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Interview with Peter Henry Zavattaro, May 31, 2005

Date

2005-05-31

Description

Narrator affiliation: General Manager, Edgerton, Germeshausen, and Grier Energy (EG&G)

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Interview with Robert Campbell, March 9, 2004

Date

2004-03-09

Description

Narrator affiliation: Test Director, Los Alamos National Laboratory

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Interview with Lewis Gibson Miller, September 14, 2005

Date

2005-09-14

Description

Narrator affiliation: Engineer, Reynolds Electrical and Engineering Company (REECo)

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Interview with Herbert Frank York, January 16, 2004

Date

2004-01-16

Description

Narrator affiliation: Physicist, First director, Lawrence Livermore Laboratory; Arms control negotiator; Director, Defense Dept. Research adn Engineering

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Interview with John Frederick Campbell, January 31, 2006

Date

2006-01-31

Description

Narrator affiliation: Operations Mining Superintendent, Reynolds Electrical and Engineering Company (REECo)

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Las Vegas Age

Alternate Title

preceded by Las Vegas Times (1905-1906)

Description

The Las Vegas Age was not Las Vegas's first newspaper; that distinction belongs to the short-lived Las Vegas Times which started publishing on March 25, 1905. But only two weeks later, on April 7, C.W. Nicklin founded what was the not-yet-a-city's third paper, the Age. Nicklin edited and published the Age from the Overland Hotel each Saturday as a six-page independent weekly, at $2 per year. When the railroad finally arrived, and laid out and auctioned off the town lots, the Age and its two competitors, the Times and the Advance, boomed with the new town amid lively journalistic debate. The Age briefly triumphed when the Times and Advance collapsed, until new competition arrived, and Nicklin left the Age to his partner Charles C. Corkhill to give his attention to his other paper, the Beatty Bullfrog Miner. Corkhill struggled for two years as editor and publisher, as Las Vegas languished in post-boom depression, then persuaded local businessman Charles P. "Pop" Squires to buy the paper, only after repeatedly dropping the price. Thus began the long and fruitful newspaper career of Charles Squires, sole editor and proprietor of the Age for almost forty years. Even after he sold the paper in 1943, he continued as editor until its last owner, Frank Garside of the Review-Journal, suspended publication of the Age on November 30, 1947.

As the Las Vegas Age, under Squires' shrewd editorship, dominated its local competition as the leading local newspaper with the largest circulation, it also became the leading paper in Southern Nevada. When Las Vegas was founded it was a remote railroad establishment far from the seat of Lincoln County, in Pioche where the county's leading newspaper and the paper of legal record was the Lincoln County Record, which had been in business since 1871. With the rapid growth of Las Vegas and the decline of the Pioche mining district, the population of southern Nevada shifted to the south and the divisions between the southern and northern sections of Lincoln County, which covered the whole of southeastern Nevada, became politically heated. When the Age began publication in Las Vegas in 1905, with a larger circulation than the Record in Pioche, the county commissioners decided to award to the Age all county printing and job work. The editor of the Record, not surprisingly, was enraged and commenced a series of personal attacks on the Age and the residents of Las Vegas, likening the Age to a mushroom fungi of uncertain life, possessing a readership of "floaters, the shiftless and reckless class."

Squires became the city's foremost booster and the Age became his trumpet, fighting for the division of Lincoln County that created Clark County, or for the new dam (an original member of Nevada's Colorado River Commission, Squires was in charge of publicity), or promoting as a one-man Chamber of Commerce civic and community organizations and projects or the city's nascent tourism and resort industry. Thus, the Age became the Voice of Las Vegas, as well as the most respected "paper of record" for the city. Other newspapers came and went, some were political adversaries (Squires was a staunch conservative, pro-business Republican), and some became well-established. But the Age remained the essential Las Vegas newspaper, from its fiercely independent editorials, to its boosterism and its comprehensive reporting of the simple everyday doings of this boisterous and dynamic new city.

See full information about this title online through Nevada's participation in the National Digital Newspaper Project. All issues digitized online at: Chronicling America collection from the Library of Congress.

1947
April
May
June
July
August
September
October
November

Language

English

English

Frequency

Weekly

Place of Publication

International Standard Serial Number (ISSN)

2766-4791

Library of Congress Control Number (lccn)

sn86076141

OCLC Number

13754433

Transcript of interview with Ruth Poirier by Joanne Goodwin, February 5, 2003

Date

2003-02-05

Description

In 1927, a sixteen-year-old girl from Rockford, Illinois moved to New York City to play trumpet with the all-girl bands common from the 1920s through the end of World War II. During this period, which spanned Prohibition, the Great Depression, and World War II, all-girl bands came into their own in America. They were especially popular during the war, when most men were off fighting but people still needed and appreciated music. This was also a time when jazz and swing became wildly popular in this country. All-girl bands were able fill a niche left empty by men at war. Doris Eloise Pressler was born in Jamesville, Illinois on January 17, 1911 to Bertha Hendrich Pressler and Louis Pressler. Almost immediately after her birth, the Pressler family moved to Rockford, Illinois. Bertha was a teacher, a homemaker and mother. Louis did auto body hand-painting and also managed a bar. In addition, he played baritone saxophone and taught his daughter Doris to play trumpet. They both performed with hometown bands, playing churches, dances, and other social events. In 1927 at age sixteen, Doris left school, moved out of the family home, and went to work for Walgreens in downtown Rockford. In her free time she played music. Doris began her professional music career in 1927 as a trumpeter with the Gypsy Sweethearts in Rockford. That same year, she moved to New York, where she played in the only women’s band that ever performed at New York’s historic Roseland Ballroom. During the early 1930s, Doris performed with the Red Dominos, an all-girl band that was part of a variety show produced by E. K. Nadel. However, it was tough for girl musicians during the Depression. Few managers wanted to hire female players when so many men were out of work. Doris persevered, and through the 1940s, she traveled and played with other all-girl bands such as Annette Demon and her French Dolls and the Hollywood Debs. While Doris pursued her music career, a little girl in Wisconsin was learning to play the piano and trombone. Born on April 13, 1917, Ruth Poirier came from a musical family: her father John played drums and French horn, her brother drums and bassoon. John performed with the local Elks Club group, while Ruth and her brother played for their high school band. Ruth’s mother Mary had been a nurse, so when she finished high school Ruth decided to attend nursing school in Chicago. After a year, she returned home to Wisconsin and trained as a beautician. In 1939, Ruth answered a local ad for girl musicians and signed on as a trombonist with an all-girl band. Her first gig lasted only a month, the band dissolved, and she left to tour with Annette Demon and her French Dolls out of Milwaukee. While playing down South, Ruth met a fellow musician who became her lifelong companion, Doris Pressler. In July 1939, Ruth and Doris took off for Southern California. While living in Long Beach, Doris performed with bands at the 660 Club on the Pike, a well-known waterfront amusement park, and at the Waldorf Cellar. She also played a gig at Murphy’s, across from the Showboat in Las Vegas. Girl musicians began getting more jobs because the men were being called into military service. Ruth, a “Rosie the Riveter” during the war years, helped to build Navy fighter planes for Douglas Aircraft in El Segundo, California. After the war ended in 1945 women, whether “Rosie the Riveters” or band members, lost their jobs to the hordes of returning servicemen. Realizing that all-girl bands were “gonna go nowhere at all,” Doris had decided in the early 1940s to return to school and pursue studies in her second love, mathematics. She took classes in math and engineering at the University of Southern California, and then joined the Los Angeles County surveyors’ department as a civil engineer. After two years there, Doris transferred to the road department, where she worked until her retirement in 1974. Ruth returned to work as a beautician, running a shop out of her home. The Greater Los Angeles area contained an active gay and lesbian community both during and after the war. Doris and Ruth enjoyed a social life that included girls’ clubs such as Tess’s and drag clubs like the Flamingo. According to Ruth, these were “sitting-down, drinking places…and visiting. We had one club where they had dancing…. But then they let everybody in.” After the war, everybody just wanted to have fun, and Doris and Ruth enjoyed getting together with all types of friends in clubs and in private homes. During these at-home evenings, Doris and others would play popular music for everyone’s enjoyment. After their retirement to Las Vegas in 1974, Doris and Ruth were active in their local senior center. Doris played with the Las Vegas Senior Band for ten years, and Ruth worked in support of the band and the center. According to Ruth, Doris loved playing with the band, and enjoyed it more because she was retired and could devote herself to her playing. Doris Pressler and Ruth Poirier lived together through six decades of radical social change in America. From the rise of women musicians and workers outside the home, through the return of women to more “traditional” roles after World War II, and finally the revolution in women’s roles from the 1960s to the present, Doris and Ruth experienced it all. And through it all, they maintained a relationship that lasted for 62 years, until Doris’s death. According to Ruth, “I enjoyed my life. I never found anything wrong with . ... I think Doris would say the same."

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Vassili Sulich Papers

Identifier

MS-00469

Abstract

The Vassili Sulich Papers (1951-2005) document the life of Vassili Sulich: ballet dancer, choreographer, and co-founder of the Nevada Dance Theatre, the first professional dance company in Nevada. Included are correspondence, newspaper clippings, newsletters, photographs, posters, and scrapbooks.

Archival Collection

The Story of Classic Las Vegas Oral History Interviews

Identifier

MS-01075

Abstract

The Story of Classic Las Vegas Oral History Interviews (approximately 1950-2006) is comprised of raw and edited video recordings of oral history interviews used for The Story of Classic Las Vegas documentary which was produced, directed, and edited by Lynn Zook. The documentary offers first person historical overviews of what it was like to live in Las Vegas, Nevada from the 1920s to the 1970s. Individuals interviewed include a wide range of community members of the Las Vegas Valley including business owners, educators, entertainers, politicians, gaming professionals, casino workers, and activists. Materials also include a media kit with promotional materials and interview transcript for one of the interviewees, Betty Willis.

Archival Collection

Mayra Salinas-Menjivar oral history interview: transcript

Date

2019-09-20

Description

Oral history interview with Mayra Salinas-Menjivar conducted by Nathalie Martinez, Elsa Lopez, and Barbara Tabach on September 20, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Mayra Salinas-Menjivar is a lawyer in Southern Nevada and a graduate of William S. Boyd School of Law. She grew up in Las Vegas but describes her early years living with her maternal grandparents in El Salvador. She describes some of the aftermath she experienced regarding the Civil War in El Salvador, and recounts some testimony told to her by her mother about that particular time period. She details the differences in immigrating in the 1990s and speaks about being an undocumented student. While pursuing a business degree at UNLV she found herself working at a law firm which is where she first decided to pursue law as a career after graduation. She talks about her experiences during law school and her time helping with the law school's immigration clinic. Subjects discussed include: Salvadorian Civil War, Immigration Law, Education, DACA, William S. Boyd Law School.

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