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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, February 24, 2003
Date
Archival Collection
Description
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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, October 11, 1983
Date
Archival Collection
Description
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Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, August 22, 1994
Date
Archival Collection
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High Hat Regency Neon Survey document, September 6, 2017
Date
Archival Collection
Description
Site address: 1300 S Las Vegas Blvd
Sign owner: Tarighi Bahman and Farideh
Sign details: The building was constructed in 1958 (Assessor). A vintage postcard from the 1950's-- or more likely the 1960's (based upon the automobiles pictured)-- shows that the business was previously named the Chevron Motel (Las Vegas motels then and now).
Sign condition: Condition is 3-4, fair to good. The pole, cabinets and reader board are in good condition. Moderate rust is evident around the edges of the top cabinet. The paint is generally in good condition, although there white patches (from repairs?) on the chevron. The neon tubing is entirely intact. Most of the incandescent light bulbs are present, except for the underside of the lower cabinet, where they are completely absent.
Sign form: Pole Sign
Sign-specific description: A single round white metal pole supports the sign, which is cantilevered toward the street. The cabinets form a rectangular "C" which is open on the motel side. The interior of the "C" surrounds a chevron which points toward the motel. On top of the motel side of the upper cabinet is a metal top hat and cane. The sign is attached to the pole at the side of the lower cabinet, the point of the chevron and the bottom of the upper cabinet. The background color of the sign is sky blue. The bottom of the face of the lower cabinet has the word "VACANCY" painted in white sans serif letters. The letters are traced in white skeleton neon. To the left, the word "NO" is spelled out in clear skeleton neon sans serif letters. Above the neon letters is a white metal reader board which has a row of clear incandescent light bulbs running along the top, bottom and motel side edges. A single row of clear incandescent light bulbs runs the entire length of the street side of the sign. On the street side of the chevron is a blue metal cabinet with the word "MOTEL" spelled in white channel letters. The channels are outlined by white neon tubes, while the interior of the channels are filled with clear or white incandescent light bulbs. On the motel side of the "MOTEL" cabinet is a blue chevron which is covered with clear or white incandescent light bulbs. The top cabinet features the words "High Hat" spelled out in white cursive letters. Below is the word "REGENCY" painted in white sans serif letters. All wording is traced by white skeleton neon. On top of the motel side of the upper cabinet is a white top hat with a blue hat band. Running through the hat is a white cane. The hat and cane are traced by white skeleton neon. The hat is covered with white or clear incandescent light bulbs.
Sign - type of display: Neon, incandescent, reader board
Sign - media: Steel, plastic
Sign - non-neon treatments: reader board
Sign animation: Light bulbs flicker
Sign environment: Las Vegas Boulevard South, north of the Las Vegas Strip near other motels and wedding chapels.
Sign - date of installation: c.1950s
Sign - thematic influences: Elegance, sophistication, high society, boomerang/chevron, 1950's, 1960's, mid-century
Survey - research locations: Assessor's website
Survey - research notes: Connolly, D. (2012 July 21). Chevron Motel. Retrieved from https://www.flickr.com/photos/dennisconnolly5059yahoocom/7635650456 Hagopian, M. (2011 January 28). No vacancy in vintage Vegas. Retrieved https://hyperallergic.com/15738/no-vacancy- vintage-vegas/ Las Vegas motels then and now. (n.d.). Chevron Motel. Retrieved from http://stefanidrivesvegas.com/8.html RoadsideArchitecture. (n.d.). High Hat Regency Motel. Retrieved from http://www.roadarch.com/signs/nvvegas.html Seltzer, D. J. (2014 June 1). High Hat Regency Motel sign in Las Vegas [Video recording]. Retrieved from https://www.youtube.com/watch?v=-bQdw48LVrA
Survey - other remarks: A vintage postcard circa 1950's-1960's shows the Chevron Motel sign as a simple pole mounted with a reader board and two light boxes which form a "C" shape open toward the motel (Las Vegas motels then and now, n.d.). A later postcard features the same sign with a chevron in the center and a semi-circular arch which encloses a light ball above the upper cabinet (Connolly, 2012). The current sign retains the chevron, the metal frames of the light boxes and reader board (Las Vegas motels then and now, n.d.). A hat and cane have replaced the arch and light ball at the top of the sign (Las Vegas motels then and now, n.d.). The light boxes have been replaced with metal cabinets with incandescent and neon displays (Las Vegas motels then and now, n.d.). The sign is pictured in a vintage postcard circa 1950's-1960's (Las Vegas motels then and now, n.d.). At that time it advertised the Chevron Motel.
Surveyor: Mitchell Cohen
Survey - date completed: 2017-09-06
Sign keywords: Neon; Incandescent; Steel; Plastic; Reader board; Pole sign; Flickering
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Transcript of interview with Alan Clancy by Su Kim Chung, by February 12, 2015
Date
Archival Collection
Description
Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.
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Yvanna Cancela oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Yvanna Cancela conducted by Monserrath Hernández and Barbara Tabach on February 27, 2020 for the Latinx Voices of Southern Nevada Oral History Project. Yvanna Cancela, Nevada State Senator, discusses her personal history growing up in Miami, Florida and her studies at Northwestern University. She talks of working for Senator Harry Reid's campaign in Las Vegas, which led to her organizing efforts for the Culinary Workers Union Local 226. Yvanna recalls being appointed to the Nevada State Senate in 2016 as the first female state senate majority. In addition to fulfilling her duties as the Co-Majority Whip, she worked on the Joe Biden campaign and is the Executive Director of the Citizenship Project. After this interview was conducted, Yvanna received her Juris Doctorate from the William S. Boyd School of Law at the University of Nevada, Las Vegas. Subjects discussed include: Miami, Florida; Nevada State Senate; The Citizenship Project.
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