Search Results
Photographs of Dino's Lounge sign, Las Vegas (Nev.), February 19, 2017
Date
Archival Collection
Description
Site address: 1516 S Las Vegas Blvd
Sign owner: Kristin Bartolo
Sign details: This location was originally constructed in 1957. Opened as Ringside Liquors by Eddie Trascher. Trascher sold the property to Rinaldo Dean "Dino" Bartolomucci in 1962. Bartolomucci Renamed it "Dino's". Bartolomucci sold cars in california, moved to Las Vegas in the 1950's. "Dino's" is now owned by his granddaughter Kristin Bartolo.
Sign condition: 4 out of 5, it still lights up brightly at night and has bright paint colors.
Sign form: Pylon as well as signage on the building.
Sign-specific description: Sign on building green cover filtered neon, with a script style design for the name. Road pylon contains skeletal neon with red and white design also stating their name "Dino's" in the same font as the sign on the building. This pylon has a white base that extends out of the main red rectangle portion of the sign. Also below their logo is a back lit plastic sign.
Sign - type of display: Neon (skeletal on roadside sign and encased on building) and Plastic Backlit sign
Sign - media: Steel and plastic.
Sign - non-neon treatments: Plastic back lit portion
Sign environment: This is located downtown just a few blocks south of Fremont, next to Tod Motor Motel.
Sign - date of installation: 1963
Sign - thematic influences: This sign shows 50's/60's trend with the base of the sign extending out of the main worded portion of the sign. That trend is very common among many other signs across the valley from the same era.
Survey - research locations: Dino's website http://dinoslv.com/new/, Recorder's office, Assessor's office, Dino's site visit and discussion with owner Kristin.
Survey - research notes: This location is .35 acres and was constructed 1957. The Dino's website contains an archive of images of their bar and owners from the last 50 years, and some of the images show older photos of their sign.
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-08-11
Sign keywords: Neon; Plastic; Backlit; Steel; Pole sign
Mixed Content
Transcript of interview with George Pollak by Claytee White, May 25, 2010
Date
Archival Collection
Description
George was raised in Mattapan, a suburb of Boston, by his mother and father. George had four siblings and was the second youngest. George shares fond memories of growing up and playing softball and tennis in the neighborhood park with his numerous friends. George could listen to a song on the radio and play it on the piano by ear when he was as young as four years old. George had several jobs to earn money growing up, including working in a record store and as a busboy. Eventually George and his brother joined a trio with Steve Harrington and performed in clubs. In 1958, George joined his brother and Paulette Richards in Las Vegas where they had a contract to play at El Rancho Hotel & Casino where they played until it was destroyed by fire. Following the fire, George and his brother parted ways and each did their own thing. In the 1960s, George began playing with the band at Caesars Palace. George used his background in accounting to do some bookkeeping and payroll for some of the ban
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Untitled unpublished manuscript by Roosevelt Fitzgerald
Date
Archival Collection
Description
From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Unpublished manuscripts file. "Injustice Blacks Have Suffered…" ending with Naomi Long Madgett's poem "Midway."
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University of Nevada, Las Vegas (UNLV) William F. Harrah College of Hotel Administration 33rd commencement program
Date
Archival Collection
Description
Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).
Text
Letter and envelope from Nellie Harrison, Mt. Carmel to Mary Etta Syphus, Panaca, Nevada
Date
Archival Collection
Description
From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, a typed transcription of the same letter, the original envelope with the stamp removed, and a copy of the original letter.
Text
Letter and envelope from John M. Bunker, Logan, Utah. to Mary Etta Syphus, Provo, Utah
Date
Archival Collection
Description
From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, a typed transcription of the same letter, the original envelope with the stamp removed, and a copy of the original letter.
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Photographs of Maxim signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 160 E Flamingo Rd
Sign owner: Premier Interval Resorts
Sign details: The Maxim is located just east of the Bourbon Street, in close proximity to Bally's Hotel Casino. The Maxim is no longer operating, and is fenced off from further inspection. The signage that is seen entails building signs, the original pylon, and the porte cochere
Sign condition: Structure 2 Surface 2
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Building: The tower itself contains the logo and giant text spelling the name of the establishment, on one side of the building. The tower is mirrored and reflective, thus matching the porte cochere and pylon, and reserves to collect its building signage to one end of the tower. The tower, which runs east/west, and faces north/south contains the signs on the east end structure. On the north and south faces of the building, giant red channel letters run vertically along the block surface. The letters look to be lined on the interior of the letters with neon. The logo can be seen on the east face. Pylon: The pylon sign is essentially a giant vertical monolith of a rectangle, divided into several different sub-shapes. The center of the monolith is occupied by cabinets which fill in most of the shape, with a small gap bordering the cabinet. The cabinets are treated the same as the square arch, and flush with the surface. The cabinets are very subtle and create an illusion of one solid object. The entire outer arch shape and interior cabinets are bordered with polished aluminum. The interiors surface of the arch are covered in polished gold aluminum panels. The lining of the incandescent bulbs on the sign is interesting. On the arch the incandescent bulbs are on the interior return width of the aluminum borders. With this configuration, the bulbs sit parallel to the surface instead of perpendicular. The main marquee text is aligned horizontally across the top in gold channel letters with red plastic faces. The letters blend with the gold surface nicely. The interior cabinets are internally lit with plastic faces. There are two cabinets, the larger of the two, occupying the upper part the interior space of the monolith. Incandescent bulbs line the exteriors of the cabinets, sitting back on a recessed edge. Porte Cochere: The porte cochere is unique, opting to rise high above the surface of the pavement. The prismatic design crafted in polished aluminum, interlocks into a pattern suitable to the space which it resides. The recesses in which the decoration resides are separated by a small width of structure. This pattern of giant recesses, matched with the prismatic design in each negative space create a hulking environment high above the head in proud stature. Along the peak edge of the pieces of the prism, rods protrude every foot or so, creating a row of arms holding incandescent spheres.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: chasing, flashing
Sign environment: The Maxim is now closed, and stands in marked contrast to its neighbors a bit to the east--the famous "Four Corners" of Flamingo and the Strip, and next to the trendy Meridian at Hughes Center apartment complex.
Sign designer: Maxim letter design: Kenneth Young, Porte Cochere; Lighting: Jack Dubois Pylon sign: Marnell Corrao
Sign - date of installation: 1977
Sign - thematic influences: The influence of the Maxim hotel was 70's Vegas design refined to simple geometric forms and curved linear logo's. The pylon was completely sheathed in polished aluminum, as well as the underside of the porte cochere being polished gold aluminum. The use of the popular 70's material is used extensively throughout the design. Letters hung over the main entrance, as well as signage on three sides of the building. Other examples of the material can be seen elsewhere but not as extensively. The only property that comes close is the pylon for usage of the material is the Westward Ho.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Graphics; Paint
Mixed Content
Interview with William Gus Flangas, November 12, 2004
Date
Archival Collection
Description
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