The Union Plaza Photograph Collection, approximately 1970 to 1971, consists of photographic prints and negatives taken during the construction of the Union Plaza Hotel and Casino in downtown Las Vegas, Nevada. Images portray the construction process, the surrounding area and businesses, and the completed project.
Archival Collection
The Bob Friedlander Jazz Music Manuscripts (approximately 1960-1980) are comprised of music manuscripts arranged by Bob Friedlander and collected by the Arnold Shaw Popular Music Research Center at the University of Nevada, Las Vegas (UNLV) in Las Vegas, Nevada. Some titles are photocopies of the original manuscript. Friedlander arranged for big band musicians such as Harry James, Sam Donahue, Richard Maltby, Ralph Flanagan, and Johnny Long.
Archival Collection
The Dorothy Keeler Papers (1811-1977) document early Las Vegas history, the life and career of former United States Mint director Eva Adams, and contain images of the Western United States and Southern Nevada in the 1930s. The collection contains clippings on the history of Las Vegas and early Las Vegas weddings as well as photographs documenting the Keelers' travels throughout the Western United States and the construction and dedication of Hoover Dam.
Archival Collection
Mixed Content
Mixed Content
"The goal of this 2014-2015 project is to build a web and mobile resource that will connect researchers from around the world to thousands of historical items—photographs, brochures, scrapbooks, letters, drawings, videos, and more—detailing the lives and contributions of Jews in Southern Nevada. It will include carefully researched biographies, timelines, and histories of institutions, events, and prominent themes showing the integral roles Jews have played in the history of Southern Nevada.
Corporate Body
Oral history interview with Diane Meireis conducted by Claytee D. White on November 06, 2017 for the Remembering 1 October Oral History Project. In this interview, Meireis discusses her experience at the 1 October shooting. She remembers hearing gunfire, the confusion in the crowd, and finding a safe place to hide. Meireis describes the collaboration of strangers, and feeling guilt for not being able to help others as she escaped the venue. Lastly, Meireis discusses her opinions of firearms.
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