard of Oz's Emerald city theme. The structure is designed to look as such with the base color of the building being emerald green as well as the pylon structures and attached buildings such as the parking garage. The font and MGM lion logo are represented with gold coloring referencing Oz's yellow brick road. The statue is reminiscent of an Academy award also referencing the industry which the name is so familiar with.
Sign - artistic significance: The establishment joins the era of themed modern Vegas resorts with its front spectacle, super pylon and aesthetic which is entirely encompassed by its theme.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Matrix; Backlit; Steel; Plastic; Fiberglass; Masonry; Glass
Mixed Content
Arturo Ochoa interview, April 9, 2019: transcript
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Archival Collection
Description
On the corner of Eastern and Stewart, inside the East Las Vegas Community Center, lies an oasis of creativity and art. The halls ring with the sound of harmonious music coming from the meeting rooms, where children move violin bows up and down in a synchronized motion. They stare with concentration at the music sheets in front of them. They gracefully play together and fill the empty halls with classical music. For most of them, they are the first in their family to learn how to play an instrument. Like many in their neighborhood, they are also first-generation Americans. The students are rehearsing for their recital with the Las Vegas Philharmonic at the Smith Center in a few weeks. In the back of the room there is a man gleaming with pride and joy. The Foundation to Assist Young Musicians (FAYM) provides the rehearsal space, violins, and music lessons at the community center and allows these children to flourish despite their economic, social, or racial background through, “Building
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