Dr. Percy Poon was born in Hong Kong in 1958, the oldest of four children. He attended Catholic school through junior high and high school, but decided to work after high school instead of going on to college. After working in banking and police forensics for a couple of years, he decided to continue his education. Percy studied economics at a university in Hong Kong, graduated at age 25, and then applied to Southwest Texas State for an MBA. Having earned his degree after only a year and a half, he applied and was accepted to a PhD program at Louisiana State. He interviewed for several jobs as he was approaching graduation, but decided to follow one of his professors, Mel Jameson, to UNLV. In August of 1989, Dr. Poon moved to Las Vegas to take on a visiting professorship, and the next year was promoted to tenure-track assistant professorship. In 1994, he met and married his wife, and they make their home in the southwest valley. Percy recalls the different styles and contributions of university presidents Robert Maxson and Carol Harter. His memories of first arriving in Las Vegas include the marvel of the volcano at the new Mirage Hotel, the oppressive heat, and the smaller size of the city. Currently, Dr. Percy is dean of the College of Business and Finance, and feels that the program is working towards competitiveness with other well-established university programs, such as UCLA or Arizona State. He feels that progress has been made in pushing for academic exams, but that increased funding will create better programs and opportunities. Dr. Poon became a U.S. citizen in 1998, and makes occasional visits to his family still living in Hong Kong. He and his wife socialize occasionally with colleagues and church acquaintances, and also entertain family members when they visit from Hong Kong.

Includes meeting agenda and minutes, along with additional information about letters. CSUN Session 27 Meeting Minutes and Agendas.

The Evel Pie sign sits at 508 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 508 Fremont St
Sign owner: High Horse Group
Sign details: Original construction year of the building was 1949. Previous to this property being Evel pie it house the short lived F. Pigalle fondue restaurant, and the Radio City Pizza. This 1979 Evel Knievel themed pizza restaurant and bar opened in late 2016. Their motto is Live Hard, Ride Fast, Eat Pizza. In the restaurant there is an Evel Knievel Pinball machine and a Stunt Cycle Game.
Sign condition: 5 - new sign, just over a year old
Sign form: Sign above the entrance
Sign-specific description: Above the entrance there are red channeled cursive letters Evel Pie filled with neon tubes that illuminate red at night. To the left and right of the letters there are little white wings that are plastic but are illuminated with neon tubes I behind it.
Sign - type of display: Neon
Sign - media: Steel and Plastic
Sign - non-neon treatments: Plastic for "wings" of sign
Sign environment: Located in the East Fremont District
Sign manufacturer: Diamond Head Signs
Sign - date of installation: Late 2016
Sign - artistic significance: The logo is the same font as Evel Knievels old advertisements. This font this was a close representation of his signature but more of a bubble font cursive letters rather than the flat signature that would have been done with a pen/pencil. Also the wings on the sign represent the theme since he was known for jumping such long distances that they said he would fly.
Survey - research locations: Assessor's website
Survey - research notes: Eater Vegas https://vegas.eater.com/2016/12/16/13979544/evel-knievel- evel-pie- pizza-las- vegas, Las Vegas weekly https://lasvegasweekly.com/dining/dining-news/2016/sep/28/evel- pie-fremont- east-downtown-las- vegas/
Survey - other remarks: The High Horse ownership group that owns this property is comprised of Barden Powers, Jeff Fine, Seth Schorr and Kelly Knievel.
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-22
Sign keywords: Plastic; Steel; Neon; Fascia; Building-front design

Photos show Luxor signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Luxor (Las Vegas, Nev.)
Site address: 3900 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: The giant black, glass, pyramid rises out of the desert as certainly one of the most unique structures. The pyramid is also accompanied by a monolithic, heavily geometric structure, finished in the same black, panels of windows. Just to the north. The front of the property is dominated by an array or Egyptian architectural landmarks such as an giant obelisk, the Sphinx, various statues of Egyptian gods and pharaohs line the multi tiered expanse of concrete and stucco. The property is pedestrian interactive, being able to pass underneath the giant obelisk, and through and beneath the giant Sphinx. The feel produced by area is appropriate for the desert environment.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: On the expanse of concrete in front of Las Vegas Blvd, just north of the obelisk, a double-sided pylon sign joins the ancient composition. The pylon actually is more akin to the pylons seen at properties such as the Monte Carlo or the Mirage. It is located in the northern portion of the property on the west side of the strip-facing northwest along Las Vegas Blvd Two square posts support a two-sided square cabinet which houses a back lit advertisement and a set of crafted letters spelling the name of the establishment. Occupying the upper portion of the space between the legs another internally lit, two sided, cabinet, atop a small pair of internally lit sculpted cabinets. From a distance the cabinets look like thumbs holding up the cabinet. The shapes are graphically treated on the surfaces to look like colorful recreations of a hieroglyphic bird, the wings being the elongated portion of the cabinet. The only art attached to the cabinet is the portion designated for the head of the creature. Three sets of sculpted cornices, create borders for the different planes. The bases of the legs are treated with the ledging, the section separating the top cabinet, from the rest of the sign, and finally another set around the top crowning edge of the sign. Both sides of the top edge have a sculpted element in the very center. A flat circle, presumably a representation of the sun, flanked by two snakes are set on a pair of large wings spreading to either side. This element is ambiently lit from underneath. The text, which spells "Luxor," is composed of polished gold channel letters, with closed faces with graphic treatments in blue upon the faces. The faces are painted to appear if the letters are faceted into three dimensions. They are lit from behind with whit neon creating a halo effect around the letters. The surface of the actual structure is finished to appear as if it is constructed of limestone, utilizing false joints and seams. The south end of the property close to the street is the four-sided obelisk. The text on the obelisk is the same word treated in the same fashion, structurally and aesthetically, as the pylon sign. The only difference is that it reads vertically from top to bottom. Statuary adorn the base of the obelisk in a repeating pattern as well as it being covered in hieroglyphic patterns. A tunnel allows for the pedestrian to pass underneath the obelisk. The porte cochere is located underneath the body of the Sphinx, another use of the architecture to incorporate the pedestrian element. If you head east through the sphinx, a tunnel opens up into a small courtyard where a shuttle bus may be caught. The ceiling of the porte cochere is adorned with a circular chandelier, composed of metal representations of leafy branches radiating around a rounded center. The ends of the arms hold length-wise half cylinder lamps. The ceiling above is painted blue. The most spectacular element of the Luxor is its super powerful light in the place of the capstone at the very peak. The beam is one of the most powerful lights in the world, and can be seen from high above into the earth's atmosphere as well. The edges of the pyramid are also raceways, which can be seen in action in the dark. An animation of bulbs makes it appear as if a single bulb of light streams up the base to the very peak. The animation runs at an interval of every couple of seconds. On the very south edge of the property, actually on the southeast corner, is a sculpted, small pylon which houses a color led screen.
Sign - type of display: Neon
Sign - media: Steel; Masonry
Sign - non-neon treatments: Plaster
Sign animation: Chasing
Sign environment: Standing next to the Mandalay Bay on the west side of the southern end of Las Vegas Blvd, the Luxor's front exterior is a sprawling mass of smooth vertical planes turning into eloquent statue and stucco walls. They are interlaced with drives and signage complete with a platform at the base of the Sphinx, which is just east of where the valet and porte cochere are grounded in the base of the beasts belly. From the edge of a Platform a tram station is located and also a view of the signage can be seen as well. The Luxor's environment is a very pedestrian one as well. Being in an isolated part of the strip, the noise clutter brought about by the surging traffic is considerably better than the heart of the strip.
Sign designer: Veldon Simpson
Sign - thematic influences: The theme of the Luxor is obviously that of ancient Egypt. The Ancient Egyptian imagery is placed among the same images but represented in the shiny black glass, giving a touch of future meets the past. The image seen are some of the most commonly seen images when talking about the Ancient Egyptian culture. The Sphinx stands guard at the base of the giant black pyramid, one sign is attached to an obelisk. Various statuary adorn the entire plaza. The environment created with the motif obviously fits into the desert like dust, but still retains the surreal nature associated with the themed hotel. The aesthetics appear to be fantastic, but are a bit odd due to the arrangements and limitations on space. It does however fir into an interesting sub category of resort that is themed around a culture. Yes it is themed around a city, but the culture shines through with more dominance. Another example of this is the Imperial Palace. It is not necessarily themed after a particular city, but the architecture and imagery suggests the Asian culture.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Pylon; Fascia; Porte-cochère; Neon; Steel; Masonry; Plaster